[Diva] Easy-to-sing Akina Nakamori songs, even for those who struggle with low notes
As a songstress representing the Showa era, Akina Nakamori continues to captivate many people to this day.
Her vocals are striking for being both powerful and delicate, but have you ever felt that her songs are “low in range” or “difficult” when you try them at karaoke? While her unique expressiveness and wide vocal range can make her songs seem intimidating, there are actually some that are relatively easy to sing.
In this article, we introduce Akina Nakamori songs that are approachable for karaoke.
Focus on the familiarity of the melodies and the vocal range, and try finding a new favorite track.
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[Diva] Akina Nakamori’s easy-to-sing songs. Even for those who struggle with low notes (1–10)
Tears aren’t just for show.Nakamori Akina
A signature song by Akina Nakamori, released in November 1984.
Written and composed by Yosui Inoue, arranged by Mitsuo Hagita, it’s a rock-tinged track that marked a turning point in Nakamori’s shift from idol to singer-artist.
Her vocals at the time were highly praised, and the song remains very popular for karaoke and is sure to get the crowd going.
The overall vocal range is F#3–A4; the verse may be a bit low, but many will find the chorus easy to sing.
A key tip when singing is to pronounce the romaji clearly.
Nail that and it will sound undeniably cool—don’t be shy, articulate each syllable crisply.
LA BOHEMENakamori Akina
“LA BOHEME” is a song characterized by melodious yet powerful rhythms, showcasing Akina Nakamori’s impressive vocal ability.
It portrays an urban, fleeting, and passionate worldview, referring to people who love art and freedom and live carefree lives.
The overall vocal range is E3 to A4: the A section sits quite low, then gradually rises around the B section.
Since even the chorus doesn’t reach particularly high notes, it should be easier for singers who are comfortable with lower registers.
Be careful not to let the low notes sound muffled.
Because the chest naturally resonates when you project your voice, try focusing on head resonance as well to achieve a balanced sound.
Raise your hand and try singing.
I MISSED “THE SHOCK”Nakamori Akina
It’s a song with a dark worldview that sings about the end of love and the loss of emotion.
It’s a classic that was also performed at the 39th NHK Kouhaku Uta Gassen, known for its gothic fashion costumes and expressive contrasts between stillness and movement.
Starting with a quiet A-melody and shifting to a chorus where emotions burst forth, the track stands out for its sharp dynamics, so I think the key is how coolly you can deliver the chorus.
Also, being mindful of where to cut phrases makes it land very stylishly, so rather than letting the melody line flow too much, it’s best to sing crisply and clearly.
[Diva] Akina Nakamori’s easy-to-sing songs. For those who struggle with low notes, too (11–20)
LIARNakamori Akina
This is a quintessential ballad from the bubble era, known for its lyrics that exude loneliness and melancholy and its dramatic melody.
Nakamori’s richly expressive yet fragile vocals—such as the long vibrato that rises from the lower register into the chorus—are highly praised.
Since it’s primarily sung in a low range, it’s a great choice for those who are strong in the lower register.
If your low notes tend to sound muffled, it’s fine to raise the key.
Low voices naturally resonate in the chest, so if you focus on singing “from the head,” it often becomes easier to produce those notes.
When you focus on the head, your eyebrows will probably lift on their own, so try to maintain that expression as you sing.
The red bird ran away.Nakamori Akina
This is a piece with the same melody as the signature song “Mi Amore,” but with different lyrics—a different-title, same-melody track.
Because the original lyrics of “Mi Amore” were introspective, they were rewritten to adopt lyrics that sing of a more passionate heartbreak.
It enjoys enduring popularity among fans as a hidden gem that maximizes the appeal of its Latin style.
Since the title is different, people who don’t know it are surprised to hear it’s the same as “Mi Amore” when they expect a completely different song.
I highly recommend singing it at karaoke because it’s sure to spark conversation.
In the chorus, it sounds great if you sing crisply and with clear articulation.
Girl ANakamori Akina
Akina Nakamori’s second single and one of her signature songs is “Shojo A.” It was written around the theme of a girl’s rebellious spirit, and its appeal lies in lyrics that combine a rough, edgy mood with the delicacy unique to a young girl.
How about starting your practice with that famous chorus everyone knows? The repeated phrases make the lyrics easy to memorize, letting you focus more on your singing.
By the way, a key tip is to deliver the final catchphrase at the end of the chorus with strong, powerful vocals.
Second LoveNakamori Akina
Her third single, “Second Love,” released in 1982.
This song is appealing for its straightforward style and catchy melody.
Since it was released soon after her debut, her singing is unadorned, and the backing arrangement is very simple.
The tempo is also very slow, so those who struggle with fast passages can feel at ease.
The low notes at the end of the chorus are a bit challenging, but they’re within a range you can reach with practice, so listen closely to the original and give it a try!
