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Popular Hip-Hop: Japanese Artist Rankings [2026]
Hip-hop is a music genre that has developed alongside its own culture, including dance, rap, and sampling.
Although it originated in the United States, there are many artists in Japan who have been influenced by hip-hop.
This time, we’ll introduce a ranking of popular Japanese artists who perform hip-hop.
Popular Hip-Hop: Japanese Artist Rankings [2026] (1–10)
human power plantBUDDHA BRAND1rank/position
When it comes to the most popular works in old-school Japanese rap, BUDDHA BRAND’s legendary track “Human Power Plant” would undoubtedly be a top contender.
It’s a classic by the iconic hip-hop group and remains popular today, with its beat frequently used in MC battles.
The charm of “Human Power Plant” lies above all in its stylish track and cool flow.
The rap is stunning—cool to the core while still delivering real vibes.
If you plan to sing it at karaoke, make sure to practice thoroughly so you can handle the multiple key changes that come up.
NITRO MICROPHONE UNDERGROUNDNITRO MICROPHONE UNDERGROUND2rank/position
NITRO MICROPHONE UNDERGROUND is a group that energized hip-hop in the 2000s.
They had been on a long hiatus, but when they resumed activities in 2019, the 20th anniversary of their debut, they caused quite a stir.
Speaking of NITRO MICROPHONE UNDERGROUND’s classic tracks, it has to be “NITRO MICROPHONE UNDERGROUND,” doesn’t it? It’s a self-titled work packed to the brim with the best of old-school hip-hop.
Since it’s not a fast rap, it’s relatively easy to perform stylishly.
Bees and ButterfliesSOUL SCREAM3rank/position
The legendary hip-hop group SOUL SCREAM, which DJ CELORY is a member of.
For heads who love old-school, they’re an irresistible group, right? When it comes to SOUL SCREAM’s classic tracks, many people probably think of “Hachi to Chou” (The Bee and the Butterfly).
It’s often used in MC battles, and true to that, the track is crafted to be cool throughout while still delivering strong vibes.
It’s actually a fast-rap song, so it’s best to practice a few times to avoid stumbling before performing it in front of others.
FateAnarchy4rank/position
ANARCHY is a rapper who represents Kyoto.
Despite his incredibly tough appearance, he’s famous for being a big-hearted person both publicly and privately.
When it comes to ANARCHY’s iconic tracks that command overwhelming props, it has to be Fate, right? It’s a song that tells his life story, and the passionate vibes run through the entire piece.
When singing it at karaoke, it’s not the kind of track crammed with words, so focus on your vocal tone and flow.
Tonight is Boogie BackOzawa Kenji feat. Suchadarapaa5rank/position
Schadaraparr, who perform as a rap unit, and Kenji Ozawa, known as a pioneer of the Shibuya-kei scene.
Their collaborative track “Konya wa Boogie Back,” released across record label boundaries, is also known as the theme song for the legendary variety show “Tamori’s Super Vocabulary Heaven,” which launched many comedians who later became major stars.
Its catchy, memorable flow and phrases make it easy to sing at karaoke, and the high degree of freedom in word choice can serve as a useful reference for lyric writing.
It’s a standout 1990s Japanese hip-hop classic, featuring an excellent rap that complements Ozawa’s sweet vocals.
overwinteringIce Bahn6rank/position
ICE BAHN is a hip-hop group renowned for advanced rhyming, often hailed as the “King of Rhymers.” The group includes FORK, who’s also active on the battle scene.
Their songs are packed with rhymes everywhere.
In their signature track Ettō (Wintering), rhymes are scattered throughout as well.
When singing it at karaoke, emphasizing the so-called “stealth rhymes” might really get the crowd going.
ALL GODS BLESS MERYKEYDADDYDIRTY7rank/position
Rapper RYKEYDADDYDIRTY, who rose to popularity through the contrast between his brazen persona and delicate lyrics.
His track “ALL GODS BLESS ME” is a signature work, widely loved for its poignant lyrics.
The hook leans more toward a vocal part than rap, giving it a mellow finish.
The vocal range is narrow and doesn’t require complex pitch movement, so the hook shouldn’t feel difficult.
The rap sections also don’t feature challenging flows or fastest-rap passages, making the overall difficulty relatively low.