[Eternal Idol] A roundup of Seiko Matsuda’s easy-to-sing songs
Since her debut in 1980 with the classic hit “Hadashi no Kisetsu,” Seiko Matsuda—an eternal idol whose outstanding vocal ability and instantly recognizable, soaring high notes have been her signature—has continued to influence Japanese women’s fashion and lifestyle.
It’s amazing not only that she released a string of masterpieces during her 1980s heyday, but that she has also continued to produce hits as a singer-songwriter from the 1990s onward.
Seiko-chan’s songs are perennial favorites at karaoke, but as mentioned at the start, many people struggle with those expansive high notes.
This time, we’ve picked out some relatively easy-to-sing tracks and included tips for performing them at karaoke—so don’t miss it!
- [Kayo Legend] Seiko Matsuda’s Ever-Shining Masterpieces: Songs That Move the Heart
- Seiko Matsuda’s Popular Songs Ranking [2026]
- Easy-to-sing Japanese karaoke songs recommended for women in their 50s
- [For People in Their 50s] Ranking of Easy-to-Sing Karaoke Songs [2026]
- A must-see for low-voiced women! Popular songs that are easy to sing at karaoke
- Seiko Matsuda Karaoke Popular Song Ranking [2026]
- Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)
- [Enka] Songs that are easy to sing even for those who are tone-deaf [Female singers edition]
- [Karaoke] A roundup of easy-to-sing songs by Shizuka Kudo
- Easy-to-sing songs recommended for women in their 20s with low voices | Also great for getting a good reaction at karaoke!
- [Women in Their 40s] Even If You’re Tone-Deaf, You Can Sing! Karaoke Songs That Fit a Woman’s Vocal Range
- [For People in Their 40s] Karaoke Songs That Are Easy to Sing: 2026 Ranking
- [Karaoke] A roundup of songs that are easy for women to sing!
[Eternal Idol] A Collection of Easy-to-Sing Songs by Seiko Matsuda (11–20)
My dear youMatsuda Seiko
Speaking of Seiko Matsuda in the 1990s, many people probably think of the mega-hit “Anata ni Aitakute ~Missing You~” or this song, “Taisetsu na Anata.” Released as a single in 1993, “Taisetsu na Anata” was used as a TV drama’s theme song and remains popular as a bright pop tune that only Seiko Matsuda could deliver—combining the charm of an eternal idol with the skill of an experienced singer-songwriter.
If you try singing it, you’ll notice her characteristically soaring high notes do appear, but the range isn’t excessively high overall, and the melody is easy to grasp, making it very singable.
If you find her high tones from the ’80s a bit tough, this might be a great song to start with!
white parasolMatsuda Seiko
Shiroi Parasol, for which Takashi Matsumoto—who wrote most of Seiko Matsuda’s signature and hit songs—was invited for the first time to write lyrics for a single, is her sixth single overall, released in 1981.
The composer is Kazuo Zaitsu, who also worked on the previous single, Natsu no Tobira.
It has the feel of a medium-tempo pop song that isn’t overly uptempo, and Masao Ōmura’s spot-on arrangement—he supported Matsuda’s golden era—is excellent as well.
The song features a succession of soaring high notes characteristic of Matsuda’s early style, so if you find it tough, try lowering the key when you sing it.
The melody itself is fairly straightforward and not difficult to pitch, so I recommend singing it in a way that feels good for you.
Angel’s WinkMatsuda Seiko
Singer-songwriter Ami Ozaki provided the song—and she says she’s deeply attached to it—Angel no Wink (“Angel’s Wink”).
The way it shifts from a ballad-like intro into an up-tempo pop number is wonderful, but what’s especially interesting is the lyrics, where the perspectives of an angel and the female protagonist alternate.
I recommend reading the lyrics before you try singing it.
There’s not much to worry about when performing it; if you follow the melody’s natural development, it should come smoothly.
The overall vocal range is high, so if you’re not set on the original key, adjusting the key is one option.
uniformMatsuda Seiko
“Seifuku” is the B-side to the classic song “Red Sweet Pea,” but it’s extremely popular among fans, and lyricist Takashi Matsumoto is said to have been more confident in “Seifuku” than in “Red Sweet Pea.” Despite being a light, upbeat pop song, “Seifuku” features an elegant melody and heartrending lyrics that are truly wonderful.
As for singing tips, the section that builds from the pre-chorus into the chorus gradually rises in pitch and is surprisingly tricky when you actually sing it.
Pay attention to your breathing points and practice so the line connects smoothly into those clear, sustained high notes.
Lapis-Lazuli EarthMatsuda Seiko
Ruri-iro no Chikyuu (Lapis-Lazuli Earth) is a song included on the album SUPREME, which was released while Seiko Matsuda was on hiatus due to pregnancy and childbirth.
Despite not being released as a single, it remains highly popular among fans.
It has also been included in music textbooks used in education, so many people—not just fans—have likely heard it or even found themselves humming along.
It’s also fresh in our memory that Matsuda performed it as Ruri-iro no Chikyuu 2020 at the 71st NHK Kohaku Uta Gassen in 2020.
As a simple ballad, it’s relatively easy to sing: the pitch is easy to follow, and there aren’t many of Matsuda’s signature high tones.