Kome Kome Club Popular Songs Ranking [2026]

Just by you being herekome kome CLUB1rank/position

Just By You Being Here – Kome Kome Club (Full)

This is a Kome Kome Club song that sets straightforward affection to a refreshing melody—the kind that makes the whole world seem to shine just by having someone by your side.

Even the “thank you” that’s hard to say out loud in everyday life feels gently encouraged by this song.

It reminds us that simply having someone you love can turn ordinary days into irreplaceable treasures.

Released in May 1992, it was also cherished as the theme song for the smash-hit drama “Sugao no Mama de” (“Just As We Are”).

When you want to reaffirm your single-hearted feelings for your partner or express your gratitude, listen to it—you’ll find yourself wanting to fly straight to that person.

Shake Hip!kome kome CLUB2rank/position

Kome Kome Club “Shake Hip!” (1986)

Kome Kome Club, famed for their originality-packed musicality and glamorous performances, won widespread popularity.

This funky number sings of a passionate moment: a heart pierced by laser-like glances from a captivating person and the shock of their sexy hip moves.

Released in April 1986, the song was featured in a commercial for Ajinomoto’s sports drink “TERRA.” A new version released in December 1990 reached No.

5 on the Oricon weekly chart, further showcasing their appeal as entertainers to a broad audience.

Even listening now, you can feel that exhilarating groove that gets your body moving.

I CAN BEkome kome CLUB3rank/position

I･CAN･BE

This is a commercial for the Autozam AZ-3, a hatchback coupe that aired in 1991.

A bright red Autozam AZ-3 appears, shown dashing swiftly across the screen.

The BGM features Kome Kome Club’s “I CAN BE,” released in 1985.

As their debut single, the song’s soaring chorus melody—also heard in the commercial—is especially memorable, while its bittersweet lyrics about heartbreak are part of its charm.

It’s the kind of track that makes you want to sing along.

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Hane Keisuke

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Romantic Flightkome kome CLUB4rank/position

JAL Okinawa Campaign Summer Rikyu 1990 Theme Song: "Kome Kome Club - Roman Hikou"

Kengo Kora, looking stuck with his computer work, says, “No good—time for some coffee,” and tries to refresh himself with a cup.

He then puts on a helmet, zips through the sky out the window, and dashes off to a café in the city.

He manages to buy his coffee, but a narration chimes in, “You don’t have to go that far,” and introduces Georgia.

It highlights that it’s a bottled coffee that tastes as good as what you’d get at a café.

The BGM is matched to the commercial’s style with Roman Hikō, one of Kome Kome Club’s signature songs released in 1990, whose exhilarating melody feels great—fun to listen to and just as satisfying to sing.

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Hane Keisuke

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KOME KOME WARkome kome CLUB5rank/position

KOMEKOMEWAR

Included on the 1988 album “GO FUNK.” A six-piece rock band formed in 1982.

Riding on an uptempo, developing funk groove, the lyrics are made up of a string of nonsensical words—perfectly silly in a way that’s very funk—and that, paradoxically, makes it really click.

I can’t be single‑minded.kome kome CLUB6rank/position

I can’t be single‑minded.

Kome Kome Club is a group that has produced many great songs with their uniquely original musical style.

Many men in their 50s probably have some of their hits in their repertoire.

One track I recommend is Hitosuji ni Narenai.

It’s a fairly orthodox pop song, and the vocal range sits comfortably in the easy-to-sing low to mid register.

It also has good dynamic contrast, so if you stay on pitch, it’s a piece that will likely leave people thinking you sing well.

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Ryo

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Hotel Lipskome kome CLUB7rank/position

Hotel Lips

Kome Kome Club, known for their highly entertaining performances, rose to popularity with this moody slow number steeped in the scent of Showa-era pop, included on their April 1991 album “Kome Kome Club.” Set around a bittersweet night between a man and a woman in a hotel, the song uniquely weaves in a solo dramatization by vocalist Tatsuya Ishii—an unmistakable touch of their playful spirit.

The world it creates, like a short drama blending song and skit, is quintessential Kome Kome Club.

Beloved enough to earn a spot on their best-of album through fan voting, it often gains even more comedic flair in live performances.

It’s a track that goes beyond a sweet and wistful love song—perfect for an adult moment that appreciates humor.