Kudo Shizuka’s Most Popular Karaoke Songs Ranking [2026]
When you go to karaoke, many people probably sing Shizuka Kudo’s songs, don’t they? I think there are plenty that are easy to sing even for younger people.
Here are recommended popular karaoke songs by Shizuka Kudo, presented in a ranking format.
Hope you find it helpful!
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Shizuka Kudo Karaoke Popular Songs Ranking [2026] (11–20)
AgainKudō Shizuka11rank/position
The group’s second single, Again, was used as the ending theme for the two-part show combining a school drama and variety segments, Peach-Colored Academy City Declaration!!.
Its brisk synth sound and lyrics—evoking the image of someone stepping back for the sake of a loved one—give it a touch of melancholy, don’t they? The melody is intricate with lots of pitch movement, so it isn’t easy, but since the overall vocal range isn’t wide, it should be manageable if you sing calmly.
Also, having a friend add call-and-response parts will make it more fun and give you some breathing room, so definitely give it a try.
FU-JI-TSUKudō Shizuka12rank/position
“FU-JI-TSU,” the fourth single to reach No.
1 on the Oricon charts and the first song to feature lyrics by Miyuki Nakajima.
Its story—being bewildered by an ex-partner’s behavior—may resonate with listeners whose own experiences overlap with the lyrics.
The melody is relaxed and the vocal range isn’t wide, making it easy to sing at karaoke.
However, because the melody moves in small steps, be mindful of each note to avoid going off pitch.
in the skyKudō Shizuka13rank/position
Released on July 17, 1998, “in the sky,” the second track on the 32nd single Kirara, was written and composed by Ryuichi Kawamura and was also featured as an insert song in the drama God, Please Give Me More Time.
It’s a poignant ballad with a soundscape that unfolds on a grand scale, and vocals that send wishes into that vast world, permeating it with longing.
Wishes, resignation—yet the wishing repeats…
It’s a song that reminds you of the precious feelings you’ve kept hidden somewhere amid your busy daily life.
Aphrodisiac from the lipsKudō Shizuka14rank/position
The 9th single “Kuchibiru kara Biyaku,” which was also performed at the 41st NHK Kōhaku Uta Gassen.
The catchy ensemble—like the thrilling piano phrase featured in the intro and the guitar cutting in the backing—really sticks in your ears.
Since many of the melodies repeat the same phrases and the vocal range isn’t very wide, it should be approachable even for those who aren’t confident singers.
It’s a song almost everyone has heard at least once, so it’s a number that can liven up karaoke across generations.
MetamorphosisKudō Shizuka15rank/position
Shizuka Kudo’s classic song “Metamorphose.” Released in the 1990s, it’s characterized by a mischievous yet mature vibe that idols of that era rarely had.
It’s also an easy song to sing.
The main reasons are its limited vocal range and the lack of long sustained notes.
Surprisingly, the range is on the narrow side, so even those who can’t hit high notes can sing it without trouble.
Plus, since there are no long tones, it’s recommended for anyone who struggles with breath control.
Give it a try.
The Hero’s BannerKudō Shizuka16rank/position
Shizuka Kudo continues to showcase her timelessly beautiful singing voice.
This song, for which she also wrote the lyrics under the name Aerie, is a ballad that cheers on everyone facing various hardships.
From beginning to end, the lyrics are filled with encouragement, and listening to this track will surely give you the courage to keep going tomorrow.
Beyond the words themselves, it’s a must-hear song packed with highlights: Kudo’s beautiful, resonant vocals and an emotional, strings-centered accompaniment.
A One-Night LoveKudō Shizuka17rank/position
Among Shizuka Kudo’s discography, which saw a string of hits in the late 1980s, the single released in December 1988 shines with a distinctly mature allure.
Chosen as the image song for the Hakone Open-Air Museum, it became the first Oricon No.
1 of the Heisei era—a classic in every sense.
The song depicts a bittersweet, adult romance where fleeting passion—perhaps just a one-night love—intertwines with anxiety about a future that cannot be seen.
Its gentle, tender ballad style makes it easy to empathize with, and it seems perfect for those who want to sing with rich emotional expression.
I wish you would hold me.Kudō Shizuka18rank/position
Her third single overall, “Daite Kuretara Ii no ni,” is distinguished by its bluesy melody and ensemble.
It’s her first rock ballad as a solo single, and it exudes a sultriness that’s hard to believe came from someone still in her teens at the time.
The song is challenging, with high notes right from the opening and wide interval jumps, but the tempo is quite relaxed, so it’s easier to sing if you approach it calmly.
It’s a crowd-pleaser for karaoke—sing it with an awareness of the bouncing shuffle rhythm and expressive dynamics.
Forbidden TelepathyKudō Shizuka19rank/position
Shizuka Kudo, a female singer who gained popularity in the ’80s.
Even if she didn’t leave a strong impression during her Onyanko Club days, many women in their 50s may have admired her after she went solo.
Among her songs, the one I especially recommend is Forbidden Telepathy.
It’s crafted with a cool musicality that connects to Kudo’s later style, but since it dates from a time when she hadn’t fully developed her abilities as a singer, the vocal lines are kept simple.
About meKudō Shizuka20rank/position
Among Shizuka Kudo’s works, “About Me,” her 11th single, was created by the renowned duo of Miyuki Nakajima and Tsugutoshi Goto, who produced many of her classic songs.
The contrast between the slightly floating, Spanish guitar–featured ensemble and the mysterious lyrics is striking.
While the melody itself is simple, there are many pitch rises and falls, making it easy to go off key, so caution is needed.
Also, since dynamics are more important than technique in this piece, singing with conscious nuance can bring you closer to the original feel.
If you’re confident in your singing, why not give it a try?