RAG Musicartist
Lovely artist

MIYAVI’s famous and popular songs

MIYAVI is a solitary guitarist who represents Japan, crossing oceans with just his guitar and making a name for himself around the world.

I think many people have been drawn in by his unique sense and style.

His easygoing demeanor and striking features are also part of his appeal.

Lately, he’s been collaborating with various Japanese musicians, branching out beyond just rock, and creating crossovers by incorporating a wide range of instruments into his tracks.

This time, I’d like to showcase a selection of his popular works, both old and new, all at once.

By the way, which songs do fans like the most?

If you’d like, please hit the like button on your favorite tracks!

MIYAVI's Greatest and Most Popular Songs (51–60)

Señor, Señora, SeñoritaMIYAVI

Señor, Señora, and Señorita are Spanish words equivalent to Mr., Mrs., and Miss in English.

As the title is in Spanish, percussion instruments like castanets and the guiro are used, and the guitar solo features rhythms reminiscent of flamenco.

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Afraid To Be CoolMIYAVI

MIYAVI – 「Afraid To Be Cool」Music Video (short version)
Afraid To Be CoolMIYAVI
[Ryo Ishikawa・MIYAVI] Asahi Dry Zero “Heat” Version

Known for playing without a pick and using a slap technique, MIYAVI is not only a guitarist but also active as a singer.

His track “Afraid To Be Cool” features a bouncy, fast-paced guitar sound and drum beats that lift your spirits.

The song is used in the Asahi Dry Zero “Heat” commercial starring pro golfer Ryo Ishikawa.

It feels as though the heat of competition—and the cooling refreshment of Dry Zero—are emphasized through the imagery of deserts and water droplets, along with the song’s blend of power and cool atmosphere.

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In conclusion

We’ve introduced many of MIYAVI’s classic and popular songs so far.

Did you find the track you were looking for? I hope you discovered something new you hadn’t known before! What I feel when I look at any of his songs is that there’s no sense of a contrived persona or overproduced character—rather, it’s as if his genuine personality is directly reflected in his work.