When it comes to Kumi Koda’s popular karaoke songs, “Cutie Honey” and “you” are often mentioned.
However, she has many other great tracks as well.
Be sure to give them a listen and try singing them at karaoke.
They’re guaranteed to get the crowd going.
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Kumi Koda’s Most Popular Karaoke Songs Ranking [2026] (1–10)
Song of LoveKōda Kumi1rank/position

Kumi Koda’s classic song “Ai no Uta.” Since it was released in 2007, some people might not know it, but many have likely heard it through TV dramas and the like.
The piece is crafted as an emotionally rich ballad.
While it calls for a bit of expressiveness, its vocal range is narrow—mid1 G# to hi C—and the melodic rises and falls are gentle.
If you track the pitch carefully, it’s a song with which you can definitely aim for a high karaoke score.
Bud of LoveKōda Kumi2rank/position

A song released in 2006 that was chosen as the theme for the drama “Busu no Hitomi ni Koishiteru” (Falling in Love with the Eyes of an Ugly Girl).
It straightforwardly expresses the feelings of a woman in love, and anyone with an unrequited crush will instantly relate.
You like them and want to confess, but when you’re in front of them, the words just won’t come out.
The occasional Kansai dialect is adorable, too.
It’s up-tempo and easy to get into, and it’s sung in a range that’s comfortable for women with lower voices.
If you find ballads hard to sing but still want something easy to perform, give this one a try.
Moon CryingKōda Kumi3rank/position

Kumi Koda’s songs are diverse, and her ballads in particular are captivating.
Among them, “Moon Crying” is especially popular for its world woven from heartrending lyrics and a beautiful melody, conveying a profound sense of love.
It’s also a great choice for karaoke, since the song showcases the mid-to-low range and is approachable even for those who struggle with high notes.
The way it expresses the pain of heartbreak through a gentle melody that gradually transforms into strength is something anyone who has experienced a breakup can likely relate to.
Cutie HoneyKōda Kumi4rank/position

If you want a song to get everyone hyped, I recommend Cutie Honey.
It’s known across generations, so it’s a blast to sing at karaoke! Since many people are already familiar with the tune, you can probably breeze through it even if you’re not confident in your pitch.
The chorus does go a bit higher, so try to keep relaxed and avoid forcing your voice.
That said, this is a song where vibe matters more than vocal technique—if you move your body and use hand gestures to the rhythm, the tension naturally eases and it becomes much easier to sing! In fact, for people who aren’t used to karaoke, gestures are surprisingly important.
Standing stiff will almost always make you sing from your throat, so I highly recommend moving your body to the beat.
You’ll have a great time—don’t be shy, give it a try!
youKōda Kumi5rank/position

The song “you,” crafted as a ballad centered on vocals and piano, was released in 2005 and is known as one of Kumi Koda’s finest ballads.
Its vocal range is relatively narrow, from mid1 E to hi B.
The pitch movement is gentle, and at 77 BPM the tempo is very relaxed.
While that makes it harder to hide imperfections, overall it’s a very singable song.
Be sure to check it out.
I love you, I love you, I love you.Kōda Kumi6rank/position

Koda Kumi’s hit song “Suki de, Suki de, Suki de” is a love song where the passionate feelings for someone you truly love swing like a roller coaster.
The lyrics, which could be called the very embodiment of expressions of love, resonate with listeners and convey pure heartache and deep love in a straightforward way.
While the melody develops intensely, the range is narrow, making it notably easy to sing.
Koda Kumi’s distinctive husky voice expresses both the swell of emotion and the beauty of the piece.
Why not try singing it on a date with someone you like?
ButterflyKōda Kumi7rank/position

Among Kumi Koda’s songs, “Butterfly” stands out as an especially passionate work.
It fully showcases her signature ‘sexy-cool’ style, featuring a distinctive melody that blends Latin flavors and 2-step with a touch of kayōkyoku.
The range spans mid1 D# to hi C#, leaning lower overall, but the pitch movement isn’t excessively dramatic.
That said, it does incorporate elements like vibrato, hiccups, and edgy falls, so a certain level of finesse and technical nuance is required.


