Namie Amuro’s Most Popular Karaoke Songs Ranking [2026]

SWEET 19 BLUESAmuro Namie15rank/position

SWEET 19 BLUES / (Live Edit)

This song was released in 1996 as the theme for the film “That’s Cunning! Shijō Saidai no Sakusen?” with lyrics and composition by Tetsuya Komuro.

It’s also popular among fans for its great balance with Namie Amuro.

The overall vocal range is fairly wide, from F3 to E5, but instead of a forceful, belted style, it suits a lighter, resonant delivery using mostly head voice.

The key point is humming.

Lift your facial muscles and try a gentle, buoyant “hm-hm,” resonating not in the throat but around the brow/forehead area.

If the throat resonates, your singing voice will sound throaty and strained.

Use steady breath support and aim the resonance lightly upward from the eyebrows for the best effect!

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Kubota Mami

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BirthdayAmuro Namie16rank/position

Birthday / (Live Edit)

Namie Amuro, who retired from the entertainment industry in 2018, remains one of those artists whose popularity never fades even after stepping away.

Her song “Birthday,” included on the 2015 album _genic, is—just as the title suggests—a birthday song.

Although the lyrics are entirely in English, it’s an ultra-bouncy party tune.

Rather than celebrating a friend, the song is about celebrating your own birthday yourself—and getting everyone around you in on it, too! Its message is about a new self and taking a fresh step forward.

If you’re good at English, why not use this song to celebrate a friend who’s become a “new version” of themselves?

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utatane

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TSUKIAmuro Namie17rank/position

TSUKI – Namie Amuro (Full)

This song has a signature Namie Amuro feel, with a mellow atmosphere and poignant lyrics that leave a strong impression.

For those who have experienced a more mature kind of love during that in-between stage of being a college student—neither fully a child nor fully an adult—it will truly resonate.

While the overall tone is gentle, the chorus has a burst of energy, making it an easy song to pour your emotions into when singing at karaoke.

TUKIAmuro Namie18rank/position

TSUKI – Namie Amuro (Full)

This song has a signature Namie Amuro feel, with a mellow atmosphere and poignant lyrics that leave a strong impression.

For those who have experienced a more mature kind of love during that in-between stage of being a college student—neither fully a child nor fully an adult—it will truly resonate.

While the overall tone is gentle, the chorus has a burst of energy, making it an easy song to pour your emotions into when singing at karaoke.

BLACK DIAMONDDOUBLE & Namie Amuro19rank/position

DOUBLE & Namie Amuro / BLACK DIAMOND [MUSIC VIDEO]

This is a collaboration track by DOUBLE and Namie Amuro that unleashes the allure of sexy, powerful women.

The lyrics, depicting a rivalry among women over a special man known as the “Black Diamond,” left a strong impression on listeners.

Released in May 2008, the song was also featured in a commercial for the music distribution service “mu-mo.” Blending lyrics that embody confident, self-assured womanhood with an electro sound, it’s the perfect song to belt out at karaoke when you want to lift your mood!

Don’t wanna cryAmuro Namie20rank/position

Namie Amuro – Don’t wanna cry (TK PAN PACIFIC TOUR ’97 1997.05.27)

The 5th single “Don’t wanna cry,” chosen as the commercial image song for DyDo DRINCO’s “mistio.” In 2017, it was also used as the theme song for the information program “Sukkiri,” and it’s known as one of Namie Amuro’s signature million-selling hits.

Although the song is built around high-tone melodies and its bouncy shuffle beat can be tricky to ride, its limited dynamics and narrow vocal range make it relatively approachable for karaoke.

A soulful pop tune that really takes off with call-and-response interplay with the backing vocals.

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Hoshino Takashi

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Dreaming I was dreamingAmuro Namie21rank/position

Namie Amuro-Dreaming I was dreaming

It was released in 1997 as Namie Amuro’s 11th single.

It became a hot topic as her last single before going on maternity leave the following year, in 1998, and also because she dramatically cut her hair short.

The song was used as the TV commercial image song for Miki’s “Ginza Jewelry Maki Estate Twin Jewelry,” and it also drew attention for her dancing while cradling her pregnant belly.