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Guaranteed to make you want to dance! Dance tracks that defined the Heisei era

Guaranteed to make you want to dance! Dance tracks that defined the Heisei era
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The Heisei era was a time when many dances were born, from the TK boom to the “Idol Warring States Period,” wasn’t it?

Not only dance groups and idol groups, but even songs released by singer-songwriters and bands often featured memorable choreography that became massive social hits.

You could say it was an era full of such examples.

This time, we’ll introduce dance numbers that emerged during the Heisei era.

Of course, the songs themselves are all considered classics, so be sure to check them out!

No doubt you’ll want to dance the moment you hear them! Dance tracks that defined the Heisei era (1–10)

DANCE INTO FANTASYEXILE

Released in March 2015, the album “19 -Road to AMAZING WORLD-” features this track as a newly recorded song that brilliantly enriches its world.

The sound, which fuses elements of ’80s funk and disco with contemporary EDM beats, is truly exhilarating.

It was also used as the ending theme for TV Asahi’s “Onegai! Ranking,” so many of you may have heard it.

It overflows with a sense of euphoria that makes you want to stop thinking and just surrender to the music and dance.

It’s a song that whisks you away to an extraordinary space where you can forget time and revel in dazzling light.

ButterflyKōda Kumi

Kumi Koda - “Butterfly” ~ 20th Year Special Full Ver. ~
ButterflyKōda Kumi

A dance number sung by Kumi Koda that expresses the strength and beauty of women.

Like a butterfly emerging from a chrysalis and soaring into the sky, the lyrics capture the joy of setting yourself free and living openly.

The sultry vocals and Latin-infused sound make you feel like you’ve become a confident, irresistible woman just by listening.

Released as a single in June 2005, it was used as the theme song for the TBS drama Ai no Gekijo: “Cosme no Mahou 2.” It won the Japan Record Award the same year and became a classic that also contributed to the massive success of her best-of album BEST ~first things~.

Feeling great!!mihimaru GT

mihimaru GT – Feeling Great ↑↑
Feeling great!!mihimaru GT

When you just want to get pumped up for the night, this dance tune is essential! It’s the signature track by the male-female duo mihimaru GT, released in May 2006 as their ninth single.

It was featured in the commercial for Dariya’s “Palty” and as the ending theme for the variety show “Skibara,” becoming a huge hit especially among Heisei-era gals.

The lively beat, rapid-fire rap, and soaring vocals make you forget your everyday frustrations in an instant.

Even if every day isn’t perfect, letting yourself sink into the sound will lift your spirits.

It’s the perfect anthem for those times you want to cut loose with friends on a drive or at karaoke, no explanations needed.

Effeminate; overly sentimental; being clingy/whiny (context-dependent)Gōruden Bonbā

While prominently featuring a style of not playing instruments, the visual kei air band Golden Bomber captivates listeners with highly polished songs and provocative performances.

This is their seventh single.

Its blend of melody reminiscent of classic Japanese pop (kayōkyoku) and a modern rock sound pumps up the energy, making it a signature number for Golden Bomber.

Released in October 2009, the song became such a massive hit that it won a JASRAC Award in 2014.

With distinctive yet simple choreography—including the famous window-wiping dance—it’s perfect for everyone to sing and dance along to at karaoke.

Choo Choo TRAINZoo

ZOO Choo Choo TRAIN PV.flv
Choo Choo TRAINZoo

When it comes to iconic tracks that brilliantly colored the dance music scene of the Heisei era, this song is indispensable.

ZOO’s fourth single was released in November 1991 as a theme for a JR East commercial.

At a time when dance music wasn’t yet mainstream in Japan, it arrived with a fresh appeal that resonated with listeners.

Its catchy melody and danceable beat captured many hearts, making it one of ZOO’s signature songs after peaking at No.

3 on the Oricon weekly chart.

Beloved as a winter classic, the song expresses a departure toward freedom, new encounters, and an optimistic spirit.