Kome Kome Club Popular Songs Ranking [2026]
Since their debut in 1982, Kome Kome Club has continually astonished the Japanese music scene.
Initially seen as a large-scale performance troupe and a comic band, they leapt to the forefront of J-pop and even won the Japan Record Award.
They left behind a number of timeless songs that are still sung today and, though they disbanded in 1996 to widespread regret, they resumed activities in 2006.
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Kome Kome Club Popular Song Rankings [2026] (31–40)
Make Upkome kome CLUB31rank/position

The third album, KOMEGUNY (pronounced “Komeguni”).
The lyrics are so quintessentially Karl Smoky Ishii! While all songwriting for Kome Kome Club is credited to the band, I’ve heard that many of the songs were actually written by Karl Smoky Ishii.
PARADISEkome kome CLUB32rank/position

The audio in the video is a bit quiet, but this footage is the promotional video from when PARADISE was released.
Carl Smokey Ishii’s voice sounds youthful, like in his early days! I’m attached to this song because it’s the one I practiced until I could nail the choreography perfectly for the first time.
Venuskome kome CLUB33rank/position

This song is included on Kome Kome Club’s 1986 album “Kome ~Best of Best~.” It’s a cover of the original track by the Dutch band Shocking Blue, characterized by a style that fuses pop and rock.
With its catchy melody and rhythm, it continues to captivate many listeners.
The lyrics praise the mythological goddess Venus and sing of love, expressing a longing for the ideal woman.
Thanks to Kome Kome Club’s unique arrangement, the sound is energetic and dynamic.
This track is one of the standout songs in the band’s discography—perfect when you want to enjoy a poppy vibe or lift your spirits.
Greetings! PARTY NIGHTkome kome CLUB34rank/position

ORION is included on Kome Kome Club’s 14th single.
It’s a song from their later period.
They often performed it near the end of concerts or during encores, and even now, when I hear this song, I get that “I guess it’s almost over…” feeling—like the Sazae-san Syndrome.
Everything might be true and a lie.kome kome CLUB35rank/position

Formed in 1982, disbanded, and then restarted in 2006, Kome Kome Club released this intriguingly titled song, “Subete wa Honto de Uso kamo ne” (“Everything Might Be True and a Lie”), as their 22nd single in 1995.
The lyrics capture the feeling of being tossed around by everything the person you love does—love is blind, as the saying goes.
When you truly fall for someone, there are things you just can’t control.
It’s a love-themed ‘lie song’ packed with those emotions.
Trouble Fishkome kome CLUB36rank/position

A track included on E.B.I.S., their second album released in 1986.
It’s one of their early ballads.
I never saw them perform it live, but it brings back memories of the time when I kept listening to it over and over on one of those big CD players from back then.
Letterkome kome CLUB37rank/position

It’s a warm song with the theme of letters.
Its distinctive lyrics and beautiful melody are striking, and the poignant story of longing for someone after a parting really resonates.
Released in November 1994 as Kome Kome Club’s 20th single, it was used as the theme song for the film Kappa, directed by Carl Smoky Ishii.
The lyrics, which prompt deep reflection on kindness and love, are recommended for those who want to entrust their feelings for someone special to a letter.
This work gently supports those who have experienced separation and is a song that evokes strong empathy.
Sunny New Generationkome kome CLUB38rank/position

This is a song included on the album E.B.I.S.
The vocals are by James Onoda.
It’s a video that makes me think Kome Kome Club exists because of these two: the sexy Carl Smoky Ishii and James Onoda, whose singing has real weight.
They’re starting to be treated like gods.
Abracadabrakome kome CLUB39rank/position

Released before ‘Ore-iro ni Somare’ in 1994, but the opening lyrics actually sing ‘Ore-iro ni Somare.’ I remember chatting with fellow fans, joking that he must have really wanted everything dyed in his color (lol).
The falsetto is cool—it’s a song I really love.


