[Beginner] Start with this song! A collection of practice tunes for jazz beginners

Blue MonkThelonious Monk

Blue Monk

Thelonious Monk – Blue Monk: Easy Piano Arrangement

The jazz master Thelonious Monk’s 1954 composition “Blue Monk” has secured its place as a standard in the jazz world.

Its appeal lies in Monk’s distinctive rhythmic, chromatic melody; while it adopts the 12-bar blues form, it skillfully fuses jazz tradition and innovation through its unique harmony and rhythm.

In 1973, Abbey Lincoln added lyrics, giving “Blue Monk” an even deeper dimension.

The lyrics reflect themes of loneliness, introspection, and inner conflict, conveying a message about the blues sensibility in jazz and the act of overcoming struggle.

For beginners, “Blue Monk” is an excellent introduction to jazz.

Technically accessible, it’s ideal for learning the fundamental forms and expressive richness of jazz, and it offers a valuable opportunity to experience Monk’s musical vision.

Stella by StarlightVictor Young

Miles Davis – Stella by Starlight (Audio) (Official Audio)

Stella by Starlight – Easy Solo Example for Alto Sax

This work is marked by a romantic melody that evokes whispering of love under starlight.

Originally, it was an instrumental piece composed by Victor Young as the theme for the 1944 Paramount film “The Uninvited.” Lyrics were later added by Ned Washington, and today it is widely cherished as a jazz standard.

After being first recorded by Victor Young’s own orchestra in August 1945, Harry James’s performance also became a hit.

Its rich harmonies—featuring smooth voice leading and modulations—are characteristic, making it ideal for studying the distinctive sound of jazz.

To begin, why not play it as a relaxed ballad, letting the melody sing?

Someday My Prince Will ComeFrank Churchill

Bill Evans Trio – Someday My Prince Will Come (Official Visualizer)

Someday My Prince Will Come – Frank Churchill | Piano Tutorial (EASY) | WITH Music Sheet | JCMS

An insert song from the 1937 film “Snow White and the Seven Dwarfs,” it portrays the heart of a young maiden dreaming of a happy future where a prince comes to meet her.

Composed by Frank Churchill, this piece has been beloved by many renowned musicians and has continued to be performed as a jazz standard.

Set in a lilting 3/4 waltz, it features a gracefully flowing melody and is packed with essential elements for learning jazz improvisation.

The chord progression is relatively straightforward, making it enjoyable to practice—while feeling the unique sway of a waltz—even for those just starting an instrument.

Begin at a relaxed tempo, let each note resonate with care, and try to express its romantic world.

Take the “A” TrainBilly Strayhorn

Duke Ellington and His Famous Orchestra – Take the “A” Train (Audio)

Take the ‘A’ Train – Easy Solo Example for Tenor Sax

Set in the New York City subway, this piece has continued to be loved worldwide as a jazz standard.

Composed by Billy Strayhorn in 1939 and recorded by the Duke Ellington Orchestra in February 1941, it became the ensemble’s signature theme.

There’s also a well-known anecdote that the title came from a note showing directions to Ellington’s home.

In Japan, it was featured in the film “Swing Girls,” and its lively swing feel has captivated many listeners.

When you take on performing it, it’s important to have a firm grasp of the basic AABA form.

Start by playing the simple melody as if you’re singing it, and try to feel the distinctive rhythms of jazz.

What Is This Thing Called LoveCole Porter

Bill Evans Trio – What Is This Thing Called Love (Official Visualizer)

What Is This Thing Called Love with Advanced Comping Voicings

Composed and written by Cole Porter for the musical Wake Up and Dream, which premiered in March 1929, this piece is a masterpiece with a sophisticated sound that explores the universal theme of “What is love?” Like Tadd Dameron’s Hot House, it has become a fundamental standard for performers to the extent that new tunes have been written using its chord progression.

Its distinctive changes, with frequent shifts between major and minor, make it ideal for cultivating a jazz sensibility.

Start by grasping its AABA form and try playing with an awareness of the moments when the mood shifts between light and dark.

It’s also perfect as material for practicing improvisation, so if you’re looking to get into jazz, definitely give it a try!