Mrs. GREEN APPLE’s Most Popular Karaoke Songs Ranking [2026]

endlesslyNEW!Mrs. GREEN APPLE76rank/position

Enen

If you’re a fan of the Fire Force series, you might already know this, but doesn’t this song sound similar to Mrs.

GREEN APPLE’s “Inferno”? In fact, since it’s tied to the same work, the phrase from “Inferno” is used in the outro! It’s exciting when you catch details like that, right? Now, to break down the song: the vocal range is C#3 to C#5, and it’s mostly sung in the low-to-mid range, so you probably don’t need to worry about range.

The tempo is a bit fast, so it’s best to memorize the melody well before singing.

Also, there are switches between falsetto and chest voice throughout the song, so I recommend humming along with the track.

Once you can do that, the transitions become much smoother and easier.

Try to hum with your mouth slightly open so you’re not straining your throat, and look for the sensation of resonance between your eyebrows.

When you switch to singing, keep resonating in the same spot! Give it a try!

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Kubota Mami

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Love and GinNEW!Mrs. GREEN APPLE77rank/position

Koito Uta

While Mrs.

GREEN APPLE has many refreshing songs, they also have some passionate ones.

Among them, the one I especially recommend is Koi to Gin.

The basic melody feels like typical Japanese rock, but the way the guitar solo and vocal lines ramp up in the latter half seems somewhat influenced by Prince’s Purple Rain.

For the most part, it’s a quietly sung track, but there are quite a few shouted sections toward the end.

That said, since the high notes are restrained, it’s a relatively easy song to sing as long as you can project, even if you can’t hit very high pitches.

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Ryo

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Seeds of joyNEW!Mrs. GREEN APPLE78rank/position

Seeds of Delight

This song was first unveiled as a secret track on the venue-limited mini-album “Introduction” on July 5, 2014, and later officially included on July 8, 2025, in the 10th anniversary best album “10,” making it a once-lost track! The melody line is gentle and sung with clear enunciation, so even beginners should find it easy to match the pitch bar.

For the verses (A-melody to B-melody), speak carefully and make sure your voice is firmly carried by the mic.

Also, the chorus kicks in around the 3-minute mark, and the overall energy ramps up significantly.

There should be ample opportunities to breathe between phrases, so take a solid breath for each phrase and use that air to project your voice as you exhale.

If you tense up, you’ll end up chest-breathing instead of using your diaphragm, which can make it uncomfortable—so stay calm and breathe steadily!

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Kubota Mami

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I meet peopleNEW!Mrs. GREEN APPLE79rank/position

Mrs. GREEN APPLE “Ga Hōjin (I Encounter People)” Official Stage Mix

A song by Mrs.

GREEN APPLE, included on their first mini-album “Progressive,” released in February 2015.

By the way, the title is apparently pronounced “Gahōjin.” As for Mrs.

GREEN APPLE, first and foremost, vocalist Mr.

Omori’s singing voice contains a great deal of high-order overtones, and that alone may make many people feel there’s a high hurdle to singing this song at karaoke.

On top of that, Omori also has a very wide range of vocal expression, so to reproduce this track as in the original, you’ll need to switch between various vocal techniques and have the ability to understand the song well and express it solidly.

If you’re confident in your singing, definitely give it a try!

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Kei Takahata

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Days and YouNEW!Mrs. GREEN APPLE80rank/position

Hibi To Kimi

It’s a hidden gem beloved by early fans.

It appeared in recordings and live performances around 2015, and it’s characterized by the vivid imagery woven by vocalist Motoki Omori and its delicate melody.

You can hear it in the recordings: compared with today’s confident, crisp Omori, his voice is a bit thinner and wavers slightly, giving a fresh, innocent feel.

The melody rises and falls a bit at the ends of phrases, so it might be hard to picture and sing, but since it doesn’t go into very high notes, it seems best to sing it gently overall.

Try being mindful of projection distance—keep the lower parts closer, and send the higher notes farther—when you sing.

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Kubota Mami

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