Natsuko Nisshoku Popular Songs Ranking [2026]
Introducing popular songs by Natsuko Nisshoku, a singer from Iwate Prefecture.
She began writing songs and lyrics at 12, and placed near the top in a music contest at 19.
Her powerful vocals, distinctive lyrical world, and dynamic piano sound are highly acclaimed.
Seeing is believing—by all means, give her music a listen!
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Natsuko Nisshoku Popular Song Ranking [2026] (21–30)
Freedom of lethal doseNisshoku Natsuko22rank/position

Released in 2018 as a concert-exclusive single, “A Lethal Dose of Freedom” lives up to its striking title, delivering a powerful message about the fear lurking within the seemingly wonderful idea of “freedom.” While the lyrics carry a dark undertone, the light, rhythmic piano and the rhythm section’s pulsing groove create a bright, happy sonic arrangement in contrast.
Though it runs only about two and a half minutes, it’s a track that lets you fully savor Nisshoku Natsuko’s unique worldview.
Flashbang and halationNisshoku Natsuko23rank/position

Nisshoku Natsuko is known for a commanding band sound conjured from a single piano and her powerful vocals.
Though her setup is just piano and drums, she has steadily grown her fan base with a unique musical style that weaves in diverse elements like jazz, rock, and funk.
This work is the lead track from the album “Ginka,” released in May 2025, vividly portraying a protagonist brimming with urgency and fighting spirit.
In the music video directed by Yuka Ueda, the fierce passion residing behind Nisshoku’s calm gaze is expressed with striking visual beauty.
It’s a song that delivers a genuine emotional impact to listeners who continue to engage earnestly with music.
A Recommendation of MusicNisshoku Natsuko24rank/position

Ongaku no Susume is Natsuko Nisshoku’s own answer to the novel coronavirus that spread from 2020.
It was released in 2021 as a limited single of 1,000 copies.
The lyrics present nine rules for enjoying music, and she says the chorus in particular was written under the influence of an artist she saw at a festival she performed at in 2019.
The arrangement was handled by Satoshi Takebe, a leading producer in the Japanese pop scene, resulting in a stable, pop-leaning sound.
black celestial globeNisshoku Natsuko25rank/position

A track included on the album “Two Words of the Wolf,” released in January 2013.
The interplay between the piano and the powerful vocals meshes with the dynamic arrangement to create a truly impactful song.
The lyrics, brimming with strong words, also convey a palpable sense of soul.
BicoloreNisshoku Natsuko26rank/position
This commercial portraying Mizuki Yamashita’s everyday and extraordinary moments is Sumitomo Mitsui Card’s “Small Everyday, Big World” spot.
Built around the concept of turning the small stresses, adventurous spirit, and V Points that accumulate in daily life into various experiences on an overseas trip, it compellingly depicts Yamashita striving to make her life shine.
It makes you feel that Sumitomo Mitsui Card might help with that.
The BGM is ‘Bicolore,’ said to have been written specifically for this commercial—a song by Nisshoku Natsuko, who performs in a piano-and-vocals style.
vaporNisshoku Natsuko27rank/position

“Vapor” was written as the theme song for the film “Terorun to Runrun,” which was featured at the Hiroshima International Film Festival and created a buzz at more than 40 film festivals in Japan and abroad.
The song appears on the second full album “Permafrost,” released in 2019, and expresses inexpressible emotions and feelings through images of drizzle and raindrops.
You can sense Natsuko Nisshoku’s impressions from watching the film during the songwriting process in the poignant piano tones and lyrical vocals.
Be sure to listen to the song together with the film!
white frostNisshoku Natsuko28rank/position

“white frost,” included on the second full-length album Permafrost released in 2019, is a song about the resolve to leave one’s hometown and live in another city.
Natsuko Nisshoku, who spent time in a snowy region, is said to have turned her newfound reluctance to return from there into lyrics.
Centered on piano accompaniment, the sound is elevated by rhythm tracks and strings.
The music video, filmed at New Zealand’s Tasman Glacier and lakeside, conveys the grandeur of the great outdoors.


