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Miyuki Nakajima’s Most Popular Karaoke Songs Ranking [2026]
Miyuki Nakajima is acclaimed as a singer with expressive lyrics and overwhelming vocal prowess, and she is known for having a strong following even among professional musicians.
Her songs are also popular in karaoke, and many people have likely sung them themselves.
So this time, we present a ranking of her songs that are especially popular at karaoke.
Miyuki Nakajima’s Most Popular Karaoke Songs Ranking [2026] (1–10)
threadNakajima Miyuki1rank/position
It has been covered by many artists—such as Bank Band, JUJU, Chris Hart, and Masaharu Fukuyama—and remains an unshakably popular staple at weddings.
This masterpiece likens encounters between people to “threads,” expressing fate and bonds.
The lyrics portray the miracle of meeting “you” after life’s confusion and after dreams have been shattered.
If you exhale to leave a lingering resonance at the end of the chorus and phrases, it heightens the poignancy.
Since it’s not a song meant to be belted, singing in a relaxed, loose state will naturally help you release your breath.
era; age; time; periodNakajima Miyuki2rank/position
This is one of Miyuki Nakajima’s signature songs, which won the Grand Prix at the 6th World Popular Song Festival held at the Nippon Budokan in 1975.
Its flowing melody and universal lyrics, depicting the transience of life, strike a deep chord.
Even as it passes through parting and loss, the piece conveys a sense of hope for renewal to come, making it like a vessel into which each listener can pour their own memories.
It was included on her 1976 debut album “Watashi no Koe ga Kikoemasu ka” (Can You Hear My Voice?), re-recorded as a self-cover in 1993, and chosen as the theme song for the 2020 film “Kiokuya: Anata o Wasurenai” (The Memory Eraser: I Won’t Forget You).
Long cherished as a graduation staple, this song takes on new resonance at every milestone in life.
It’s a piece I especially recommend when spring arrives and you want to remember who you were back then.
Stars on EarthNakajima Miyuki3rank/position
Miyuki Nakajima’s classic “Chijō no Hoshi” has earned support across a wide range of generations.
While the song is memorable for its incredibly powerful, almost growling vocals, the actual pitch movement isn’t that extreme.
The vocal range is compact, from mid1F to hiA#, and at BPM 100 the tempo is also relaxed.
Even so, the song achieves that level of impact not only through Nakajima’s singing style but also thanks to its strong composition.
Adding a shout at the opening lines brings you closer to the intensity of the original, so if you want to really heat up the karaoke room, try incorporating shouts and give it a shot.
wicked womanNakajima Miyuki4rank/position
Miyuki Nakajima has released a lot of hit songs.
One I’d like to recommend, with a comfortable vocal range, is “Akujo” (Bad Girl), released in October 1981.
Just from the title you might think, “Is it a dark song?” but the tune is surprisingly bright and the melody is easy to remember.
When you look at the lyrics, though, you’ll think, “It’s kind of a bittersweet song…” The verses (A-melo to B-melo) are sung fairly low, almost like speaking, and there’s a part in the chorus where the pitch suddenly jumps up, so watch out there.
Time your entry for the high notes and throw yourself into it—project your voice with momentum! That way you can sing comfortably without straining your throat.
If your timing is off it’ll feel odd, so keep practicing until you nail the timing.
Between the Sky and YouNakajima Miyuki5rank/position
This is Miyuki Nakajima’s 31st single, released in May 1994.
It was chosen as the theme song for the hit drama “Homeless Child” starring Yumi Adachi and became a million seller.
Since it’s a Miyuki Nakajima song characterized by her slightly breathy voice, the vocal melody doesn’t require extremely high notes, so I think most women can sing it without changing the key.
If anything, focus on practicing the lower-pitched sections—like the A melody—so you can use your chest voice securely rather than pushing the high notes.
For the final part of the chorus, try singing with the image of placing the voice around the back of your upper molars; it should make your voice resonate nicely.
Give it a try.
Riding on the back of a silver dragonNakajima Miyuki6rank/position
Miyuki Nakajima’s classic song “Riding on the Back of a Silver Dragon.” For women in their 30s, you might remember it as the theme song for the drama Dr.
Cotto.
Although the song is notable for its passionate vocal delivery, its range is surprisingly narrow, so even women with lower voices can sing it without issue.
The vocal line itself is simple, but because the song has fairly dramatic dynamics, be careful not to start off with too much volume.
Be sure to add it to your repertoire.
Go for it!Nakajima Miyuki7rank/position
A soulful cheer song by Miyuki Nakajima that portrays someone who, even while swallowing unreasonable realities and frustration, still tries to fight themselves.
While it sings of the harshness of a society that isn’t all pretty words, in the end a passionate cheer resonates in your heart.
Originally included as the final track on the album “Yokan,” released in March 1983, the song was selected for a Sumitomo Life commercial in 1994 and released as a single.
It has continued to be used in many contexts, including a 2020 UNIQLO commercial and the TV drama “Yasuragi no Sato.” It’s a classic you’ll want to belt out powerfully at the end of a farewell party, sending off friends who are embarking on a new chapter with the hope that they’ll push forward without being defeated by hardship.
self-sufficient (in love) / someone who’s good at being aloneNakajima Miyuki8rank/position
Miyuki Nakajima has left behind many classic songs.
Her popularity remains immense today, and her songs are often sung by young people as well.
Among her works, one I especially recommend as being easy to sing is “Hitori Jouzu.” This piece contains a touch of blues, which results in a relatively narrow vocal range and an overall easy-to-sing vocal line.
Even those who struggle with high notes can sing it without any problem, so give it a try.
heartbeatNakajima Miyuki9rank/position
This is Miyuki Nakajima’s 48th single, released in September 2023.
It was written as the theme song for the animated film “Alice to Therese no Maboroshi Kōjō” (English title: “Alice and Therese’s Illusory Factory”).
Although Miyuki Nakajima has had a long career as a singer, this is reportedly the first time she has worked on an anime song.
Set against a wonderful slow-tempo backing track with a majestic atmosphere, the song lets you fully enjoy Nakajima’s richly expressive vocals.
Despite that, the vocal melody itself is very straightforward and simple, and the range used isn’t very wide, so it should be easy for many people to sing—and I feel it makes it easier to aim for a perfect 100 at karaoke.
The most important aspect when performing this song is how you handle the timing and spacing between phrases.
Study the original carefully, make good use of the rests, and go for that perfect 100!
Farewell SongNakajima Miyuki10rank/position
When it comes to Miyuki Nakajima’s signature songs, many people probably think of this heartbreak ballad.
Released in September 1977, it was a landmark track for Nakajima, becoming her first single to reach number one on the charts.
A million-seller that has been covered by many artists, it remains a timeless classic.
Its lyrics delicately portray the sorrow and loneliness of parting, and Nakajima’s clear, translucent voice resonates deeply with listeners.
It’s a recommended song for anyone who has experienced a painful goodbye or wants to reminisce about a past love.