I want to sing at karaoke! The latest Japanese songs for men
When you head to karaoke, you want to sing songs that everyone around you can get excited about, right?
These days, new tracks are constantly being added and trends keep changing.
So this time, we’re rounding up the latest Japanese songs that men will want to sing at karaoke!
There are plenty of classic hits and trending tunes, so if there are any you don’t know, be sure to check them out!
Just knowing them means you can hype things up together when someone else sings them—so it definitely won’t hurt to learn a few!
Alright, let’s get started!
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I want to sing at karaoke! The latest Japanese songs for men (71–80)
GET BACKyuzu
Speaking of Yuzu, it’s all about Iwasawa’s beautiful high harmonies on top and Kitagawa’s steady lower harmonies, right? Everyone’s probably thought at least once, “I want to try harmonizing to a Yuzu song!” Yuzu’s harmonies are relatively easy to pick out, so they’re satisfying to listen to and make a great entry point to try.
In GET BACK, Kitagawa comes in with the lower part right from the start—it sounds so cool! There are also call-and-response sections unique to the duo, and in the chorus they switch between unison and harmony, making it a really fun song to sing as a pair! Lower harmonies can be hard to hear and tricky at first, but try practicing with resources like YouTube.
BABY BABYGOING STEADY
They’re a band that still has many fans in the youth-punk scene, and among their songs, this one is probably a favorite for a lot of people.
The powerful, striking performance and vocals make it really exciting, so it’s an easy-to-listen-to track with plenty of appeal.
RAINSEKAI NO OWARI
This is a song that gained attention after being chosen as the theme for the film “Mary and the Witch’s Flower.” The four-member co-ed band SEKAI NO OWARI released it in 2017 as their 11th single.
Its melody, reminiscent of a children’s song, is what makes it easy to sing.
GOLDUVERworld
UVERworld is a consistently successful artist popular with both men and women.
Many of their songs feature enigmatic lyrics and distinctive rhythms, making their music highly enjoyable.
With plenty of upbeat tracks, it’s guaranteed to get everyone excited.
heavy mellowsupittsu
The refreshing tone is soothing, isn’t it? This is a funk tune by Spitz, one of Japan’s leading rock bands.
It’s included on the album “CYCLE HIT 2006-2017 Spitz Complete Single Collection,” released in 2017.
Not just this one—their songs are all easy to sing, so I recommend them.
Precious thingsroodo obu mejyaa
This work is characterized by a melodious, catchy rock sound and lyrics that resonate with the heart.
Despite being an indie debut single, it spent 19 consecutive weeks in the Oricon Top 10 and became a million seller with total sales exceeding 900,000 copies.
Since its release in September 2002, it has continued to capture the hearts of many fans.
It is also included on the album “ROAD OF MAJOR” and is known as one of the band’s signature songs.
With a youthful punk vibe that gets crowds going at karaoke, it’s popular with both men and women.
The lyrics, which sing about life’s journey and the things that matter most, leave a deep impression on listeners.
It’s a recommended track for making memories with friends or when you want to fire yourself up.
PredatorAKASAKI
Starting her career as a singer-songwriter at the young age of 16, AKASAKI skyrocketed to fame when her 2024 release “Bunny Girl” became a massive viral hit.
Her songs, woven from the fresh sensibility unique to a teenager, a mature perspective, and outstanding songwriting talent, are all remarkable—so much so that not only her peers but also working adults in their 20s and beyond will find themselves wanting to sing them at karaoke.
The same goes for “Predator,” released in May 2025: it’s a killer tune that showcases AKASAKI’s signature taste, deftly blending a J-pop vibe reminiscent of the early Heisei era with a stylish, 2020s feel.
Its catchy hook will have you humming along after just one listen.
When singing it at karaoke, try delivering it lightly without overexerting, but avoid sounding too flat—be mindful of your breathing spots and aim for a smooth, flowing performance!
