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[From Classics to Hidden Favorites] A Compilation of Main Track Entrance Themes [2026]

[From Classics to Hidden Favorites] A Compilation of Main Track Entrance Themes [2026]
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[From Classics to Hidden Favorites] A Compilation of Main Track Entrance Themes [2026]

Horse racing, a sport with a long history, has in recent years seen a growing fanbase not only among men but also women, and thanks to the popularity of Uma Musume, it feels like its appeal has been reaching younger audiences as well.

In 2025, the TV drama The Royal Family, based on Kazuma Hayami’s novel, became a huge hit, but when it comes to elements essential to horse racing—a culture cherished for many years—it has to be the ‘parade ring entrance themes’ played before the races! In this article, we’ll present a lineup centered on iconic classics of these entrance themes, while also including lesser-known tracks and surprising songs that were used only for a limited time.

If just hearing them brings those famous scenes back to life for you, or even if you’re new to horse racing, please read on.

[From Classics to Hidden Favorites] Compilation of Main Track Entrance Themes [2026] (1–10)

The ChampionSagisu Shirō

JRA - The Legendary Main Track Entrance Theme: The Champion
The ChampionSagisu Shirō

This piece, “The Champion,” was used in 1987 for GI-grade races in western Japan.

It was composed by Shiro Sagisu and is notable for its stylish approach that combines cutting-edge sounds and musicality for the time.

The powerful ensemble no doubt heightened the atmosphere at the racecourses.

As befits the highest-class GI races, it carries a bold, dignified quality that amplifies the excitement—truly a track worthy of a champion.

Theme of SUPER KEIBA,from ’95 to ’07Senju Akira

Main track entrance theme: Super Keiba “Theme of SUPER KEIBA, from ’95 to ’07”
Theme of SUPER KEIBA,from '95 to '07Senju Akira

For many people, this is the definitive song for the parade ring entrance.

Countless racing fans who eagerly watched Super Keiba, the well-known central horse racing broadcast, would agree.

The piece used during GI race paddock entrances was composed by Akira Senju and included on his 2009 album Best Wishes III under the title “Theme of SUPER KEIBA, from ’95 to ’07.” Its grand atmosphere and bold yet flowing melody evoke the opening theme of an epic film—so beautiful that even if you didn’t know it was a horse racing theme, you’d find yourself captivated.

As an aside, the same track was used for the 2019 Satsuki Sho, which surely delighted many fans.

Grade Equus Marchsugiyama kouichi

Grade Equus March (Tokyo and Nakayama G1 Main Track Entry Theme)
Grade Equus Marchsugiyama kouichi

In 1987, this piece, “Grade Equus March,” was used for GI-level races in eastern Japan.

Composed by Koichi Sugiyama, it captivates with a grand, powerful style in the tradition of classic marches.

As the great racehorses entered to this music, it must have significantly heightened the atmosphere at the racetrack.

Since it was used for the highest-ranked races, many people likely recall those events the moment they hear this piece.

Heartbeat NighterTHE NUGGETS

THE NUGGETS – Heartbeat Nighter (Music Video feat. Funabashi Racecourse)
Heartbeat NighterTHE NUGGETS

Included on the 2017 album “NIGHT RUSH,” the track has been used since 2018 as the main track entry theme at their hometown venue, Funabashi Racecourse.

Centered on the theme of night racing, it’s crafted as a high-octane rock ’n’ roll number that conveys the heartbeat of racing fans who pin their hopes on the thoroughbreds.

Just listening to it vividly rekindles the exhilaration of a race, making it a perfect song not only for horse racing enthusiasts but also for those moments when you want to unleash your energy at a critical time.

Baton of Dreams ~Smile for You~Asaka

Asaka “Dream Baton ~Smile for you~” Music Video Full ver. (Green Channel 30th Anniversary Commemorative Image Song)
Baton of Dreams ~Smile for You~Asaka

A pleasant number featuring Asaka’s soothing vocals, included as the coupling track on the single “GIVE & TAKE,” released in February 2025.

Produced as the 30th anniversary image song for Green Channel, which broadcasts all JRA races, the piece is a graceful waltz that overturns the conventional image of traditional parade-ring entrance tunes.

There’s also a lovely anecdote that composer Kohei Tanaka deliberately chose a 3/4 time signature to capture the beauty of the thoroughbred.

The song was created through a process in which Asaka first wrote the lyrics and the music was composed afterward, and just listening to it is sure to lift your spirits.

It’s also used as the entrance theme for the Green Channel Cup, making it recommended not only for horse racing fans but also for anyone who wants to start their morning on a refreshing note.

U.M.A NEW WORLDUma Musume Puritī Dābī

Game “Uma Musume Pretty Derby” Opening Movie ‘U.M.A. NEW WORLD!!’
U.M.A NEW WORLDUma Musume Puritī Dābī

This is a track that was used as the main track entrance song at a collaboration event held at Kasamatsu Racecourse in 2024.

It has a sense of exhilaration like the moment just before the gates open, and just listening to it gets you excited.

It was also featured as the 3rd anniversary song for the game Uma Musume Pretty Derby, used in the new opening movie and TV commercials, and is included on the album WINNING LIVE 16.

Powerfully voicing the resolve to step into a new world, this piece delivers a truly next-generation anthem with an exhilarating, driving feel.

It’s highly recommended when you’re about to face a crucial challenge or want to fire yourself up.

Flame WinnerSagisu Shirō

In 1987, when the abbreviation of the central racing organization was changed from NCK, short for “Nippon Chuo Keiba-kai,” to the now-familiar JRA, “Japan Racing Association,” the track entrance music was also revamped.

At that time, the piece used in western Japan and Hokkaido was Shiro Sagisu’s “Honoo no Winner” (“Flame of the Winner”).

Sagisu is well known for composing several horse racing entrance themes and fanfares, including this one.

Compared to Koichi Sugiyama’s entrance music used in the Kanto region around the same period, Sagisu’s piece stands out for its dashing, beautiful melody.

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