Masahiko Kondo’s Most Popular Songs Ranking [2026]
Masahiko Kondo, who produced numerous hit songs as a top idol in the early 1980s and later, after shifting to a more accomplished solo artist, won the Japan Record Award, boasts a glittering career.
As a senior figure in Johnny’s, he is respected by popular groups such as Arashi and TOKIO.
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Masahiko Kondo Popular Songs Ranking [2026] (11–20)
Ah, that got me.Kondō Masahiko15rank/position
“Aa, Gutto,” released by Masahiko Kondo in 1988, was composed by Takuro Yoshida.
Indeed, the strong messaging in the lyrics and the melodic development bring out Yoshida’s distinctive style.
The song portrays the state of society with alcohol as its theme.
Sigh RockabillyKondō Masahiko16rank/position
Tameiki Rockabilly, the 11th single by Masahiko Kondo, was released in July 1983.
It was a double tie-in: the theme song for the film The Stormy Man, in which he starred, and the commercial song for House Foods’ Kukure Curry.
The songwriting team was a golden duo: lyrics by Takashi Matsumoto and music by Kyohei Tsutsumi.
Yokohama teakKondō Masahiko17rank/position
This is Masahiko Kondo’s second single, and it’s also well known as a local song of Yokohama.
It reached No.
2 on both the Oricon chart and the charts of The Best Ten.
It is also included on the Yokohama-themed compilation album Yokohama Gensō (Yokohama Fantasy).
Why not just cry?Kondō Masahiko18rank/position
This “Naitemirya Ii Jan” (“Why Not Try Crying?”) is Masahiko Kondo’s 25th single, released in 1987.
The song is set in the port cities of Yokohama in Kanagawa Prefecture and Kobe in Hyogo Prefecture.
It tells the story of two people: he is in Yokohama, and she is in Kobe.
A Lonely BirthdayKondō Masahiko19rank/position
A song included on Masahiko Kondo’s album “Gingiragin ni Sarigenaku,” imbued with the nostalgic aroma of Showa-era idol pop.
The lyrics, themed around the loneliness of spending a birthday alone, leave a strong impression.
The poignant emotions woven by Takashi Matsumoto’s words and Kyōhei Tsutsumi’s composition resonate deeply.
Released in December 1981, this track is also featured on Kondo’s best-of album “MATCHY☆BEST II.” His clear, transparent vocals heighten the sense of solitude, conveying the feelings of a protagonist who can’t truly celebrate, even on their birthday.
It’s a comforting song for those who’ve experienced parting from someone important or who stand at a crossroads in life.