Sachiko Kobayashi Popular Songs Ranking [2026]

Goodbye, thank you.Kobayashi Sachiko8rank/position

[Sachiko Kobayashi] 50th Anniversary Sachiko Kobayashi in Nippon Budokan ~World of Dreams~ “Goodbye, Thank You” Appearance in a Luxurious Costume ‘Pegasus’

It’s the ending theme song of the movie Crayon Shin-chan: Jungle That Invites Storm, released in April 2000.

It’s sung by the veteran enka singer Sachiko Kobayashi.

Incidentally, in Shin-chan movies, the artists who perform the theme songs often appear as voice actors or characters, and sure enough, Sachiko Kobayashi appears in this film as well.

perchKobayashi Sachiko9rank/position

Tomarigi

Riding the momentum of the smash hit “Omoide-zake,” “Tomarigi,” released in 1980, is Sachiko Kobayashi’s 29th single.

It’s also one of her signature songs, with lyrics and music by Eiji Takino, a prolific creator of many classics.

It’s as popular at karaoke as “Omoide-zake” and “Yuki Tsubaki,” so some of you have probably heard others sing it.

Overall, while the song spans a wide vocal range and has its challenges, the somewhat wistful, melancholic melody line is straightforward, and the chord progression is simple, so you shouldn’t struggle with rhythm or pitch.

I recommend listening closely to the original and studying where Kobayashi uses vibrato and kobushi (ornamental bends).

Let me stay for the night.Kobayashi Sachiko10rank/position

Let me stay for the night.

It’s a classic Showa-era kayokyoku that has an enka flavor, with striking rock-style guitar solos and riffs.

“Hitoban Tometene,” released by Sachiko Kobayashi in 1985, was composed by Katsuhiko Miki, who also worked on one of Kobayashi’s signature songs, “Moshikashite.” The overall key is on the lower side, and it’s the kind of song that expresses a sultry melody through the appeal of the low register, so it’s perfect for those who struggle with high notes.

The enka-style kobushi (ornamental turns) and vibrato are kept to a minimum, making it a great piece for beginners to enka to try!

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KOH-1

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Liar SeagullKobayashi Sachiko11rank/position

Lying Seagull / Sachiko Kobayashi / UPE-0012

Sachiko Kobayashi, now affectionately nicknamed the “final boss,” has even become popular with younger generations.

After the massive hit of her enka song Omoide-zake, she shot straight down the path to stardom.

Her debut song was one she sang in childhood, and even back then she was reputed for her vocal ability.

She still looks youthful today.

To MomKobayashi Sachiko12rank/position

Sachiko Kobayashi “To Mother,” September 2013

This is a song by Sachiko Kobayashi, a hugely popular enka singer known by practically everyone.

It’s included on her 2013 single “Hotaru Zensen,” released to commemorate the 50th anniversary of her debut.

The lyrics recount memories with her mother, and combined with Kobayashi’s tender, embracing vocals, it’s a real tearjerker.

The song was written and composed by singer-songwriter Masashi Sada.

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Araki Jakkan

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Women’s TavernKobayashi Sachiko13rank/position

Women's Tavern

From the very title “Onna no Sakaba,” you can almost smell its essence: a 120% pure, classic enka anthem.

When it was released, many listeners were likely thinking, “This is the Sachiko Kobayashi we’ve been waiting for.” It’s a single from 2011, and since she had been releasing more kayōkyoku-flavored songs around that time—like “Manyō Koika Aa, Kimi Matsuto” and “Shiroi Yuge no Uta”—this track lets you fully savor Kobayashi singing straight-down-the-middle, traditional enka.

It’s quintessential enka from start to finish, so those accustomed to singing the genre should handle it with ease.

For enka beginners, its simple structure makes it a great song to practice and get a feel for the style.

Two are oneKobayashi Sachiko14rank/position

Futari Wa Hitori

Sachiko Kobayashi, who scored back-to-back hits with “Omoide-zake” and “Tomarigi,” released another single in 1980 that also became a hit: the classic “Futari wa Hitori.” As the title and major-key sound suggest, it’s a “happy enka” song whose charm lies in Kobayashi’s lovingly delivered vocals, singing simple yet beautiful Japanese lyrics.

Although it’s enka, it also has a kayōkyoku flavor, the vibrato is relatively restrained, and it’s approachable even for beginners to the genre.

Be sure to articulate each word clearly, and try singing in a relaxed manner without pushing too hard.

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