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[Karaoke] Songs That Make It Easy to Score High | From Classics to the Newest Hits

The skills required for Japanese music from a while back and those for today’s J-pop have changed significantly.

Since a relaxed singing style is now the mainstream, techniques like delicate pitch control and a clear, airy falsetto are becoming essential.

This time, we’ve picked songs that match modern trends while still letting anyone aim for high karaoke scores without strain.

You’ll also find easy-to-understand explanations from a former and current vocal coach, so be sure to check it out to the end!

For men (21–30)

Seeds of joyMrs. GREEN APPLE

This song was first unveiled as a secret track on the venue-limited mini-album “Introduction” on July 5, 2014, and later officially included on July 8, 2025, in the 10th anniversary best album “10,” making it a once-lost track! The melody line is gentle and sung with clear enunciation, so even beginners should find it easy to match the pitch bar.

For the verses (A-melody to B-melody), speak carefully and make sure your voice is firmly carried by the mic.

Also, the chorus kicks in around the 3-minute mark, and the overall energy ramps up significantly.

There should be ample opportunities to breathe between phrases, so take a solid breath for each phrase and use that air to project your voice as you exhale.

If you tense up, you’ll end up chest-breathing instead of using your diaphragm, which can make it uncomfortable—so stay calm and breathe steadily!

KobukuroIma, sakihokoru hanatachi yo

Kobukuro – Oh flowers now in full bloom
KobukuroIma, sakihokoru hanatachi yo

This is a song that was used as the theme for NHK’s Sochi Olympics in 2014.

Many of you are probably familiar with it.

Although it’s a song by Kobukuro, “Ima, Saki Hokoru Hanatachi yo” has a very clear vocal melody, making it easy to sing even solo.

As for how to feel the rhythm, taking it slowly and relaxed works well, but doubling the tempo also makes it easier to sing and is recommended.

The overall vocal range of the song is C3 to F#4, so most men should be able to sing it comfortably in chest voice.

Also, since it’s a ballad, creating contrast between the lower parts of the verses (A and B sections) and the lift in the chorus will enhance expressiveness and help boost your score.

Try to keep your facial muscles lifted so your pitch doesn’t drop while you sing!

Beyond the Night SkySMAP

This is SMAP’s 27th single—so famous it needs no introduction—released in January 1998, with lyrics by Shikao Suga.

Now, if you’re going to sing this song at karaoke: perhaps because it was written for the idol group SMAP, the melody is very straightforward and doesn’t require a wide vocal range either high or low.

The key is simply how honestly you can sing the melody.

Still, in today’s J-pop scene full of complex melodies, the fact that this song manages to be so memorable while being so simple and narrow in range is a remarkable compositional achievement worth noting! Don’t overthink it—if possible, sing it together rather than solo and aim for a high score!

single bedSha ran Q

Sharam Q “Single Bed” (Music Video)
single bedSha ran Q

Sharam Q released their sixth single in October 1994.

It was also used as the ending theme for the NTV anime D·N·A²: Dokoka de Nakushita Aitsu no Aitsu.

For men who were in their 20s to 30s in the ’90s, this song is a karaoke staple! Since Tsunku, the vocalist, isn’t exactly a “serious, technical singer,” the song doesn’t require a particularly wide vocal range, making it relatively manageable for the average person to sing at karaoke.

In a way, it’s a song crafted with the ’90s trend in mind, where being popular at karaoke was a key factor for a hit.

That said, Tsunku’s singing style does have some quirks—like the way he belts the higher notes—so if you’re aiming for a high score, it’s better not to mimic the original too closely and instead sing the melody straightforwardly.

yuzusutoorii

Yuzu “Story” Music Video
yuzusutoorii

I looked it up because I thought, “This sounds really familiar,” and it turned out to be the CM song for Toyota’s Ractis! It’s a single released in 2008.

Since it’s a Yuzu song, the range is higher than the average male vocal range, so if you’re good at high notes, it’s easy to sing and a good candidate to aim for a perfect 100.

The chorus has many sustained endings, so make sure to take a breath for each phrase and pay close attention to the pitch bar.

I always told a student who loved Yuzu and sang them all the time, “It’s high, so keep your facial muscles lifted so your pitch doesn’t drop!” It can be tough until you get used to it, but once your pitch dips even for a moment, it’s hard to correct.

Of course, it’s fine to switch to falsetto—just make sure you can place the pitch solidly around the brow area.

The most important factor in scoring is pitch, so focus on maintaining it!

illustrated reference bookSEKAI NO OWARI

SEKAI NO OWARI often gives the impression of having many high-pitched songs, but the July 2025 release “Zukan” doesn’t feature belted high notes and has little range fluctuation, so it seems very scoring-friendly—you might even aim for a perfect 100.

The melody is also easy to remember since it’s structured with just verse A, verse B, and the chorus, without a new section like a bridge.

Overall, the vocal range, rhythm, and melody are clearly organized, so you don’t need any special techniques and can sing it at a relaxed pace.

To aim for 100 points, the first priority is matching pitch.

Try singing lightly with the image of lifting your facial muscles and eyebrows and sending the voice forward from just above the eyebrows.

Vocalist Fukase also tends to keep his eyebrows raised, so use that as a reference!

plazmaYonezu Kenshi

As the theme song for ‘Mobile Suit Gundam GQuuuuuuX -Beginning-‘, it’s a track where the synthetic machine-like sounds really stand out! Kenshi Yonezu handled everything himself—lyrics, composition, arrangement, production, and even the artwork—making it one of his most dedicated works of 2025.

The vocal range is C3 to C5, which I think is a comfortable height for men to sing mainly in chest voice without strain.

There are falsetto parts here and there, but they’re used in those signature “this is the moment!” spots typical of Yonezu, so make sure to align precisely with the pitch bar.

For the fast sections, avoid mumbling and pronounce the vowels clearly.

Also be careful not to over-enunciate.

Approach it like a tongue twister: articulate the initial consonants cleanly and focus on locking in with the rhythm.