B'z Commercial Song and Popular Song Rankings [2026]

MajesticB’z1rank/position

B’z / Majestic

This is a commercial depicting a warm conversation between Sara Minami and Rie Miyazawa, a mother and daughter connected through Pocky.

Noticing that her daughter, who has experienced transferring schools, is struggling, the mother uses Pocky as a conversation starter to gently draw out her worries—beautifully expressing the kindness of family.

Just as the mother and daughter’s conversation heats up, Koji Okura, the father, comes home; his unknowing expression further highlights the fun atmosphere.

The song that underscores the warmth expressed in the visuals is B’z’s “Majestic.” Within the group’s signature power, you can also sense a calm air, from which a forward-looking strength comes through.

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FMPB’z2rank/position

This commercial depicts an intense jam session between the two members of B’z, conveying how Super Dry quenches their heat and thirst.

Although few words are exchanged, you can sense the trust between them through the layering of sounds and the way they show the same expression when they take a drink.

The song performed in this passionate session, which captures their bond, is “FMP.” The guitar phrases that highlight a sense of speed, and the development in which the vocals stack in response, convey a rising exhilaration as the energy gradually builds.

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Goodbye, days full of woundsB’z3rank/position

B’z / Goodbye, Days Full of Scars

This commercial showcases B’z delivering a powerful performance out in the wilderness, simultaneously highlighting Pepsi’s bold, invigorating refreshment.

At first it seems to be a barren wasteland, yet a mirror ball is suspended there, creating a distinctive world that conveys not only strength but also fun.

Among the elements depicted in this imagery, the piece that’s presented to accentuate the band’s forceful presence is B’z’s “Sayōnara Kizudarake no Hibi yo.” Its powerful rock sound evokes an expansive landscape and conveys a positive, forward-driving emotion.

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BAD COMMUNICATIONB’z4rank/position

B’z’s Bad Communication – Ultra High Quality Audio

A unique and solitary presence in Japan’s rock scene, the rock unit B’z continues to pursue new activities with vigor.

This song, known as the track that sparked B’z’s breakthrough, was featured in a commercial for Fujitsu’s FM TOWNS.

It is also known for becoming the first million-selling maxi single.

The catchy chopped guitar riding on a rock-dance beat that samples a variety of tones really sticks in your ears.

With numerous versions and frequent live performances, it’s a famous song that’s indispensable when talking about B’z in the 1980s.

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Hoshino Takashi

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BURN -Immortal Face-B’z5rank/position

B'z / BURN -Immortal Face-

This is a very nostalgic commercial video! You can almost hear fans saying, “I couldn’t help but laugh.” The song passionately performed on a rugged landscape that evokes a harsh environment is titled “BURN – Fumetsu no Face -.” We’ve never had a song title like this before, so it feels very fresh.

Since most of KOSE’s product lineup is women’s cosmetics, the impact of choosing them was huge.

They were originally a straightforward, male-fan-heavy act, so the commercial became a memorable and popular one.

C’monB’z6rank/position

B’z / C’mon

In visuals that look like something straight out of a B’z music video, Pepsi appears and assertively conveys its refreshing appeal in this commercial.

The shot of pulling a bottle from an ice-filled bucket suggests its coldness, while the smiles of the people drinking it convey its delicious taste.

The song that firmly underscores the powerful sense of refreshment in these visuals is B’z’s “C’mon.” A key point is the incorporation of acoustic elements into the powerful band sound, creating not only heat but also a breezy freshness that feels like a wind blowing through.

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DIVEB’z7rank/position

B’z / DIVE

It’s a song included on the double A-side single released by B’z in August 2009, and it was used in a commercial for the Suzuki Swift.

It reached number one on the Oricon charts.

Note that in the version included on the album “MAGIC,” part of the song is cut.