[Feels Great to Listen To!] Popular Songs by Female Artists with Captivating High Notes
When we say a high voice—a high-tone voice—it can range from a piercing, powerful high tone to a gentle, enveloping, falsetto-based, crystal-clear and soft high-tone voice.
There are many ways to express it.
If you’re a woman who sings yourself, you’ve probably often found yourself longing for a captivating singing voice.
In this article, we’ve gathered songs by female singers that let you enjoy a wide variety of high-tone vocals, from classic hits to the latest tracks.
Whether you’re the lead vocalist in a band, a karaoke-loving girl, or someone who wants to practice just one high-pitched song, be sure to check them out!
- A masterpiece with exhilarating high notes. An enchanting high-tone voice.
- [High-pitched warning!] Songs with high notes that are hard to sing
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- [For Teen Girls] Popular Karaoke Songs That Are Easy to Sing
- Karaoke songs that make it easy for women to score high
- [Challenge] A Compilation of Anime Songs with High-Pitched Melodies and High-Tone Vocals
- [For Teenage Girls] Songs That Score High Easily at Karaoke [2026]
- Great for karaoke song selection! Recommended easy-to-sing songs for Gen Z women
- [For Women] A roundup of enka songs that can score high in karaoke
- Karaoke songs sung by female artists recommended for Gen Z
- Easy-to-sing songs recommended for women in their 20s with low voices | Also great for getting a good reaction at karaoke!
[Feels great to listen to!] Popular songs by female artists with captivating high notes (131–140)
PLAYERSYOASOBI

This song was created to celebrate PlayStation’s 30th anniversary, with a theme centered around gaming.
Listening to it, you can really feel that distinctive YOASOBI style.
The chorus sits around E5, so the range is quite high, but there are constant call-and-response shouts in the backing vocals, which makes it nice because you can catch your breath while singing! That chorus is super cute and makes you want to dance, so it seems like it would hype up a live show too! When you sing it, enunciate clearly so the phrases don’t blur together—doing so will make it easier to hear and easier to sing.
Pay attention to your diction!
I don’t care what happens anymore.Hoshimachi Suisei

One of my students once practiced “Stellar Stellar,” but this time, “Mou Dounatte mo Ii ya” has a completely different vibe—it’s a cool-style anime song.
Listening through the whole track, it has an overall sense of speed with lots of fast lyrics, so keeping the rhythm is very important.
Since it’s such a fast song and the pitch goes up to D5, the key is to avoid straining your voice.
It might help to sing with a relaxed approach, using a strong head voice.
SynchrogazerMizuki Nana

I love this song too, and I was really shocked the first time I heard it! When you think of Nana Mizuki, you think of anime songs.
Of course she has lots of cool tracks, but Synchrogazer packs in so many sounds and elements—orchestra, rock, electro, synths, electric guitar—and on top of that you get Nana Mizuki’s powerful high notes.
It’s such a cool song that makes your eyes sparkle as you listen! What’s amazing about Nana Mizuki is how she switches between different ways of delivering high notes.
She does use a lot of head voice, but she makes sure to sing the climactic parts in chest voice.
The way she changes her singing style to match the song’s image really shows her skill as a voice actress! Be sure to check out her other songs too!
earring on the right earKoresawa

A track from Japanese singer Koresawa’s album “Jun’ai Closet,” released in March 2021.
Koresawa’s vocal style on this song isn’t about showcasing piercing high notes, but you can enjoy her naturally cute voice, rich in high overtones.
In the chorus and other sections, her effective use of falsetto creates gentle high notes, making the song feel very pleasant overall.
I wanted to be your last girlfriend.Koresawa

This is KORESAWA’s seventh digital-only single, released on January 1, 2020.
Even when we say “high-tone female vocals,” there are many different styles, but KORESAWA’s singing on this track is crafted to be irresistibly cute, and it captivates the ear right away.
While she sings in a very adorable way, the performance is by no means a “childish song,” and this track really showcases her prowess as a vocalist.
Feverish Demonzutto mayonaka de ii no ni.

Zutto Mayonaka de Iinoni, a band with a catchy style that enjoys immense popularity among teenage girls, has released a new song titled “Binetsu-ma.” While the vocal range required is fairly broad, the real challenge lies elsewhere.
Most of the high notes in this track are sung using a whisper voice, a breathy vocal technique.
Producing it momentarily isn’t an issue, but singing in whisper voice throughout demands substantial diaphragm control, making this a song with a high overall level of difficulty.
travelingUtada Hikaru

This was Hikaru Utada’s ninth single, released in November 2001.
I think Utada’s natural vocal quality is, if anything, on the lower, fuller side rather than a high tone, but it’s impressive how she makes the most of that commanding voice while skillfully spanning a wide range.
She’s also top-notch as a practitioner of mixed voice, which is extremely important for singing contemporary R&B.
I’d even say that the term “mixed voice” became widely recognized among the general public thanks to her breakthrough.
Come to think of it, around the time she took off, I noticed a surge in my vocal students saying they wanted to master mixed voice.
She may be the original figure who established the basic approach to singing in modern Japanese R&B.
Of course, it’s not as if she invented mixed voice herself.



