[Japanese Hip-Hop] Classic Tracks of Japanese Rap
Thanks to the freestyle boom of the 2010s, Japanese rap has come back into the spotlight.
As US rap has become more accessible to the general public via the internet, HIPHOP’s popularity has been growing in Japan as well.
This time, we’ve curated a selection of classic Japanese rap tracks!
We’ve picked gems from old-school eras like the 1990s and 2000s, as well as standout hits from talented up-and-coming rappers leading today’s scene.
Whether you love classic rap or today’s trap, there’s something here for you—so be sure to read to the end!
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[Japanese Hip-Hop] Classic Japanese Rap Tracks (21–30)
Bees and ButterfliesSOUL SCREAM
SOUL SCREAM is a legendary old-school hip-hop group, known for having top DJ, DJ CEROLY, as a member.
If you watch Freestyle Dungeon or Sengoku, you definitely know this DJ.
Their song “Hachi to Chou” (The Bee and the Butterfly) is one of their signature tracks.
It’s a classic that’s often played at MC battle events.
Though they made a major-label debut, they still carry a solid underground vibe.
B-BOY-ismRHYMESTER
Among hip-hop groups that have made a major-label debut, the most famous is probably RHYMESTER, right? Many people likely think of them as a group known for catchy melodies and lyrics.
Their song “B-BOY Ism” is a classic released in 1998 and became a major hit for hip-hop.
Since it’s a track themed around aesthetics, why not give it a listen when you want to boost your motivation?
Street DreamsZeebra
Zeebra, a legend of Japanese rap, is now active across various fields, focusing on producing as well as appearing on TV and radio.
His classic track “Street Dreams” is a work that threw a stone into the pond of Japanese rap, which was often said to be of low caliber.
While its passionate lyrics about Japanese rap leave a strong impression, the track itself is also incredibly emotional, so it’s frequently played at MC battle events.
Be sure to check it out!
Poem of a VillainD.O
D.O, the rapper who represents Nerima.
He finally came back from prison in December 2021.
Now armed with even more props and releasing new tracks, D.O has left behind many classics in the past as well.
Among his works, the song I especially recommend is Akutō no Uta (Poem of a Villain).
It’s based on WAR, a classic by the Chicago brass band Hypnotic Brass Ensemble, and the lyrics depict the stance of a villain.
Rather than representing himself, this villain feels more like an embodiment of the ideal way he believes a rapper should be.
Don’t worry.hannya
A track from rapper Hannya, who overwhelms listeners with his powerful messages, that samples Tsuyoshi Nagabuchi’s classic “Don’t Worry” and sinks deep into the heart.
Riding a track that makes the original’s warm melody shine, a straightforward, if awkward, kindness resonates.
The lyrics, which look out for a friend far away, see through the tough act, and say “You can always come home,” are sure to make your chest tighten every time you listen.
Included on the album Nekosogi, released in February 2005, this song was also selected for the 2018 best-of compilation as a human, heartfelt classic that shows he’s more than just an aggressive style.
Give it a listen when you feel crushed by the loneliness of the city or need someone’s support.
It’s a warm anthem of encouragement that makes you want to believe in yourself and smile.
What’s Poppin feat. LANAJP THE WAVY & JIGG
This work, released by JP THE WAVY—who’s also active as a dancer—in collaboration with producer JIGG, stands out for its lyrics told from the perspective of young people enjoying parties and a free lifestyle.
Riding over a sophisticated beat, JP THE WAVY unfolds his distinctive lyricism.
The track is included on the EP “Hit Different,” released in May 2023, and features a standout, high-profile collaboration with LANA.
The music video directed by filmmaker Spikey John is also a must-see, fully expressing the artist’s unique world.
With its energetic and positive vibe, this song is perfect for lifting your mood or soundtracking a party scene.
Tonight is Boogie BackOzawa Kenji feat. Suchadarapaa
It was a revolutionary song in the J-pop scene at the time, establishing a style where the chorus is sung with a memorable melody while the verses are rapped.
This version prominently features the vocals, whereas the version released under Scha Dara Parr featuring Kenji Ozawa focuses mainly on the rap.