No More Worries!! A Catalog of Crowd-Pleasing Party Tricks
Hidden talents for year-end parties, New Year’s parties, after-parties, and class reunions.
Some of you might be thinking, “I don’t have time, and I can’t prepare…”
But if you’re going to do it, wouldn’t you prefer something that’s likely to succeed, or better yet, something moving?
We’ll introduce ideas ranging from easy ones anyone can start to more serious acts, so check them out along with videos!
When you practice, do it in front of a mirror or record yourself and review it—self-checking is the quickest route to improvement!
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No More Worries!! A Catalog of Crowd-Pleasing Party Tricks (71–80)
loach scooping
This is a traditional performance done to the folk song Yasugibushi from Yasugi City in Shimane Prefecture, featuring the motions of scooping up loaches.
The costume—essential elements being a tenugui headcloth and a one-mon coin on the nose—is also key; aim for a comical feel not only through movement but also in appearance.
Since only the theme of scooping loaches is set and there are no fixed steps, it could be fun to pursue an even more humorous style with an original dance.
While it is a traditional folk performing art, it is also a performance with ample potential for wide-ranging arrangements.
glass harp
A glass harp is when you run a wet finger along the rim of a wine glass to produce sound, playing the glasses like an instrument.
The pitch changes depending on the diameter of the rim and the amount of water inside, so you adjust the size and the water level to create a scale and perform.
Its tone is very ethereal, and if you can pull off this party trick, it’s sure to be a hit! By the way, thicker wine glasses don’t vibrate as easily, so it’s best to choose thin ones.
Also, pick songs that match the vibe of the gathering.
One-person shiritori
It might seem odd to play shiritori alone at a party, but it actually gets pretty lively.
This is a game invented by Yagi from the comedy duo Savannah, where no matter what word the shiritori starts with, it always ends with the word “Panaki.” First, you get a random word from someone.
Once you have it, you quickly play shiritori by yourself and make sure to end with “Panaki.” When you say “Panaki,” spread your arms and say, “Panaki desu.” Don’t dawdle during the solo shiritori—you have to keep it snappy.
The key to making it more exciting is the speed.
By the way, “Panaki” apparently doesn’t have any particular meaning.
two-person robe (Nininbaori): a comedic act where two people share one kimono-like garment, with the rear person acting as the arms for the front person
A classic game where two people act as one person: Ninin-baori.
On variety shows they sometimes do ninin-baori and try to eat piping-hot oden! Let’s try it in a place with lots of party food.
In ninin-baori, two people wear a large piece of clothing; the person in back hides their face and only puts their hands through the sleeves.
The person in front doesn’t use their hands and only sticks out their face, and that’s it—ready to go.
To make ninin-baori funny, you want to succeed just a little while mostly failing in amusing ways.
The person in back uses their hands to hold chopsticks or plates and tries to feed the person in front by bringing food to their mouth.
Naturally, since they can’t tell exactly where their own hands are, they’ll sometimes bring the food to somewhere that isn’t the mouth! That earnest effort that somehow doesn’t quite work out—that deliberate not-quite-working is what makes it so funny!
Impersonation
Impersonations are a real classic—and always a hit—for hidden talents at year-end and New Year parties.
There are lots of types: facial impressions, voice impressions, singing impressions, and more.
Of course, impressions of celebrities are great, but at a party, how about trying an impression of someone close to you? If you mimic the quirky way a certain boss talks or dresses, it’s sure to liven things up!
Nankin Tamasudare
It’s the traditional performing art known as Nankin Tamasudare.
While singing, the performer skillfully manipulates a large reed screen, transforming it into various shapes.
Once you master it, it could become a lifelong art.
Since it’s an old-fashioned performance, it seems like it would delight a wide range of ages—from seniors to children.
beatbox
Human beatboxing is a form of musical expression that recreates drum and bass sounds, record scratches, and more using only the mouth.
If you can do it stylishly, you can quickly become the center of attention.
It may seem difficult at first, but if you learn tips for producing each sound—starting with simple mouth scratches—you’ll be able to arrange them freely, so if you’re interested, definitely give it a try.
You can enjoy it in a band with other instruments or a cappella, and since you can perform easily with just a microphone, it’s highly recommended!
Limbo dance
If you’re looking to put on a high-energy, passion-filled performance, how about the limbo dance? It’s an act that tests your flexibility and back strength.
You’ll get the crowd clapping along, and the whole room can enjoy the fun together.
If you’re not confident in your flexibility, there’s also a funny limbo routine inspired by Yoshimoto Shinkigeki’s Nancy & Mariconnu—you could try that instead! Either way, it’s best to train well and take on the big moment fully prepared!
latte art
Do you know latte art? It’s that thing where you draw cute designs on the foam of coffee.
It might look hard at first, but once you get the hang of it, it’s actually pretty easy.
And the best part is your finished piece is one-of-a-kind in the world! There’s something lovely about how it disappears in an instant, too.
Show it off at year-end or New Year’s parties and it’ll definitely be a hit.
Your friends and family will be amazed for sure, and your everyday coffee time will feel special.
Give it a try!
stage combat (sword-fighting choreography)
These are action scenes using weapons, often seen in period dramas.
To prevent injuries, both sides need meticulous coordination, and the more you focus on elements like achieving beautiful choreography, the more compelling the result becomes.