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Moody Japanese classics: recommended popular songs

I’ve put together a playlist of moody Japanese songs—popular hits, timeless classics, and hidden gems—perfect for twilight or nighttime, when you want to savor some grown-up time.

It’s great for relaxing alone, or for listening quietly with your spouse, partner, or someone special.

Enjoy a wonderful time.

Moody Japanese hits: Recommended popular songs (11–20)

I want to hug you.Mr.Children

Mr.Children “I Want to Hold You” Mr.Children [(an imitation) blood orange] Tour
I want to hug you.Mr.Children

A gemlike love ballad whose sweet, wistful feelings seep gently into the heart.

Created by Mr.Children in December 1992, the song is marked by its key changes—born from producer Takeshi Kobayashi’s idea—and the tender tone of the piano.

Infused with pure affection and devoted sentiment, its melody exudes a grown-up allure perfect for a late-night lounge.

It was featured as an insert song in the Fuji TV drama “Pure” and used in NTT Docomo commercials, and has been covered by many artists, including Ryuichi Kawamura and Anri.

Its warmth, which seems to envelop deep feelings for a loved one, is part of its charm, and as a song that keeps close company on nights spent with someone special, it has been etched into the hearts of many.

A street corner where even lovers get wetNakamura Masatoshi

The biggest hit song by the renowned actor Masatoshi Nakamura, “Koibito mo Nurueru Machikado.” Even from the title, it feels pretty sexy.

The melody is quite sensual—not lewd, but exuding a mature allure.

It’s a smooth, nighttime-appropriate track for grown-ups.

Scorpio womanMikawa Ken’ichi

Hatsune Miku Kenichi Mikawa Scorpio Woman
Scorpio womanMikawa Ken'ichi

Kenichi Mikawa’s “Woman of Scorpio” is well-known as a song that made a comeback thanks to Korokke’s impersonation.

It’s a song that gains even more impact when sung by Mikawa than by a woman.

Listening to the lyrics again, the content is quite frightening, but Mikawa’s persona keeps it from feeling too heavy.

Mary Janetsunoda☆hiro

(PV) Hiro Tsunoda – Merry Jane (NHK).mpg
Mary Janetsunoda☆hiro

Hiro Tsunoda is one of Japan’s leading soul singers.

His appeal, above all, lies in his incredibly deep voice—so deep you’d hardly believe he’s Japanese.

It has astounding richness, and if you only listen to the voice, it can sound like a foreign singer.

Among his songs, the one I especially recommend is “Mary Jane.” It’s a classic, no explanation needed.

With its mix of sweetness and poignancy, this track brings out the full potential of his low register.

Be sure to give it a listen.

atonementTeresa Ten

“Tsugunai” is a signature song by Teresa Teng, the Taiwan-born singer who was beloved and known as the Diva of Asia.

Covered by many artists, this song is likely familiar not only to older listeners but also to many younger people who have heard it somewhere.

From a woman’s perspective, it portrays the regret and heartache of a couple who have resolved to part ways.

It might be nice to immerse yourself in this song while quietly reminiscing about past love.

A timeless classic—wonderful to sing and wonderful to simply listen to.

The one I still love even after we’ve broken upRosu Indiosu & Shiruvia

Los Indios & Silvia - Even If We Break Up, I Still Love You / LOS INDIOS & Silvia Wakaretemo Sukina Hito
The one I still love even after we’ve broken upRosu Indiosu & Shiruvia

This classic duet is a staple in Japanese snack-bar karaoke.

Listening to it brings back memories of Japan’s bubble economy at its peak.

It’s fair to call this song a representative example of mood kayō (mood歌謡).

Although Sylvia sadly passed away in 2010 after battling illness, Los Indios have continued their activities since then.

Moody Japanese classics: Recommended popular songs (21–30)

Lingering Snowiruka

Dolphin [Iruka] / Nagori-yuki [Lingering Snow] (Single Version) Official Audio with translation
Lingering Snowiruka

Iruka’s song “Nagori Yuki,” long cherished as a classic in Japan.

Released in 1974, it’s rooted in the then-popular folk music genre, and while it’s moving, it retains a certain folk-like poignancy.

It was originally a Kaguyahime song, but many people are probably more familiar with Iruka’s cover.

The song’s vocal range is relatively narrow, from mid1 D to mid2 G.

With the highest note at mid2 G, few should find it difficult to sing in the original key.

The A verse is somewhat spoken in style, so there are slightly fewer breakpoints, but as long as you don’t push your voice too hard, it shouldn’t be a problem.