A compilation of song titles that start with “Ma”
What songs come to mind with titles that start with “Ma”?
It’s not easy to name them off the top of your head, but once you start looking, you’ll think, “Oh! That one too,” and “This one also fits.”
In this article, we’ll introduce songs whose titles begin with “Ma.”
We’ve gathered a variety of tracks, from timeless classics often sung on TV and known by people of all ages, to beloved songs released in the Showa era that have stood the test of time.
They’re also super handy for games like song-title shiritori!
Be sure to check them out.
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Summary of song titles starting with “Ma” (161–170)
Wait for me on the other shore.rinri
An alternative number that captivates with its dreamlike sound and heartrending worldview.
Released in August 2025, this piece was created as a character song for Yukiyuki in the Fifth Kikai installment, “Higan.” Its theme—like speaking to someone who has departed for the distant beyond—echoes deeply in the heart.
The lyrical melody, wrapped in the sense of loss so characteristic of rinri, and the delicate electronic tones feel as though they trace a restless heart’s wandering just as it is.
On a quiet night when you’re thinking of someone dear, take your time immersing yourself in this fragile yet beautiful sonic world.
Mad DinerMiyamori Bungaku
This is a track by Vocaloid producer Miyamori Bungaku themed around a danceable, madcap dish.
Its whirlwind banquet-world aesthetic packs a punch! Chaotic wordplay inspired by food and madness, along with rousing phrases that hype the listener, blend with groovy sounds to lead audiences into a trance.
The song is included on the EP “Let’s Meet at the mad diner,” releasing in August 2025.
Savor this full-course meal, and you too may become captive to the banquet.
Summary of song titles starting with “Ma” (171–180)
Matsuriteranishi yuma feat. izumi pinko
This work, featuring an impressive fusion of traditional Japanese elements and EDM, is a wildly upbeat celebratory number created under the theme of “connecting the world through laughter.” Released in August 2025, it drew major attention for its cross-generational collaboration between singer-songwriter Yuma Teranishi and actor Pinko Izumi.
The structure, where Teranishi’s high-tone vocals intersect with Izumi’s punchy, declamatory singing, delivers a truly festival-like exhilaration.
It might be just the thing to listen to when you want to blow your worries away!
Demon Girl Akinzoku ebisu
Metal Ebis, radiating a one-of-a-kind world where the scent of Showa-era kayōkyoku and heavy metal fuse together! Featured on their sci-fi concept album “Kyo-mu Kairō,” released in December 2022, this track embodies the “Human Disassembly Metal” they champion.
Its faintly wistful melody feels like the cry of a girl harboring a dangerous fragility, while beneath it swirls a progressive development, with riffs shifting one after another in the interlude, throwing the listener off balance.
The free-form arrangement—praised by His Excellency Damian Hamada, founder of Seikima-II—is superb.
It has also been broadcast on FM NACK5.
Lovers of kayōkyoku and metal alike are sure to be captivated by this mysterious charm!
My Queen (feat. Spiritbox)BABYMETAL
This is a work released in August 2025 by BABYMETAL, a group active on the global stage.
The track is a collaboration with Spiritbox, a highly acclaimed Canadian metal band, and it brilliantly fuses BABYMETAL’s signature symphonic elements with sharp, heavy metal sounds.
Many listeners will likely be captivated by the interplay between SU-METAL’s clear, crystalline vocals and the emotional performance by guest singer Courtney LaPlante.
It’s the kind of song that will give you a powerful push when you’re aiming for a big goal or need to fire yourself up.
I still want to live.Eight
This song is striking for its emotionally rich band sound.
Created by Vocaloid producer Eight and released in February 2025, it features a soundscape rooted in post-rock.
The lyrics delicately portray the relationship between “I” and “you,” and the emotions embedded within them are truly stirring.
It’s nostalgic yet introspective.
When you’re carrying feelings you can’t tell anyone, this track will be there to stay close to your heart.
festivalKitajima Saburō
Saburo Kitajima is a great enka singer who has left behind many masterpieces.
His distinctive, undulating kobushi and vibrato are especially striking.
Among his songs, the one I particularly recommend is Matsuri.
While the piece is memorable for its low register, it surprisingly spans a range from mid1 A to high C.
However, because the pitch changes within the kobushi are contained within two notes, it is classified as a work with a lower level of difficulty in terms of overall technique.
If you adjust it to your suitable key, it’s not un-singable, so be sure to identify your own vocal range carefully.
