BGM from Granblue Fantasy. Popular tracks from GBF.
Granblue Fantasy is a social game you can play on smartphones and PCs.
With TV commercials airing and over 20 million users, it’s incredibly popular.
The story is a highlight, of course, but if you’ve played the game, many of you probably pay close attention to the music as well, right? And with good reason: the compositions are led by Nobuo Uematsu and Tsutomu Narita, who have worked on the Final Fantasy series and the Xeno series! Please enjoy Granblue’s BGM—packed with must-listen masterpieces—to your heart’s content.
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Granblue Fantasy BGM. Popular Granblue tracks (1–10)
Evergreen WindUematsu Nobuo

Characterized by the light, buoyant rhythms and warm melodies typical of Celtic music, this piece is beloved as BGM that plays on in-game shop screens and the like.
The refreshing sound woven by folk instruments such as tin whistle, fiddle, and accordion wonderfully captures the bustle and lived-in feel of a port town in a skybound world.
Included on the album “GRANBLUE FANTASY ORIGINAL SOUNDTRACK” and later performed live, it has become one of Granblue’s signature popular tracks.
It’s perfect music for taking a breather in the midst of an adventure.
Wings of black and silverNarita Tsutomu

This is the track that plays during the battle with Proto Bahamut in the multiplayer raid “Encounter, Wings of Black and Silver,” added in the first-anniversary major update.
It begins with a heavy, oppressive tone, but when Proto Bahamut changes form, it shifts into a passionate vocal track.
Be sure to pay attention to the cool vocals that perfectly suit the battle!
Fleimel Island -Factory of the Ancient Era-Narita Tsutomu

The piece that plays while exploring Freymel Island captivates with its heavy orchestral sound.
As the low end rumbles on, brass and strings weave melodies reminiscent of mechanical gears, conveying awe and grandeur toward a lost civilization.
Included on the album “GRANBLUE FANTASY ORIGINAL SOUNDTRACK,” and later reinterpreted in orchestral and piano arrangements, this track is cherished as a representative island BGM from Granblue’s early days.
It’s perfect for when you want to feel the thrill of adventure.
Granblue Fantasy BGM: Popular Granblue tracks (11–20)
crisisNarita Tsutomu

This story BGM features tension-laden strings and weighty brass that paint an ominous atmosphere.
It’s included on the album “GRANBLUE FANTASY ORIGINAL SOUNDTRACKS.” The low-end chord work and intermittent percussive hits effectively underscore scenes like the skyfarers’ dire straits and the threat of the primal beasts.
While it blends in naturally during gameplay, listening to the soundtrack on its own brings emotions like “premonition” and “urgency” sharply into focus—making it a recommended track for those who want to heighten their immersion in the story.
Port Breeze Archipelago – The Land Where the Great Wings Slumber –Uematsu Nobuo

This is the BGM that plays in the Port Breeze Archipelago in Granblue Fantasy.
The Celtic-style sound woven by flute and guitar is beautiful, evoking images of winds sweeping across the sky and floating islands.
Featured early in the game, this piece combines a sense of exhilaration and comfort that perfectly suits the beginning of an adventure.
In addition to being included on the album GRANBLUE FANTASY ORIGINAL SOUNDTRACK, it has been performed in various arrangements.
Highly recommended if you want to experience the feeling of traveling through the skies!
evening showerUematsu Nobuo

This is the BGM that plays in the story and gacha screens of Granblue Fantasy.
Its gentle, bright tone is memorable, with a soft flute melody and soothing synth pads that resonate pleasantly.
Featured on the album GRANBLUE FANTASY ORIGINAL SOUNDTRACK, this piece is beloved in the game as music that colors everyday scenes where companions share lighthearted conversations.
It’s perfect for a brief break during gameplay or any calm, peaceful moment.
tragic; heroic (in a grim or solemn way)Uematsu Nobuo

This is the BGM that plays in scenes portraying farewells and sacrifices within the story.
Centered on strings, the orchestral sound carefully evokes a heavy, somber atmosphere.
The minor-key melody includes slightly ascending phrases, subtly revealing a glimmer of hope that refuses to fade—an impressive touch.
Through its contrast with the brighter “Main Theme” and “Wind of Beginnings,” this piece adds depth to Granblue Fantasy’s narrative.
It has also been performed at orchestral concerts, with a grand arrangement produced by the Tokyo Philharmonic Orchestra.


