Let me introduce you to songs by the pop-rock band Passepied.
Built on tracks that skillfully blend the flavor of classical music’s Impressionism with pop sensibilities, their charming vocals really shine.
They’re a band whose appeal reveals itself more and more the deeper you listen.
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PASSEPIED’s classic and popular songs (1–10)
MATATABISTEPpasupie

A straight-up danceable track with a strong disco vibe—something their earlier songs didn’t quite have.
The catchy “pa, pa, rarira” phrase makes you want to sing along with everyone.
Also, don’t miss Ms.
Ogoda’s cuteness as she sings and dances in front of the mic in the music video.
Please let me pass.pasupie

An oriental song by Passepied with a chorus melody that sticks in your head, chanting “Tōryanse, tōryanse.” The Japanese-style world Passepied creates isn’t quite purely Japanese; it carries the vibe of a slightly off-kilter “Japan” imagined by Westerners.
This seems to have a lot to do with vocalist Natsuki Ogoda’s personal tastes.
A luxurious excusepasupie

A song notable for its music video featuring stop-motion filming with a sketchbook.
Its dramatic and emotional structure is layered with Pasocom Music Club’s signature sparkling sound, and lyrics that brim with their unique worldview—such as “I want to live while feeling the most restricted freedom in this world”—come together to create a track that symbolically represents their post-major-debut style.
Tokinowapasupie

This is the song that was used as the ending theme for the anime “RIN-NE” (Kyoukai no Rinne).
The chorus opens with the line “Meguriai megureba meguru, kururi kururi tonari awase,” which feels wonderfully soothing.
Built on synths and piano with guitar adding flavor—true to the core of Passepied’s sound—it’s a quintessential track of theirs and one I’d recommend to first-time listeners.
S.Spasupie

As the opening track on their first full-length album, this song retains Passepied’s signature style while putting an even greater emphasis on a “band-like” sound than before.
The midsection features a cool sequence of solos—drums, then keyboard, guitar, and bass—that’s a must-hear.
The music video, shot on a riverbank, is delightfully surreal and well worth a watch.
Traumereipasupie

Composed by Haneda Narita when he was 18—before the band Passepied had even formed—this song is included on their major-label debut, ONOMIMONO.
Coupled with a music video crafted in vocalist Ohgoda’s distinctive illustration and design style, it may be the track that most prominently showcases their unique character.
hyperrealistpasupie

After their major debut and until this release, they spent a full five years avoiding showing their faces—putting out jackets and MVs with soft focus or just silhouettes—but this is the memorable 7th single where they finally appeared in the media.
It’s a track that shines with a catchy main phrase that quietly modulates in parts.


