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MAX's Most Popular Karaoke Songs Ranking [2026]

MAX's Most Popular Karaoke Songs Ranking [2026]
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MAX is a dance-vocal group that took the world by storm from the 1990s into the 2000s.

This time, we’ve listed their most popular songs—those with the highest play counts—in a ranking format.

Enjoy!

MAX's Most Popular Karaoke Songs Ranking [2026]

Ride on timeMAX1rank/position

A Latin-style, danceable track that portrays single-minded love and determination.

It carries a heartfelt, uplifting message about strong feelings for a loved one and the resolve to carve out a future together.

Released in July 1998, the song was also used as the ending theme for the TV Asahi drama “Sweet Devil.” It reached No.

4 on the Oricon weekly chart and won an Excellence Award at the Japan Record Awards.

Its upbeat, energetic vibe is perfect for times when you’re feeling down or need a boost.

MAX’s clear, crystalline vocals and the catchy melody are sure to soothe your heart.

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Together…MAX2rank/position

MAX is a dance-vocal group made up of members from the Okinawa Actors School, captivating fans with their sexy performances.

Their 15th single, “Issho ni…,” which has been featured in various tie-ins including a Nikon COOLPIX commercial song, also drew attention as the group’s first medium-tempo ballad.

Its clear, transparent ensemble evokes the image of lovers blending into a winter landscape.

It’s an emotional karaoke song we especially want women in their 40s—who likely heard it in real time as the same generation—to sing.

Hoshino Takashi
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TORA TORA TORAMAX3rank/position

MAX is a four-member dance-vocal unit.

At the time, Eurobeat-style dance music was popular, and this song followed that trend.

The choreography was widely imitated, and the track became a hit.

It might be a bit intense for a morning tune, but it’s sure to wake you up.

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Give me a ShakeMAX4rank/position

Give me a Shake, a masterpiece of Japanese Eurobeat released in 1997.

It’s a famous song by MAX, needless to say, and it also incorporates elements of Black music, which were still rare in Japanese pop at the time.

Despite that, the vocal line is very easy to sing.

While the range is wide—mid1D to hiF—there are few long notes, and the melodic movement is very gentle.

The tempo also has some breathing room, so as long as you keep the groove in mind, it’s a song that will come together quite well.

Ryo
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