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[For Men] These Songs Will Make You a Better Singer! Tracks That Are Effective for Karaoke Practice

Have you ever found yourself getting better at singing without even noticing, just by belting it out at karaoke? In fact, the songs you choose for practice can make a big difference in how quickly you improve! Songs that help you build vocal fundamentals, songs with easy-to-catch pitches, songs that expand your range, and songs that train your sense of rhythm—each type has its own benefits for practice.

By the way, the reason I learned to hit high notes was simply because I kept singing the same song over and over without giving up! In this article, we introduce a wide range of tracks that are perfect as karaoke practice songs—ones that naturally boost your singing skills while you have fun.

If you’re thinking, “I want to sing better!” be sure to use this as a reference!

[For Men] These Songs Will Make You a Better Singer! Effective Tracks for Karaoke Practice (51–60)

Yes, with pleasure.kocchi no kento

Hai Yorokonde was released as a digital-only single.

It’s a soul-stirring anthem that stands with people struggling in life, and because it’s rhythm-focused, it’s the kind of song you can sing along to by feel even if you can’t nail the pitch! Since Kento Kochinoke often performed it on TV, many of you might already know this track.

It’s just under three minutes long, and it feels like all its coolness is packed tightly into that short span.

The tempo is fast, so memorizing the lyrics might be a bit tough, but what matters most is to “keep time with the rhythm” and “ride the groove.” For the rapid-fire sections, you can get through them by enunciating the vowels clearly.

It also helps not to open your mouth too wide.

monstermakaroni enpitsu

Macaroni Enpitsu "Bakemono" Music Video
monstermakaroni enpitsu

Bakemono by Macaroni Empitsu, known as the theme song for the film The Fire-Eating Bird, leans slightly toward the low end with a range of roughly mid1 D to hi C, and its overall range is fairly wide.

The key challenge of this song isn’t the range itself but the rapid shifts in pitch; the chorus features intense up-and-down movement.

Although it doesn’t rely heavily on mixed voice, sudden high tones appear right after low notes, making it an ideal piece for training mixed-voice production with a focus on pitch control.

Watercolor MoonHata Motohiro

Hata Motohiro – “Watercolor Moon” Music Video
Watercolor MoonHata Motohiro

Hata Motohiro’s masterpiece “Suisa no Tsuki” is marked by its emotional melody.

Released after the nationwide hit “Himawari no Yakusoku,” this track has a notably acoustic and mellow finish.

Its vocal range is relatively narrow at mid1F to hiC, but the chorus features sustained high phrases up to hiC, making it harder to sing than it might sound.

If you have a high voice, you might try singing the falsetto parts with mixed voice.

Be sure to check it out.

Ghost of the SeaYonezu Kenshi

Kenshi Yonezu – Spirits of the Sea
Ghost of the SeaYonezu Kenshi

Kenshi Yonezu’s masterpiece “Umi no Yuurei,” released in June 2019, features a distinctly Japanese flavor and a fantastical melody, even among his works.

The A and B sections are somewhat subdued, and the moment the chorus begins, the pitch movement suddenly becomes very dramatic—making the song quite challenging in a straightforward musical sense.

While the piece employs mixed voice, falsetto also appears very frequently, so rather than strictly matching the original, it’s better to switch between falsetto and mixed voice within your own comfortable singing range.

[For Men] These Songs Will Make You a Better Singer! Effective Tracks for Karaoke Practice (61–70)

Lovers AgainEXILE

A quintessential EXILE ballad, “Lovers Again.” The harmonies between the two vocalists are pleasant to listen to.

Since it’s not a song that requires belting, you can sing it comfortably without pushing for volume.

To produce that volume when needed, focus on resonating through your body.

If you place a hand on your chest while you sing, you’ll notice the vibration.

This resonance is crucial—when your body resonates, your voice carries clearly to both yourself and the listener, even without singing loudly.

Another key is using your breath.

If you just force your voice out nearby, your vocal cords won’t vibrate efficiently.

But if you project as though you’re sending your voice farther away, your vocal cords will vibrate better and you’ll sing more easily.

Keep these points in mind and enjoy mastering this ballad!

HONEYL’Arc〜en〜Ciel

HONEY [15th L’Anniversary Live]
HONEYL'Arc〜en〜Ciel

When it comes to artists that men in their 40s often listened to, doesn’t L’Arc~en~Ciel come to mind? This time, I’d like to introduce “HONEY.” One of my students practiced this song too.

L’Arc~en~Ciel’s vocal range is surprisingly on the lower side.

I think it’s easy to sing for people with a typical male range plus the ability to use falsetto.

The chorus is very clear and uplifting, so it’s easy to add dynamics, and rock fans will love it! On the flip side, the key might be how to keep the low notes from getting muffled.

If you’re not used to a certain range, both low and high notes can require a lot of breath.

When singing low notes, imagine releasing a slow, steady mass of air—your body will resonate more easily and you’ll hear your own voice better.

And above all, the groove matters! It also makes it easier to project your voice, so sing with energy and get into the groove!

Even if you wait for a miracleSaucy Dog

Saucy Dog “Even If We Were Waiting for a Miracle” Music Video (Theme song for the film “Love’s Terminal Illness”) <9th Mini Album “Curry Rice” to be released on 2025.12.17>
Even if you wait for a miracleSaucy Dog

Saucy Dog is a rock band wildly popular among young people.

Their signature feature is, without a doubt, vocalist Shinya Ishihara’s high-tone voice.

Their classic “Kiseki wo Mattetatte” is characterized by a dramatic melody centered on heartbreak.

The chorus sits extremely high, featuring frequent uses of mixed voice and falsetto.

In particular, the mixed voice passages appear at the most intense moments, so a certain degree of fullness and vocal power is required.