[2026] Easy-to-Sing Enka: From Classic Masterpieces to Recent Hits [Female Singers Edition]
“I’m interested in enka, but which songs are easy to sing at karaoke…?” “I want to find recent enka songs I can sing…” If you’ve got those questions, be sure to check out this article!
When it comes to popular enka tunes sung at karaoke, many people likely imagine classic masterpieces that have been loved for decades.
But we also want you to discover standout enka songs by younger artists from the 2020s and beyond.
This time, we’ve put together a lineup of “easy-to-sing enka,” from timeless classics to recent hits and fan favorites—featuring female singers only!
We’ve also published an article featuring male singers only, so please enjoy that one as well.
- [2026] Easy Enka Songs for Karaoke: Recommended Picks — Women Singers Edition
- [Enka] Songs that are easy to sing even for those who are tone-deaf [Female singers edition]
- [For Beginners] Recommended Enka Classics for Karaoke — Women Singers Edition
- [2026] Easy-to-Sing Enka: From Timeless Classics to Recent Hits [Male Singers Edition]
- [2026] Amazing if you can sing them! Enka Masterpieces [Women Singers Edition]
- [Queen of Enka] A Collection of Easy-to-Sing Songs by Sayuri Ishikawa [2026]
- 【2026】Difficult Enka Songs to Sing — Women Singers Edition
- [For Women] A roundup of enka songs that can score high in karaoke
- [2026] Easy Enka Songs Recommended for Karaoke – Male Singers Edition
- [Enka] Songs That Are Easy to Sing Even for the Tone-Deaf [Male Singer Edition]
- [2026] Enka Songs That Are Hard to Sing – Male Singers Edition
- [Enka First Year] A Collection of Easy-to-Sing Songs by Yoko Nagayama [2026]
- [2026] A Collection of Masterpieces of Enka and Mood Kayō
[2026] Easy-to-Sing Enka: From Classic Masterpieces to Recent Hits [Female Singers Edition] (21–30)
perchKobayashi Sachiko

Riding the momentum of the smash hit “Omoide-zake,” “Tomarigi,” released in 1980, is Sachiko Kobayashi’s 29th single.
It’s also one of her signature songs, with lyrics and music by Eiji Takino, a prolific creator of many classics.
It’s as popular at karaoke as “Omoide-zake” and “Yuki Tsubaki,” so some of you have probably heard others sing it.
Overall, while the song spans a wide vocal range and has its challenges, the somewhat wistful, melancholic melody line is straightforward, and the chord progression is simple, so you shouldn’t struggle with rhythm or pitch.
I recommend listening closely to the original and studying where Kobayashi uses vibrato and kobushi (ornamental bends).
MaybeKobayashi Sachiko

Even if you didn’t know it was sung by Sachiko Kobayashi, you’ve almost certainly heard this melody somewhere! “Moshikashite,” released in 1984 as Kobayashi’s single, also came out the same year as “Moshikashite PART II,” a duet version with the composer Katsuhiko Miki, and it was performed on the NHK Kouhaku Uta Gassen—truly a classic of the ’80s.
Rather than enka, it leans more toward the kayōkyoku style, and since Kobayashi sings it with almost no enka-style techniques, it should be relatively approachable even for those who aren’t fond of enka.
That said, the song spans a wide vocal range overall, so try to be mindful of a delivery that brings out the sultriness of the lower notes.
In particular, the chorus melody is easy to go off-pitch on, so be careful!
[2026] Easy-to-Sing Enka: From Classic Masterpieces to Recent Hits [Female Singers Edition] (31–40)
A beautiful day for lifekawanaka miyuki

From her debut, Miyuki Kawanaka has been known for her distinctive, rich voice, and lately that voice has gained even more power and presence.
As a result, she’s been releasing more forceful songs as her career progresses.
One recommendation is Jinsei Biyori, released in 2024.
It features a powerful delivery with effective shouts.
While executing the shouts can be challenging, the song has few long sustained notes and doesn’t use rapid melismatic ornamentation (kobushi), so for those familiar with enka, it should be relatively easy to sing.
a coquettish moodkawanaka miyuki

With its bouncy rhythm and Japanese-style arrangement, “Enya na Kibun” is the kind of song that makes you want to clap along and sway your body—you should definitely try singing it at karaoke.
Released in 2009 as a single by Miyuki Kawanaka, it’s a track that fills you with energy as you listen to her playful yet somehow gentle voice.
Kawanaka’s signature vibrato appears throughout, but there aren’t any intimidating high notes, and it’s a song you can enjoy even if you can’t do vibrato.
So first, try singing it without overthinking.
Once you get used to it, practice adding a bit of vibrato little by little!
forgotten umbrellaHattori Hiroko

Hiroko Hattori’s classic “Wasuregasa” is both heartwarming and steeped in melancholy.
It faithfully carries the hallmarks of enka, featuring kobushi (melismatic ornamentation) in most parts.
While the frequent use of kobushi raises the overall difficulty, the song pursues enka authenticity so thoroughly that the vocal line remains clear and simple.
The tempo is very relaxed as well, so anyone with basic enka singing skills should be able to perform it without trouble.
Flowers in the mirrorHattori Hiroko

In her early days, Hiroko Hattori was notable for her authentic, full-fledged vocals centered on enka.
As her career progressed, she began to take on kayōkyoku as well, and her number of catchy songs increased.
One I especially recommend is Kagami no Hana.
While the arrangement and chord progression are pure enka, the vocal line follows kayōkyoku, and the challenging enka ornamentation known as kobushi barely appears.
The vocal line is simple enough that just using dynamics and vibrato makes it sound convincing, so consider adding it to your repertoire.
taking shelter from the rainIshihara Junko

Amayadori, a famous song by Junko Ishihara, is marked by its gently moist, delicate melody.
While its structure is characteristically enka, the vocal line leans more toward pop than traditional enka.
As a result, there are no kobushi ornaments—the complex pitch bends and turns typical of enka.
If you want to sing this piece more effectively, try delivering the end of the chorus with a slightly bluesy feel.
This section uses a vocal line often found in Black music, and if you lower the initial pitch by about a quarter tone, it will suddenly sound much more professional.


