[Harmony Songs for Duets] Songs that feel great to harmonize
When you sing harmony songs at karaoke or live shows, that satisfying moment when your part blends perfectly with your partner’s feels so good, doesn’t it? But when you actually try it, many people may feel things like: “I can’t tell which is the lead and which is the harmony,” “I keep getting thrown off,” or “It’s hard to stay on pitch.” So this time, we’ve picked out songs where the harmony parts are clearly divided and easy to sing, as well as songs that feel great when you harmonize on the chorus! We’ve gathered everything from classic Showa-era hits to the latest tracks, so enjoy harmonizing with your karaoke buddies or bandmates!
- [Duet Songs] A roundup of recommended tracks perfect for two women to sing together!
- [Karaoke] Duet songs for men and women. A roundup of popular and classic tracks.
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- A Showa-era duet song. A timeless karaoke/snack-bar classic!
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- No worries even if you’re not confident in your singing! Simple, easy-to-sing songs for karaoke.
[Duet Harmony Songs] Songs That Feel Great to Harmonize (61–70)
Surely more than anyone else in the worldNagayama Miho & WANDS

A collaboration single by singer-actress Miho Nakayama and the rock band WANDS, released in October 1992.
It’s a mid-tempo pop song that strongly reflects a hallmark of ’90s hits—an extremely catchy chorus melody that sticks in your head—and it’s very well-suited for karaoke even if you ignore the harmony parts.
In terms of roles within the song, Nakayama handles the lead vocals while WANDS’s Uesugi takes the chorus parts; each part is easy to pick out, making it an ideal practice piece for mixed-gender harmonies.
It could be fun to sing as a couple with your boyfriend or girlfriend!
hydrangearikon densetsu

Since this song was used as the theme for TBS’s Tuesday drama “Taigan no Kaji – This Is My Way of Life!,” I think many of you will find it familiar.
With Rikon Densetsu, harmonies tend to come in right at the key moments, and that selective use feels very band-like.
Most of the harmonizing happens on word endings, often as a lower harmony, giving the vocals a gentle feel.
In the last chorus, they go all-out with octave-unison lines and harmonies, which really brings the song’s atmosphere across.
The range isn’t too wide either, so it should be an easy challenge even for those who aren’t used to harmonizing.
Distance of the Starry SkyTHE ALFEE

This is THE ALFEE’s 17th single, released in January 1984.
Following their previous smash hit “Mary Ann,” which marked a complete shift from their early folk style to a rock-forward sound, this single again features Masaru Sakurai on lead vocals.
THE ALFEE is known for having all three members capable of taking the lead and for their acclaimed choral work.
While many of their songs include very complex chorus arrangements, this track uses a classic rock approach: the chorus comes in only on the signature phrases of the refrain.
To be honest, the harmonizing element might feel a bit thin here.
Still, it’s one of the best songs for everyone to sing the hook together and get hyped, so don’t worry too much about perfection—just have fun singing it!
Thanks, pal.supittsu

Released as a digital-only single by Yuzu on May 25, 2020.
It’s a very refreshing track that feels quintessentially them, with a pleasant, up-tempo acoustic guitar strum.
Yuzu are known for their highly sophisticated harmony work, but the harmonies in this song are arranged mainly around relatively simple upper harmonies against the main melody, making it perfect for enjoying harmonizing at karaoke.
You might find it a bit challenging to pick out the harmony parts, but I hope you’ll give it a try at karaoke and recreate those lovely harmonies.
It could also be fun to enjoy it with just an acoustic guitar in hand instead of karaoke!
What We Got ~A Miracle Is You~King&Prince

King & Prince’s “What We Got ~Kiseki wa Kimi to~” with Mickey Mouse dancing is so cute, isn’t it? It seems this song is part of a project for Mickey’s 100th anniversary! Listening to the whole track, the actual harmonies only appear midway through the B-melody, while the chorus is in unison.
The chorus repeats the same phrase and is very easy to follow, so I think it’s great to add your own harmonies! Singing in unison is fun, but adding harmonies here and there changes the vibe in a fun way.
For the record, I would sing an upper harmony on the parts of the chorus that are in Japanese! Try different approaches and find what feels right for you!
The Rainbow From That Day and Our AnthemSukima Suichi

Sukima Switch’s harmonies are basically the “lower harmony” in my mind.
The upper harmony is easy to grasp, but isn’t the lower harmony kind of hard to find by ear? Still, their two voices balance so well—I love it, and it always makes me want to harmonize! Especially in this song, the lower harmony right after the final chorus line of the hook feels amazing when it locks in, so that’s my top recommendation.
I think it’s fine to sing with about the same volume as Ohashi! The key with lower harmony is to support firmly without sticking out more than the lead vocal, so it might be tough to pitch at first, but do your best not to get pulled toward the main melody!
mild daysHitsuji Bungaku

Hitsujibungaku is a three-piece female band, and it seems that vocalist Moeka Shiozuka mainly writes the lyrics and composes.
The new song “mild days” also features beautifully tight harmonies! What seems like the B section might actually be the chorus, but from there she sings an octave higher, layering softly, and the atmosphere shifts all at once.
She also sings upper harmonies while taking the line an octave up, so at first you might not notice and end up singing the whole thing an octave higher.
But if you practice carefully while listening closely to the vocals, you’ll pick up the knack quickly! The song is also on the shorter side at about three minutes, and the repeating melody makes it easy to memorize.



