RAG MusicPiano
A web magazine to help you enjoy the piano even more

Kabalefsky’s Piano Pieces: Masterworks Left by a Maestro of Children’s Music

Dmitry Kabalevsky was a 20th-century Russian composer who left behind numerous piano collections for children.

His charming short piano pieces have become staples for recitals and lessons—so much so that it’s no exaggeration to say that anyone who has taken piano lessons has probably played them at least once.

In this article, we’ve selected some of Kabalevsky’s most frequently performed piano works.

From solo pieces to concertos, we’ve put together a wide-ranging lineup—please enjoy it to the end.

Kabelevsky’s Piano Pieces: Masterworks Left by the Maestro of Children’s Music (1–10)

Piano Sonata No. 3 in F major, Op. 46Dmitri Kabalevsky

Kabalevsky: Sonata No. 3 in F major, Op. 46, I. Allegro — 39th JPTA Piano Audition, Category B — National Competition Excellence Award and Set Piece Award — Maai Miyawaki (2nd-year junior high)
Piano Sonata No. 3 in F major, Op. 46Dmitri Kabalevsky

Dmitry Kabalevsky’s Piano Sonata No.

3 in F major, Op.

46, a masterpiece by the great 20th-century Russian composer, is a work in which his musical talent and command of form are fully realized.

Each of its three movements possesses its own distinctive charm and emotional expression.

The first movement, while showing the influence of Prokofiev, brims with vitality and clearly conveys Kabalevsky’s unique musical identity.

The second movement unfolds a calm, lyrically songful world, and the third returns to energetic, animated music.

Incorporating elements of Russian folk song and exuding an accessible yet patriotic atmosphere, this is a piece every pianist should experience at least once.

30 Children’s Pieces, Op. 27: No. 12 “Toccatina”Dmitri Kabalevsky

[Recommended for piano recitals] Toccatina ♫ Kabalevsky / Toccatina Op. 27 No. 12, Kabalevsky
30 Children's Pieces, Op. 27: No. 12 “Toccatina”Dmitri Kabalevsky

Dmitry Kabalevsky, a Russian composer who left numerous piano works for children and books on music education, wrote 30 Children’s Pieces, Op.

27.

No.

12, Toccattina, from this characterful collection is a crisp, rhythmical piece.

A “toccattina” is a small improvisatory piece.

This work stands out for its improvisatory lightness, and players are expected to clearly distinguish slurs and staccatos to create sharp contrasts.

Enjoy performing it while savoring Kabalevsky’s distinctive folk-like rhythms.

Piano Concerto No. 3 in D major, Op. 50Dmitri Kabalevsky

[2023—Special Recommendation—1] Kabalevsky: Piano Concerto No. 3 in D major, Op. 50 — 1st movement, Masao Haseo (Pf)
Piano Concerto No. 3 in D major, Op. 50Dmitri Kabalevsky

The Russian composer Dmitry Kabalevsky was also an educator who left behind many piano pieces for children.

His Piano Concerto No.

3 in D major, Op.

50 is an impressive work written with young performers in mind, notable for its bright, melodic character.

The concerto consists of three movements: the first features a dramatic development that begins with a trumpet fanfare; the second is an andante in a solemn style; and the finale is a presto brimming with a sense of drive—each movement offering its own distinct appeal.

While not especially demanding technically, the youthful ardor that permeates the piece is sure to inspire students and young performers.

It is a fine work in which Kabalevsky’s characteristic educational considerations are seamlessly fused with artistic merit.

Kabelevsky’s Piano Pieces: Masterworks by the Maestro of Children’s Music (11–20)

24 Preludes, Op. 38: No. 1 “Andantino”Dmitri Kabalevsky

Dmitri Kabalevsky – 24 Preludes Op. 38 (audio + sheet music)
24 Preludes, Op. 38: No. 1 “Andantino”Dmitri Kabalevsky

Dmitry Kabalevsky, one of the leading Russian composers of the 20th century, structured his “24 Preludes, Op.

38” so that each piece stands on its own, while drawing on traditional Russian folk songs as motifs.

Among them, No.

1, “Andantino,” is notable for its gentle, lyrical melody.

In the middle section, you can also enjoy a surge of passionate intensity.

Reflecting Kabalevsky’s devotion to music education for children and his wish to convey a way of seeing the world through music, this work is approachable for a broad audience—from children to adults.

Four Rondos, Op. 60: No. 1 “March”Dmitri Kabalevsky

Dmitri Kabalevsky – 4 Easy Rondos Op. 60 (audio + sheet music)
Four Rondos, Op. 60: No. 1 “March”Dmitri Kabalevsky

Dmitry Kabalevsky, a composer who represents 20th-century Russia.

Among his piano pieces for children, Four Rondos, Op.

60 is one of his most popular collections.

The first piece, March, is striking for its vibrant rhythms and bright melody.

Unfolding in rondo form, this piece can help performers improve their technique and deepen their understanding of musical forms.

It’s no wonder Kabalevsky was so passionate about music education.

Why not take on the challenge of performing it while enjoying its many expressive colors?

24 Easy Pieces for Children, Op. 39: No. 20 “The Clown”Dimitri Kabalevsky

[Recommended for piano recitals] Clowns ♫ Kabalevsky / Clowns Op.39-20, Kabalevsky
24 Easy Pieces for Children, Op. 39: No. 20 “The Clown”Dimitri Kabalevsky

Clowns by Dmitry Kabalevsky, a renowned modern Russian composer who produced many works for children, is one of the pieces from his 1944 composition collection, published the following year, titled 24 Easy Pieces for Children.

Written in 2/4 time, it features a melody that changes chromatically using accidentals and a lively left-hand accompaniment rich in staccato, making it a short yet impactful piece.

Rather than merely following the notes, try playing it while enjoying the swiftly shifting development of the music—like a clown delivering a series of varied performances.

Sonatina No. 2, Op. 13-2Dmitri Kabalevsky

Dmitry Kabalevsky, a Soviet composer, was a master who left behind numerous piano works for children.

His Sonatina No.

2 is one of his signature pieces—a solo piano work in three movements.

It is characterized by its minor key and the distinctive structure of a sonatina, and it conveys a darkness and militaristic quality typical of Russian music.

At the same time, it retains a child-friendly accessibility, making it an excellent teaching piece that promotes the technical development of piano learners.

It is a work I would recommend to anyone studying the piano.