Chara’s Love Songs: Popular Song Ranking [2026]
When it comes to Chara, above all, she’s an artist known for her distinctive “Chara voice”—a husky, breathy tone that leaves a strong impression.
I can’t help but wonder how on earth she sings like that.
She radiates a one-of-a-kind presence in the Japanese music scene.
Here is a ranking of Chara’s love songs and popular tracks.
Chara’s Love Songs: Popular Song Ranking [2026]
A gentle feelingChara1rank/position

Singer-songwriter CHARA, who began composing music in elementary school, captivates fans with songs rooted in her origins in Black music.
Her 14th single, “Yasashii Kimochi,” used as the theme song for Shiseido’s “Tessera J” commercial, is known as CHARA’s biggest hit.
The lyrics, which convey a sense of love, are especially relatable for many women.
With her trademark whispery voice adding a cute touch, it stands as a classic love song representing the 1990s.
First loveChara2rank/position

A first-love song by Chara, whose unique singing voice is captivating.
The melody carried by the relaxed rhythm feels very calm and slips right in.
For those who are experiencing their first love right now, or have experienced it, this song is also an encouraging push from behind.
Swallowtail Butterfly ~A Love Song~Chara3rank/position

This is a song by a fictional band called YEN TOWN BAND that appeared in director Shunji Iwai’s film Swallowtail.
The vocalist Chara’s voice and the melody, together with the lyrics, make it quite heartrending, but as the title “Ai no Uta” (Song of Love) suggests, it’s a song with a sense of hope.
I wonder why you’re laughing.Chara4rank/position
A love song included on Chara’s second original album, SOUL KISS, released in 1992.
The song weaves the feelings of “me,” putting on a brave face without showing tears after my older boyfriend finds a new girlfriend.
It’s an achingly beautiful track that brings out the full charm of Chara’s cute, whispery vocals—simply irresistible.
A sweet medium-tempo number that turns a very lonely feeling into a mature story, carried by a catchy melody and a comfortable groove.
BoyChara5rank/position

This is a love song from Chara.
It sings of feelings for a lover far away, and its gentle yet slightly heartrending mood creates a calm, reflective atmosphere.
Released in February 2007, the song is included on the album “UNION.” The lyrics, which deeply resonate with those in long-distance relationships, are especially memorable and offer encouragement with the message, “We’ll be okay even when we’re apart.” It’s a track you’ll want to listen to when you feel the loneliness of not being able to meet, or on nights when you’re thinking of that special someone.
Wrapped in Chara’s warm vocals, you’re sure to find the strength to face forward.
Junior SweetChara6rank/position

Chara’s irresistibly captivating sound blends her sweet, whispery vocals with a languid, swaying beat.
This song appears on Junior Sweet, a million-selling album released in September 1997 that reached No.
1 on the Oricon weekly chart.
The lyrics explore the delicacy of human relationships hidden behind sweet words, as well as the theme of accepting oneself—revealing something new with each listen.
The fusion of that intimate voice with a sound informed by the club culture of the time is remarkably sophisticated.
It’s a track that helped define the album’s stylish mood.
On a night when you’re feeling a bit sentimental, why not sink in and savor it?
No PromiseChara7rank/position

A song by Chara that portrays the aching feelings of a woman torn by a relationship without promises.
She longs to hold on to someone who seems about to leave, yet she can’t secure any promise for the future.
That inner conflict is delicately rendered in a whisper-like vocal.
Featured on the album “Soul Kiss,” released in July 1992, the song captures the frustration of being unable to stop loving someone—knowing it won’t be reciprocated, yet unable to let go—which perhaps only those who’ve experienced it can truly understand.
A love in which only one person suffers is something that, at some point, we probably ought to bring to an end.



