Kohei Fukuda Popular Song Ranking [2026]

The wind does not cease.Fukuda Kouhei8rank/position

The wind does not cease.

This is a song that could only come from Kohei Fukuda, who is both a folk singer and an enka singer from Iwate Prefecture.

It seems to liken the wind blowing from Mount Iwate, full of masculine spirit, to life itself, and it must be because Kohei Fukuda has continued to devote himself, just like this song, honing his skills as a folk singer.

Donpan-bushiFukuda Kouhei9rank/position

ten ten: Donpan-bushi (Donpan Song)

“Donpan-bushi” performed by Kohei Fukuda, who is admired by many fans both as a folk singer and as an enka vocalist.

His distinctive voice, which carries a grounded sense of conviction, permeates the heart.

The unforced, gentle singing style that is so characteristic of Fukuda is also captivating!

Men’s Festival SongFukuda Kouhei10rank/position

Men’s Festival Song

The sound of the taiko drums resonates pleasantly—it’s a song by Kohei Fukuda that seems to turn the vibrant spirit of a festival directly into sound.

The prayers for bountiful harvests and great catches, and the deep gratitude toward nature embedded in the lyrics, come through straight and clear on the wings of Fukuda’s soaring vocals.

As you listen, you might find yourself wanting to shout “Soiya!”—that kind of vigor is part of its charm.

The track was released in January 2024 as part of the CD single “Shonai Shigure-zake / Shinyu yo / Otoko no Matsuri-uta.” It’s perfect not only when you want to soak in a festive mood, but also when you need a boost to tackle something—this song will give you the heartening push you need.

TakumiFukuda Kouhei11rank/position

[Official] Kohei Fukuda “Takumi” [Official Music Video Short ver.]

Kohei Fukuda, known as a rising powerhouse in the worlds of Japanese folk songs and enka, has a new single that honors the spirit of master artisans who approach their work with years of experience and passion.

While preserving tradition, the piece also incorporates a modern sensibility.

It is scheduled for release on January 1, 2025, and the first pressing will include special bonuses.

Fukuda’s powerful voice and heartfelt singing brilliantly portray the life of the craftsman.

It may be challenging to sing at karaoke, but it could be fun to study the lyrics closely and try imitating Fukuda’s distinctive vocal phrasing.

This is a must-listen for anyone interested in traditional Japanese culture or who appreciates the mastery of skilled artisans.

Aspiration ~Kokorozashi~Fukuda Kouhei12rank/position

[Official Full] Kohei Fukuda “Kokorozashi (Aspiration)” [Official Music Video]

Kohei Fukuda, who continues to captivate enka fans with the overwhelming vocal power and delicate ornamentation he honed through folk music, is back.

Set for release in January 2026, “Kokorozashi (Resolve)” is a grand piece that questions the way we live and the convictions we hold.

Tetsuya Gen’s wistful melody blends beautifully with Fukuda’s solid, resonant voice, leaving a deep impression on the listener.

It’s a powerful yet warm work, perfect for the start of a new year.

Song of the First TunaFukuda Kouhei13rank/position

Song of the First Tuna

Among Kohei Fukuda’s masculine songs, “Ichiban Maguro no Uta” stands out for its particular vigor.

While the piece is built around a powerful vocal line, it makes minimal use of shouting or growling techniques.

Instead, its strength is conveyed through expansive, ringing vocals and a wide range, making the ability to sing high notes essential.

By focusing on Japan’s distinctive, back-resonant vocal production rather than Western-style projection, you can maintain stability even in the higher passages—keep this in mind as you sing.

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Traveler of the NorthFukuda Kouhei14rank/position

Traveler of the North

Among Kohei Fukuda’s songs, “Kita no Tabibito” (“Traveler of the North”) stands out as a masterpiece that exudes exceptional pathos.

Rather than a withered tone, it features a gently moist melody reminiscent of wet snow.

In stark contrast to that melody, the vocal line is delivered with straightforward, impassioned phrasing.

That said, for a Kohei Fukuda song, its range is quite narrow, and there are no highly technical kobushi embellishments, making it relatively easy to sing.

If you’re at an intermediate level or above, you should be able to handle it with confidence—consider adding it to your repertoire.

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Ryo

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