BRAHMAN Popular Songs Ranking [2026]
BRAHMAN, who even produced a film about their own band to commemorate their 20th anniversary.
If you’ve seen their live shows, you know: their fiery performances and messages have captivated many.
This time, we’re focusing on their songs.
We’ve compiled a ranked list of tracks with the highest play counts to date.
Whether you’re a longtime fan or brand new to them, please take a look.
- Masterpieces and popular songs by BRAHMAN
- Bank Band Popular Song Rankings [2026]
- BIGMAMA's Most Popular Songs Ranking [2026]
- Ranking of DOPING PANDA’s Popular Songs [2026]
- Hi-STANDARD’s Signature Songs and Hidden Gems Guide [2026]
- BRADIO Popular Songs Ranking [2026]
- The Back Horn Popular Song Ranking [2026]
- Cool band: A rock band that represents Japan
- Maximum the Hormone Popular Song Rankings [2026]
- WANIMA Popular Songs Ranking [2026]
- Elephant Kashimashi’s Most Popular Songs Ranking [2026]
- MAN WITH A MISSION Popular Songs Ranking [2026]
- FISHMANS Popular Songs Ranking [2026]
BRAHMAN Popular Song Rankings [2026] (51–60)
THE ONLY MAYBRAHMAN51rank/position
An aggressive, up-tempo track that often starts live with a nostalgic guitar phrase.
The intense chorus work intertwined with a rapid two-beat, followed by a divine pre-chorus and a sweeping, grand chorus, feels like it packs in everything rock has to offer.
THE SAMEBRAHMAN52rank/position
This song, with its walking bass that sticks in your ears, is included on the fifth album, ETERNAL RECURRENCE, released in 2009.
The contrast between the somewhat “cute” feeling in the first half and the hard-hitting chorus really works.
It’s a hard rock number packed to the brim with energetic passion.
That’s allBRAHMAN53rank/position
ETERNAL RECURRENCE, BRAHMAN’s fifth album, was released on June 10, 2009.
This track is placed at the very top.
The intro is marked by a gentle, finger-picked guitar.
The vocal, which sounds as if it’s coming from a distant radio, adds a stylish touch.
It’s only 1 minute and 14 seconds long, but it still makes a strong impression.
The VoidBRAHMAN54rank/position
“The Void,” the opening track on their third album THE MIDDLE WAY.
Within just about 15 seconds, the uniquely ethnic guitar tone grabs you by the chest, followed by TOSHI-LOW’s overwhelmingly passionate vocals—it hit me like a shock the first time I heard it.
The song’s dynamic structure, where stillness and movement coexist, and the profound lyrics that weave a distinctive worldview—this is quintessential BRAHMAN.
It’s an enduring masterpiece, especially beloved by longtime fans.
Trees Lining a StreetBRAHMAN55rank/position
The third album by BRAHMAN, THE MIDDLE WAY, released on September 29, 2004, made a strong debut at No.
3 on the Oricon charts.
This song is included as the 11th track on the album.
While it may initially seem to be in a hardcore punk style, its melody leaves an impression with faint hints of Showa-era kayōkyoku (Japanese popular song) as well.
You Don’t Live Here AnymoreBRAHMAN56rank/position
ANTINOMY, the fourth album by BRAHMAN, was released on February 6, 2008.
It made a strong start, debuting at No.
4 on the Oricon charts.
This track is the eighth song on that album.
Punk rock that just runs! Runs! A one-track sprint.
The effortless vibe is cool.
Highly recommended.
Last Dance featuring ILL-BOSSTINO [THA BLUE HERB]BRAHMAN57rank/position
![Last Dance featuring ILL-BOSSTINO [THA BLUE HERB]BRAHMAN](https://i.ytimg.com/vi/LnN0JQ-WZfo/sddefault.jpg)
Fugutaiden, the second single by BRAHMAN, released on April 12, 2017.
This track is the second song on the album.
A piece that incorporates rap.
The steady, unbroken rap and drums, along with the distant electric guitar sound, create a distinctive world.
irreconcilable enmityBRAHMAN58rank/position
A refreshing track with arrangements that evoke the stage—raw, unrestrained shouts full of emotion and momentum that you wouldn’t expect from a single, fierce call-and-response with the backing vocals, and on the other hand a catchy guitar solo and a light yet loud beat.
It’s included on the seventh album released in 2018, “Bonbai,” and the unusually direct lyrics for BRAHMAN feel fresh.
Despite the title meaning “extremely strong resentment or hatred,” the song closes with an almost enlightened resolution, making it a number that conveys a profound theme.
tonightBRAHMAN59rank/position
Released as the 8th single and included on the 7th album “梵唄 -bonbai-,” this track features a comfortably laid-back shuffle beat.
Used as the theme song for the film “Ah, Wilderness,” it departs from BRAHMAN’s typical mix of crossover sounds and world-music influences; instead, its simple yet beautiful melody resonates deeply.
It’s also an irresistible rock tune for fans, featuring guest vocals by Takeshi Hosomi, known for his work with the rock band ELLEGARDEN, among others.
At the moment of deathBRAHMAN60rank/position
“Transcendence,” the fifth album by BRAHMAN, released on February 20, 2013, made a strong start by debuting at No.
4 on the Oricon chart.
This song is the third track on that album: “Imawa no Kiwa” (At the Brink of Death).
It sings of rising to one’s feet here and now, in a time of hardship, with a do-or-die resolve.