A lineup of classic hits! Karaoke songs recommended for the yutori generation
For those often referred to as the “Yutori Generation,” a familiar way to relieve stress might be karaoke.
Whether you’re belting it out alone without worrying about anyone else, or getting hyped with friends, it’s always fun.
So this time, we’re introducing karaoke songs recommended for the Yutori Generation.
We’ve compiled a wide range of tracks—songs that are easy to add call-and-response to, songs that make you want to dance while you sing, and songs we’d love for you to sing tenderly—so we hope you’ll find it helpful.
- Now karaoke isn’t scary! Easy-to-sing songs recommended for the Yutori generation
- Packed with masterpieces! Karaoke songs recommended for women of the Yutori generation
- Recommended for the Yutori generation! Tear-jerking masterpieces from the J-pop scene
- Songs everyone knows across generations. A roundup of karaoke tracks anyone can sing, regardless of age.
- Hype to the max! Party songs recommended for the Yutori generation
- Recommended picks for karaoke! Easy-to-sing songs recommended for Gen Z
- Perfect for karaoke or background music! Energetic songs recommended for men of the Yutori generation
- Easy-to-sing songs recommended for women in their 70s: A collection of classic hits perfect for karaoke
- Easy-to-sing songs recommended for men in their 90s: A roundup of tracks to sing at karaoke
- A number I’d recommend to the yutori generation—one I’d like women to sing
- Bittersweet feelings come rushing back! Recommended love songs for the Yutori generation
- It cleanses the soul… Great J-pop songs recommended for the yutori generation
- Easy-to-sing songs recommended for men in their 70s: A collection of classic hits you’ll want to sing at karaoke
A lineup of classic hits! Karaoke songs recommended for the Yutori generation (21–30)
Promise in Madder Redikimonogakari
Written and composed by Yoshiki Mizuno, this song deliberately uses the word “farewell” to express the vow “until death do us part,” carefully weaving feelings that we want to cherish precisely because our time is limited.
Kiyoe Yoshioka’s translucent vocals intertwined with warm strings evoke the poignancy of an autumn dusk.
Released in October 2007 as their seventh single, it was featured in au’s “LISMO!” commercial and served as the ending theme for tvk’s “saku saku.” It’s a perfect track for long autumn nights, one that makes you want to listen while reminiscing about your school days.
threadNakajima Miyuki
“Ito” is a song sung by every generation.
It was released in 1992, but it’s often used at weddings and in TV dramas, making it a ballad loved across generations.
The vocal range isn’t very wide—F3 to A#4—centered in the midrange, with the low notes being key.
If you sing it in a speaking voice, you’ll end up straining your throat, so aim to sing with a proper singing voice.
The tempo is very slow, so stay calm and take a breath at the end of each phrase.
Instead of “pushing out your voice,” focus on “using your breath” to project forward.
In fact, every consonant in the Japanese ha-row (ha, hi, fu, he, ho) uses breath in its articulation.
If you try singing everything with the “ha” sound for clarity, you might grasp the feeling of “Oh, so this is what it means to use breath!” Give it a try as a reference.
A Lineup of Classics! Karaoke Songs Recommended for the Yutori Generation (31–40)
SAY KOU SHOWRobāto Akiyama
Robert Akiyama’s masterpiece “SAY KOU SHOW.” It’s a relatively recent song, and with its lyrics packed full of dirty jokes, it seems to land better with people in their twenties and up than with teens.
Despite being a comic song, it features a groovy, smooth melody.
The vocal range is narrow and mostly sits in the lower to mid register, so most men can sing it in the original key without trouble.
It’s a song that’s more about expression than technique, so it’s best performed with exaggerated facial expressions in true Akiyama style.
KanadeSukima Suichi
A heartwarming ballad that begins with piano tones shining under a soft glow.
Sung with a clear, emotive voice, it portrays the radiance of a world transformed by partings and new encounters—one of Sukima Switch’s quintessential masterpieces.
Released in March 2004, the song became a long-running hit over 38 weeks.
It was featured as an insert song in the film “Rough” and served as the theme for Fuji TV’s drama “Sotsu Uta,” continuing to resonate with many listeners.
Included on the albums “Natsugumo Noise,” “Greatest Hits,” and “DOUBLES BEST,” its charm deepens with time.
Perfect for those moments when you want to gaze at the night view in a lounge and reminisce about memories with someone special.
Yes, with pleasure.kocchi no kento
For Kocchi no Kento, a “multi-creator” with truly multifaceted talents, 2024 was a breakthrough year.
His track Hai Yorokonde, which was also performed at the 75th NHK Kouhaku Uta Gassen that same year, was released in May 2024 and became an explosive viral hit.
As of 2025, it has racked up an astonishing 170 million views on YouTube.
Kocchi no Kento is known for his strong vocal skills honed through a cappella, but Hai Yorokonde sits in a relatively low key and doesn’t require a wide vocal range.
While the lyrics are a bit fast, it sounds great if you keep to the rhythm.
It’s also extremely well-known, so definitely give it a try at karaoke.
Spot the differenceSuda Masaki
This is one of Masaki Suda’s signature songs, written, composed, and produced by Kenshi Yonezu.
It’s a heartwarming track with an encouraging message: life isn’t always about having the right answers—its value lies in all the mistakes we make.
It carefully portrays a shift from self-denial to self-acceptance through meeting someone important, making it highly relatable.
Released in May 2019, the song was chosen as the theme for the Kansai TV/Fuji TV drama “Perfect World” and is also included on the album “LOVE.” It’s perfect for times when you want to reflect on yourself or belt out your feelings at karaoke—singing it at full volume can leave you feeling refreshed.
Name of the FlowerBUMP OF CHICKEN
A gem of a message song that spins feelings words can’t capture.
This over-six-minute epic from BUMP OF CHICKEN gently embraces the emotions we all hold for the people we want to see and the ones we’re waiting for.
Created after the band spent an entire night talking with the film’s director, the track was released in October 2007 as the theme song for the movie “ALWAYS: Sunset on Third Street 2,” topping the Oricon Weekly Singles Chart.
It also achieved the remarkable feat of monopolizing the top two spots alongside the simultaneously released single “Mayday.” Included on the album “orbital period,” the song—marked by its distinctive electric sitar tone—radiates a warm atmosphere that evokes the bonds with those we cherish.
It’s a piece you’ll want to sing with care, whether solo at karaoke or with close friends.