Iconic girl band songs that are easy to sing at karaoke
Setting aside my surprise at just how many all-female bands there are in Japan, this time I’ve gathered songs by girl bands that are easy to sing at karaoke.
From “ladies’ metal” to indie rock, the selection is wonderfully diverse, so you’re sure to find a new favorite track.
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Girls’ band classics that are easy to sing at karaoke (21–30)
mild daysHitsuji Bungaku
Hitsujibungaku is a three-piece female band, and it seems that vocalist Moeka Shiozuka mainly writes the lyrics and composes.
The new song “mild days” also features beautifully tight harmonies! What seems like the B section might actually be the chorus, but from there she sings an octave higher, layering softly, and the atmosphere shifts all at once.
She also sings upper harmonies while taking the line an octave up, so at first you might not notice and end up singing the whole thing an octave higher.
But if you practice carefully while listening closely to the vocals, you’ll pick up the knack quickly! The song is also on the shorter side at about three minutes, and the repeating melody makes it easy to memorize.
gardenHammer Head Shark
Hammer Head Shark is a rock band with an impressively delicate sound that blends dream pop and alternative.
They’re a Japanese rock act known to those in the know, often mentioned as a stylish-band contender alongside groups like Hitsujibungaku and Kinoko Teikoku.
Among their songs, the one I especially recommend is Sono (Garden).
It features an extremely soft, pale-hued melody, and the vocal line matches it with a subdued, world-weary delivery that avoids dramatic rises and falls.
The range is narrow, too, so if you set it to a suitable key, you should be able to sing it comfortably.
Good Day’s SongMe to Me
Me to Me is a three-piece rock band formed in Nagoya.
They embody classic Japanese rock and have gained popularity in the J-rock scene for their emotional sound.
Among their songs, the one I especially recommend is Good Day’s Song.
It features a warm melody with a slightly traditional Japanese flavor, and the vocals are crafted with warmly delivered, deliberately repetitive phrases.
While the song isn’t exactly low, it’s very easy to adjust the key, so be sure to give it a listen.
FixBrandy Senki
Having finally made their major debut, the girls’ band Brandy Senki has been attracting attention not only in the Japanese rock scene but also in the mainstream.
They’ve already produced several great songs, but the one we especially recommend for women with lower voices is Fix.
While it’s not exactly a low-pitched song, the overall range is kept modest, making it perfectly manageable for singers with deeper voices.
Its relaxed tempo also makes it easy to make simple course corrections, so it’s a good pick for those who aren’t very confident in their singing.
tragedyChilli Beans.
Chilli Beans.
is a girls’ band that’s gained popularity for their ennui-tinged, high-sense musicality—a name everyone in the Japanese rock scene knows.
Their songs often carry a languid vibe, and among them, the one I especially recommend for women with lower voices is “tragedy.” While it doesn’t feature explicitly low parts, the vocals sit in the low-to-mid range throughout, making it very singable for lower-voiced women.
It’s also nice that there aren’t any complicated pitch jumps.
Get Outayutthaya
As a bona fide alternative rock band, ayutyhaya has been catching the attention of hardcore band aficionados.
The melodies born from their refined musicality are outstanding every time.
Among their songs, the one I especially recommend for women with lower voices is “Get Out.” While the vocals are characterized by a belting style, the range is surprisingly narrow and sits mostly in the low to mid register.
It’s very easy to sing, so definitely consider adding it to your repertoire.
Shangri-LaChatto Monchī
An emotionally moving song that delicately portrays complex feelings toward a lover and wavering self-esteem.
It uses a title meaning “utopia” as the lover’s name, carefully weaving the desire to keep loving while embracing the other’s vulnerabilities.
Its irregular 5/4 time signature creates a distinctive tension that expresses emotional fluctuation.
Released in November 2006 as Chatmonchy’s third single, the track is also included on the album Seimeiryoku.
It was chosen as the ending theme for the Fuji TV anime Hataraki Man and reached No.
6 on the Oricon Weekly Singles Chart.
This is a song I’d recommend as a source of comfort for those who have experienced painful love or are searching for their true selves.