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Miyuki Nakajima’s Most Popular Karaoke Songs Ranking [2026]
Miyuki Nakajima is acclaimed as a singer with expressive lyrics and overwhelming vocal prowess, and she is known for having a strong following even among professional musicians.
Her songs are also popular in karaoke, and many people have likely sung them themselves.
So this time, we present a ranking of her songs that are especially popular at karaoke.
Miyuki Nakajima’s Most Popular Karaoke Songs Ranking [2026] (1–10)
threadNakajima Miyuki1rank/position
It has been covered by many artists—such as Bank Band, JUJU, Chris Hart, and Masaharu Fukuyama—and remains an unshakably popular staple at weddings.
This masterpiece likens encounters between people to “threads,” expressing fate and bonds.
The lyrics portray the miracle of meeting “you” after life’s confusion and after dreams have been shattered.
If you exhale to leave a lingering resonance at the end of the chorus and phrases, it heightens the poignancy.
Since it’s not a song meant to be belted, singing in a relaxed, loose state will naturally help you release your breath.
era; age; time; periodNakajima Miyuki2rank/position
A classic penned by Miyuki Nakajima, one of Japan’s leading singer-songwriters.
The original version was released in December 1975 as her second single, drawing major attention after winning awards at the 10th Popular Song Contest and the 6th World Popular Song Festival.
She later released a self-cover in December 1993, and the song was used as the theme for the January 2020 film “Kiokuya: Anata o Wasurenai,” among many other media appearances over the years.
With a profound message that warmly embraces life’s milestones—meetings and partings alike—this number resonates deeply.
Its relaxed tempo and easy-to-remember melody make it a safe choice to sing at karaoke gatherings across generations.
Stars on EarthNakajima Miyuki3rank/position
Miyuki Nakajima’s classic “Chijō no Hoshi” has earned support across a wide range of generations.
While the song is memorable for its incredibly powerful, almost growling vocals, the actual pitch movement isn’t that extreme.
The vocal range is compact, from mid1F to hiA#, and at BPM 100 the tempo is also relaxed.
Even so, the song achieves that level of impact not only through Nakajima’s singing style but also thanks to its strong composition.
Adding a shout at the opening lines brings you closer to the intensity of the original, so if you want to really heat up the karaoke room, try incorporating shouts and give it a shot.
wicked womanNakajima Miyuki4rank/position
Miyuki Nakajima has released a lot of hit songs.
One I’d like to recommend, with a comfortable vocal range, is “Akujo” (Bad Girl), released in October 1981.
Just from the title you might think, “Is it a dark song?” but the tune is surprisingly bright and the melody is easy to remember.
When you look at the lyrics, though, you’ll think, “It’s kind of a bittersweet song…” The verses (A-melo to B-melo) are sung fairly low, almost like speaking, and there’s a part in the chorus where the pitch suddenly jumps up, so watch out there.
Time your entry for the high notes and throw yourself into it—project your voice with momentum! That way you can sing comfortably without straining your throat.
If your timing is off it’ll feel odd, so keep practicing until you nail the timing.
Between the Sky and YouNakajima Miyuki5rank/position
This is Miyuki Nakajima’s 31st single, released in May 1994.
It was chosen as the theme song for the hit drama “Homeless Child” starring Yumi Adachi and became a million seller.
Since it’s a Miyuki Nakajima song characterized by her slightly breathy voice, the vocal melody doesn’t require extremely high notes, so I think most women can sing it without changing the key.
If anything, focus on practicing the lower-pitched sections—like the A melody—so you can use your chest voice securely rather than pushing the high notes.
For the final part of the chorus, try singing with the image of placing the voice around the back of your upper molars; it should make your voice resonate nicely.
Give it a try.
Riding on the back of a silver dragonNakajima Miyuki6rank/position
A masterpiece by Miyuki Nakajima that became a massive hit as the theme song for the drama Dr.
Coto’s Clinic and has been beloved for many years.
Released as a single in July 2003, it was later included on the acclaimed album “Koibumi.” While the song is notable for its passionate, powerful vocal delivery, its range is surprisingly not too wide, making it one of those female-vocal tracks that can suit male singers as well.
The vocal melody itself is relatively easy to sing, but because the dynamics are somewhat dramatic, the key is to control your volume at the beginning and avoid over-singing right away.
With a slight key adjustment, you should be able to perform it comfortably.
Since the song carries a strong, empowering message, it’s perfect for those who want to pour their emotions into it and sing their heart out at karaoke.
Go for it!Nakajima Miyuki7rank/position
A soulful cheer song by Miyuki Nakajima that portrays someone who, even while swallowing unreasonable realities and frustration, still tries to fight themselves.
While it sings of the harshness of a society that isn’t all pretty words, in the end a passionate cheer resonates in your heart.
Originally included as the final track on the album “Yokan,” released in March 1983, the song was selected for a Sumitomo Life commercial in 1994 and released as a single.
It has continued to be used in many contexts, including a 2020 UNIQLO commercial and the TV drama “Yasuragi no Sato.” It’s a classic you’ll want to belt out powerfully at the end of a farewell party, sending off friends who are embarking on a new chapter with the hope that they’ll push forward without being defeated by hardship.