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Kaori Mizumori Popular Songs Ranking [2026]
Enka singer Kaori Mizumori debuted in 1995 with “Oshiroibana.” She has steadily continued her musical career, and the hit of “Kumano Kodo,” released in 2006, drew attention from beyond enka fans.
She is also known for regional-themed songs such as “Tappi Misaki,” and has been a regular performer on NHK’s Kōhaku Uta Gassen since 2003.
Kaori Mizumori Popular Song Ranking [2026] (1–10)
Sanriku ElegyMizumori Kaori1rank/position
When you think of Kaori Mizumori, her warm enka style is memorable, but she also has some powerful songs.
Among them, I especially recommend “Sanriku Banka.” The vocal range is a bit wide and there are many strong sections, but there aren’t any shout-like, raspy power vocals, so anyone with a reasonable range should be able to sing it without issue.
It also features relatively few kobushi (melismatic enka ornamentation), so consider adding it to your repertoire.
Kumano KodoMizumori Kaori2rank/position
Kaori Mizumori’s famous song “Kumano Kodo,” set along the pilgrimage route that spans Mie, Nara, Wakayama, and Osaka, is a piece where the essence of enka truly bursts forth, with a relatively high number of kobushi (ornamental scoops).
The vocal range is wide, so it may seem somewhat difficult.
In reality, however, there are no kobushi that require leaps of more than three notes, and there are no sustained high notes, making it unexpectedly easy to sing.
If you’re fairly familiar with enka, you should be able to perform it without any trouble.
Shimane Love JourneyMizumori Kaori3rank/position
Kaori Mizumori’s classic “Shimane Koi Tabi” is distinguished by its heartwarming melody.
As the title suggests, it portrays a woman traveling alone in Shimane Prefecture after a broken romance.
While it might sound like it would be steeped in pathos, the melody is remarkably warm, and the vocal line is crafted to be relaxed to match it.
With few instances of kobushi and a low level of difficulty, it’s a very singable piece for those familiar with enka.
Cape HyugaMizumori Kaori4rank/position
This is a song by Kaori Mizumori, the “Queen of Local Songs,” set in Hyuga City, Miyazaki Prefecture, where she serves as a tourism ambassador.
It portrays the feelings of a woman who visits Cape Hyuga alone, trying to overcome the sorrow of parting.
The lyrics are wonderful, seeming to symbolize hope for the future even amid heartache, and Mizumori’s emotionally rich vocals blend with the sound of the Hyuga-nada waves and the sea breeze, making you feel as if you’re right there.
It’s a piece that stirs a longing to travel to Miyazaki.
Moon-waiting Waterfall Love SongMizumori Kaori5rank/position
This is a lyrical enka number performed by Kaori Mizumori, renowned as the “Queen of Local Songs,” set against the power spot Tsukimachi Falls in Daigo, Ibaraki Prefecture.
It portrays a single-minded, heartrending love that longs to meet someone no longer reachable—“even if only in a dream.” Mizumori’s clear, wistful voice blends beautifully with the waterfall’s serene, mystical atmosphere, leaving a deep impression on the listener’s heart.
Listening to this song may make you feel as though you’re standing amid the rich natural scenery of Ibaraki.
KatsurahamaMizumori Kaori6rank/position
Kaori Mizumori’s masterpiece “Katsurahama” is notable for its melody brimming with pathos.
While many of Mizumori’s heartbreak songs tend to have a bright feel, this piece maintains a wistful mood from beginning to end.
Songs of this type often feature strong dynamic contrast to fully convey emotion; however, because the tempo is slow, they remain relatively easy to sing despite the wide pitch fluctuations.
True to form, this song shares those traits, and its vocal line is crafted to be easy to sing throughout, making it approachable even for those who aren’t fond of enka.
TsuwanoMizumori Kaori7rank/position
Tsuwano, a town in Shimane Prefecture known as a quintessential “Little Kyoto.” Its compact yet elegant streetscape is a defining feature, drawing many tourists every year.
This piece is set in Tsuwano and is characterized by a warm melody that matches the town’s atmosphere.
Although there are many sections that alternate slightly between falsetto and chest voice and may seem challenging, the song mainly sits in the mid-high to high range, so the overall range isn’t very wide.
The kobushi (ornamental vocal turn) difficulty is also low, so as long as you adjust the key to suit your voice, it’s a song that anyone can sing.