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Top Japanese Pop Karaoke Rankings for Men [2026]

We’re excited to present the latest Top 100 karaoke rankings for male-oriented Japanese songs, all in one place, ordered by most views!

If you’re curious about what everyone’s singing at karaoke, this is for you.

If you want to expand your repertoire, be sure to use this as a reference.

The playlist is updated weekly, too!

Male: Popular Japanese Song Karaoke Rankings [2026] (71–80)

RPGSEKAI NO OWARI78rank/position

SEKAI NO OWARI’s classic song “RPG.” This work, which could be called the culmination of the band’s fantastical musical style from their early days, is something anyone born in the Heisei era has probably heard at least once.

Surprisingly, the song’s vocal range is quite narrow, spanning from mid1 C# to hi A.

Since the frequently used notes are also on the lower side, even men with lower voices can sing it without issue if they drop the key.

If you want to boost the quality, try mixing in breaths like Fukase does—doing so will really liven things up at karaoke.

From Me to Youflumpool79rank/position

flumpool “Kimi ni Todoke” Music Video
From Me to Youflumpool

flumpool’s “Kimi ni Todoke” is the perfect song when you want to light up the karaoke room—especially if you want to win over women’s hearts.

It’s a classic that dominated the charts for 11 weeks in 2010 and also drew attention as a movie theme song.

The lyrics overflow with honest feelings for a loved one, leaving an impression of the singer’s gentleness.

But be careful! Their songs demand emotionally rich vocals in a high key.

With proper practice to strengthen your upper range beforehand, you should be able to deliver a performance that elevates the mood on the spot.

Time ParadoxVaundy80rank/position

Time Paradox (Theme Song of the Movie Doraemon: Nobita’s Earth Symphony) / Vaundy: MUSIC VIDEO
Time ParadoxVaundy

A song that conveys the wish for each other’s happiness through a sci‑fi-like expression, as if you and the other person are hiding the future in your pockets.

Vaundy’s distinctive poetic wording and rhythmic melody blend beautifully, delivering a heartwarming message that resonates deeply.

The track was released in February 2024 as the theme song for the film “Doraemon: Nobita’s Earth Symphony.” It was also selected as the ending theme for the “Doraemon” anime, becoming a work loved by a wide range of generations.

It’s a recommended song for when you want to look back on memories with someone special or sing while thinking of that person.

[Male] Popular Japanese Songs Karaoke Ranking [2026] (81–90)

I want to take only you away just like this.DEEN81rank/position

DEEN “I Want to Steal You Away Just Like This <Kiseki Version>”
I want to take only you away just like this.DEEN

DEEN’s debut single is a love song that portrays lingering feelings for a former lover and a yearning to reunite.

Through imagery such as quiet cityscapes and a nostalgic umbrella in the rain, it expresses the protagonist’s loneliness and solitude.

In the chorus, the fervent wish to “take you away” is repeated, infusing the song with a passionate emotion that resonates with many listeners.

Released in March 1993, it was featured in an NTT DoCoMo pager commercial.

The single reached No.

2 on the Oricon Weekly Singles Chart and became a major hit with total sales of approximately 1.293 million copies.

It’s also recommended for those who want to sing an emotional ballad or practice mixed voice.

Why not enjoy belting out this high-tone song at karaoke?

I want to become the wind.THE BOOM82rank/position

A heartwarming message song woven from samba rhythms and Japanese lyrics.

It’s a gem that rides on a light, flowing groove to express the wish to be free together with a loved one.

Released in March 1995 as THE BOOM’s 16th single, it was also included on the previous year’s album “Kyokutou Samba.” Chosen for numerous commercials, including DC Card and J-PHONE, it left a lasting impression on many people.

With rich percussion and the gentle vocals of Kazufumi Miyazawa in perfect harmony, the song was featured in high school music textbooks and, in July 2013, realized a collaboration with a popular idol group on Fuji TV’s “FNS Uta no Natsumatsuri.” It’s a moving track to play when you want to feel the bond with someone special.

SolaninASIAN KUNG-FU GENERATION83rank/position

Japanese rock music, commonly known as J-rock, dominated the music scene during the Heisei era.

It still enjoys enduring popularity today, but many people particularly love the raw, unpolished sound J-rock had back then.

That’s why I recommend Sorani n.

As everyone knows, it’s a classic hit by ASIAN KUNG-FU GENERATION.

The vocal range is fairly narrow at mid1 B to mid2 G#, and aside from the final phrase’s high B#, there are no high passages at all.

Personally, I think even if your pitch wavers on the last line, it can add character—but that might keep you from getting a perfect score.

So if you really can’t belt it, it’s fine to switch to falsetto just to match the pitch.

I LOVE YOUOzaki Yutaka84rank/position

Yutaka Ozaki – I LOVE YOU (Official Music Video)
I LOVE YOUOzaki Yutaka

Released in 1983, this is Yutaka Ozaki’s signature love ballad—so famous that almost everyone knows it.

I’ve taught “I LOVE YOU” in lessons several times, and I feel it’s a tough song for people who struggle with falsetto; many students actually used this song to practice it.

You shouldn’t need to change the key—the original should be comfortable to sing.

Since some people aren’t confident with falsetto, let’s review the key points.

If you’ve mostly been singing in chest voice, you’re probably used to pushing with just your voice without using much breath.

To use your breath properly, humming is important.

Do a nasal hum to create nasal resonance so the sound vibrates in your nose.

Be careful not to force it with your throat.

After a light hum, keep the resonance in the same place and let your singing voice become thinner and lighter.