[Karaoke] A roundup of easy-to-sing Misora Hibari songs
A voice that resonates with everyone’s heart… When it comes to Showa-era songstresses, Hibari Misora comes to mind.
She performed countless masterpieces, including “Like the Flow of the River,” “Ai Sansan,” and “Midaregami.”
If someone asked you for your favorite, I bet a particular song would come to mind right away.
In this article, we’ll introduce some of Hibari Misora’s songs that are especially easy to sing and perfect for karaoke.
Use it as a guide for your next song selection!
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[Karaoke] A roundup of Misora Hibari’s easy-to-sing songs (1–10)
I’ve fallen for you.
One of the signature songs from the later period of Hibari Misora’s career is the 1980 single “Omae ni Horetá” (“I Fell for You”).
It doesn’t require a particularly wide vocal range or extreme pitch shifts, and both the lyrics and melody are easy to remember, so it seems like a song that’s relatively easy to sing.
In fact, it was reportedly created with the concept that even karaoke beginners could sing it.
If you’ve wanted to try a Hibari song but thought it might be too difficult, this is exactly the one I’d like you to take on.
Don’t be shy—throw yourself into the performance with plenty of flair and sing in your own world.
It feels great!
Backstreet Tavern
Released as a single in 1982, “Uramachi Sakaba” is a song provided by Tetsuya Ryu, whose self-written and composed hit “Okuhida Bojo” was a massive success.
It’s a very simple kayōkyoku with an easy-to-remember melody and lyrics, and since the pitch is relatively low, it might be approachable for male singers.
However, many kayōkyoku with an enka flavor feature large pitch swings, and this song is no exception.
Pay attention to the contrast between the low notes in the A-melody and the high notes in the chorus; if you sing it with plenty of mood, you can perfectly bring out its world and atmosphere!
A Poem by a Woman
The opening women’s chorus is full of atmosphere, and this “Aru Onna no Uta” is a masterpiece that serves as a model of Showa-era mood kayō.
It was released as a single in 1972 and was also performed at that year’s Kōhaku Uta Gassen.
The lyrics are simple and the melody is easy to remember, but to be honest, it’s difficult to sing this song well.
The range is very wide, and you’re expected to hit the low notes firmly and project the high notes without relying on falsetto, so it might be tough unless you’re fairly confident in your singing.
That said, the highest notes only appear in the chorus, so start by thoroughly practicing the low parts of the A-melody, and be mindful of your breath so you can nail the soaring high section when the song reaches its climax.
[Karaoke] A collection of easy-to-sing Misora Hibari songs (11–20)
soft; gentle; pliant
This is “Yawara,” a song that won the 7th Japan Record Award in 1965.
Among Hibari Misora’s many masterpieces, it ranks just behind “Kawa no Nagare no Yō ni” in sales, and it continues to be loved as one of her signature songs.
Released in November 1964 and reissued several times as a CD single since the 1990s, its enduring popularity is clear.
It was used as the theme song for a TV drama series starting with “Yawara,” and, as the title suggests, the song centers on judo.
It is unequivocally enka, so a vocal style with strong kobushi (ornamental pitch bends) is absolutely essential.
Although the tempo is relaxed, the song’s wide range and somewhat dramatic rises and falls in pitch may make it feel difficult at first.
That said, the overall range is not excessively high, and once you get used to enka’s distinctive melodies and word choices, it’s surprisingly singable!
Life’s journey
Although it’s a B-side track, there are plenty of cases where a song becomes one of an artist’s signature numbers because the artist loves it, performs it often at concerts and on TV, and it ends up widely recognized.
Hibari Misora is quite representative of that pattern, and “Jinsei Ichiro” is a prime example.
Originally released in 1970 as the B-side to the single “Hana to Honoo,” it has since become a beloved classic among fans, often performed at key moments in Misora’s career.
The original version features a relaxed tempo with a big band arrangement that highlights Misora’s soaring vocals, but if you watch later concert performances, you’ll find it rearranged at a faster tempo—and those are wonderful as well.
The enka-style melody is simple and easy to remember, and the lyrics are written in straightforward Japanese, so it should be relatively easy to sing.
Even if you can’t do the kobushi-style vibrato, try focusing on clear diction and sing it with plenty of feeling.
Subaru
Hibari Misora is renowned not only for her own songs but also for her superb covers of other artists’ works.
“Subaru” is the famous hit released by Shinji Tanimura in 1980—so well-known among Japanese people that it seems to be heard from somewhere every year as the New Year approaches—and it’s popular not just in Japan but across many Asian countries as well.
Hibari covered this classic on her 1984 album “Suisen no Uta: Misora Hibari Sings Pops,” and her remarkable vocal ability truly brings out the song’s brilliance.
The overall range sits on the lower side, which is reassuring for those who struggle with higher notes; however, the long sustained notes in the chorus, with relatively few syllables in the lyrics, leave little room to hide, so caution is needed.
Steady your breathing and try to sing as expansively as possible!
Beyond that hill
Beyond That Hill is the theme song of the film of the same name, in which Hibari Misora starred in 1951, and her appearance on horseback to this song in the movie is quite striking.
It’s an unforgettable piece with the universally known shout “Yah-ho!” repeated in the chorus, and the melody is easy to remember and sing.
That said, the song’s wide vocal range and large interval leaps do require some practice.
When you rehearse, focus on producing both the low and high notes cleanly so you can deliver them with confidence.