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Kamon Tatsuo Popular Song Rankings [2026]

Kamon Tatsuo Popular Song Rankings [2026]
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Kamon Tatsuo Popular Song Rankings [2026]

Tatsuo Kamon, well-known for his parody medleys, is a singer-songwriter who has released many comic songs since his debut as a singer in 1982.

Here, we present a ranking of his most popular songs.

Kamon Tatsuo Popular Song Ranking [2026] (1–10)

Nagori sushiKamon Tatsuo1rank/position

This is a humorous song by Tatsuo Kamon, who mainly produces parody-based tracks and has established a unique presence through his “Nagori Yuki” parody approach.

With clear, easy-to-follow lyrics that smoothly progress, it’s a highly recommendable piece that resonates well with children too.

Angry Groove: Earthquake EditionKamon Tatsuo2rank/position

Tatsuo Kamon - Groove of Anger: Earthquake Edition
Angry Groove: Earthquake EditionKamon Tatsuo

This is a song created by Tatsuya Kamon that focuses on stories related to the Great Hanshin-Awaji Earthquake.

It was released about six months after the disaster and criticizes the response of the Murayama Cabinet at the time, as well as statements made by members of the media.

When the Great East Japan Earthquake occurred in 2011, he produced “Anger Groove: Earthquake Edition 2011.”

Song of the Delinquent Big BrotherKamon Tatsuo3rank/position

This is a signature work by Tatsuo Kamon that humorously portrays the delinquent (yankii) culture of the Showa era.

Its charm lies in a witty, upbeat style that sings about the yankii’s distinctive looks and behavior over a lively melody.

Released in 1983, it won the Newcomer Award at the TBS Cable Music Awards hosted by Can System.

It can be said to be a song that laid the foundation for Kamon’s musical career.

It’s likely to surprise not only the generation familiar with yankii culture but also younger listeners who didn’t experience that era.

If you sing it at cross-generational gatherings like office parties or class reunions, it will surely spark laughter and a sense of shared connection.

Milk from the noseKamon Tatsuo4rank/position

A work that both adults and children can laugh at and enjoy.

Many adults may remember singing it when they were little.

Set to a guitar-and-vocal performance, it comically portrays a man making excuses for his infidelity.

After being included on the January 1992 album “Tenpu no Sainō” (Natural Talent), it was released as a single in April of the same year.

It was also featured on TV Tokyo’s children’s program “Piramekino,” sparking a resurgence in popularity among elementary school students.

For a thank-you party performance, we recommend singing it with exaggerated acting.

It’s sure to have the whole venue roaring with laughter!

New Year in Japan (NIPPON)Kamon Tatsuo5rank/position

[Tatsuo Kamon] This is what New Year’s was like in Japan. “NIPPON no Oshōgatsu”
New Year in Japan (NIPPON)Kamon Tatsuo

This is a song by Tatsuo Kamon, a singer-songwriter known for creating many comic songs.

The song sings about common New Year’s situations at home, but with changes in times and culture, there may be things some generations won’t relate to.

It could spark conversations—like checking which timeless, classic “relatable moments” still apply across generations, or sharing what New Year’s was like when you were a kid.

It might also be fun to make a parody version that lists the relatable moments of your own generation.

Parody Song Grand MedleyKamon Tatsuo6rank/position

From the very beginning, the first person who comes to mind as a singer dedicated exclusively to comic songs is Tatsuo Kamon.

The songs he performs are almost all humorous, and among them, his “Big Medley of Parody Songs,” which serves as the grand culmination of his hit parody medleys, is surely his signature piece.

petty bourgeois; small-minded citizen; a person of modest means and ordinary, risk-averse temperamentKamon Tatsuo7rank/position

Included on the 1989 album “Petty Citizen Compendium.” Born in 1959.

A singer-songwriter from Osaka Prefecture.

This duet song was released featuring actor Kazuhiro Ogura from the Super Eccentric Theater.

It’s sprinkled with everyday, petty-citizen “relatable” episodes that will make you grin as you recognize yourself in the lyrics.

Osaka-Kansai Expo ~Yoko of the Harbor, Yokohama, Yokosuka~Kamon Tatsuo8rank/position

Expo lover! Tatsuo Kamon sings “Osaka-Kansai Expo” with love for the Expo and for Osaka/Kansai. Original song: ‘Minato no Yoko, Yokohama, Yokosuka.’
Osaka-Kansai Expo ~Yoko of the Harbor, Yokohama, Yokosuka~Kamon Tatsuo

This is a song brimming with Tatsuo Kamon’s heartfelt feelings for the Osaka-Kansai Expo, brought to you by a leading figure in Osaka’s music scene.

It brilliantly blends nostalgia for the Osaka Expo of the past with excitement for the new Expo, drawing you in with its upbeat rhythm and Kamon’s witty, lighthearted narration.

The arrangement, based on hit songs from the Showa era, is also outstanding, striking a perfect balance between a nostalgic atmosphere and a contemporary sound.

Although it was released digitally in December 2024, the track already captures the growing excitement ahead of the Expo.

It’s recommended not only for Expo enthusiasts but also for anyone looking to rediscover the charms of Osaka and the Kansai region.

GO! GO! Parody Song MedleyKamon Tatsuo9rank/position

It’s a medley that takes songs everyone has heard—starting with children’s songs—and rearranges them with comical lyrics.

Just when you think the lyrics are the same as the original, they start to veer off little by little, subverting listener expectations in various ways.

Another key point is the parodies that focus on the sound of the words, leading to big developments that aren’t related to the story, which adds to the comedy.

It’s a fun, lighthearted medley that sneaks in moments of shock amid the easygoing music.

TK parody song medleyKamon Tatsuo10rank/position

Actually, Mr. Komuro and I are the same age.
TK parody song medleyKamon Tatsuo

It’s a medley that lines up Tetsuya Komuro’s songs and presents parody versions of them, creating a sense of consistency within its comedic style.

While the lyrics are humorous, the sound and melodies are conscious of the originals, and that stylishness further accentuates the fun.

What’s important is which words are used at the very beginning of each song’s chorus; they bring out similar words and expand ideas from there.

With the overlap of fast-paced sound and comedic lyrics, it feels like a piece that expresses fun in a straightforward way.

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