PASSEPIED Popular Songs Ranking [2026]
PASSEPIED often draws attention for its approach as “art,” not just music.
Vocalist Natsuki Ogoda not only writes the lyrics but also designs the CD jackets herself, showcasing her artistic talent.
This time, we’re bringing you a ranking of PASSEPIED’s most popular songs.
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PASSEPIED Popular Songs Ranking [2026] (11–20)
cinemapasupie11rank/position

Included on the 1st full album, “The Director Appears.” While dazzling, the song carries an urban, chic atmosphere; paired with the tones of vintage synths, it condenses a retro sonic image and worldview reminiscent of the 1980s.
Neon and Tigerpasupie12rank/position

Passepied is a Japanese rock band formed in 2009.
The world of their music evokes a certain sense of nostalgia.
Among their songs, Neon to Tora stands out with brilliant use of techno-driven technique and pop sensibility.
It’s a track that wraps the cold of winter in a warmly nostalgic breeze.
Before the Dawnpasupie13rank/position

PASSEPIED is a four-piece rock band that has drawn attention with songs that elevate Impressionist classical music into pop rock with a band sound.
Their sixth single, Yoakemae, is particularly striking for its opening with a somewhat oriental melody.
Complex beat patterns and tightly coordinated hits with other parts are scattered throughout the piece, demanding a performance that never lets its guard down.
While each part asserts its presence, the ensemble remains cohesive, so be careful not to shift the rhythm or tempo as you play.
A luxurious excusepasupie14rank/position

A song notable for its music video featuring stop-motion filming with a sketchbook.
Its dramatic and emotional structure is layered with Pasocom Music Club’s signature sparkling sound, and lyrics that brim with their unique worldview—such as “I want to live while feeling the most restricted freedom in this world”—come together to create a track that symbolically represents their post-major-debut style.
signal hijackingpasupie15rank/position

This song became the lead track for their first nationally distributed release, “Watashi Kaika Shitawa.” Even back then—just two years after the band formed—PASSEPIED had already established their signature traits: sparkling synth textures, deft chord work, and playful production tricks like sound effects.
The chorus is catchy yet somehow elusive, making this an early masterpiece that’s quintessentially PASSEPIED.
YES/NOpasupie16rank/position

Among the works produced in the video production practicum of the Digital Hollywood University industry–academia–government collaboration program, the best piece has been released as the music video for this song.
It’s a finished work that fully embraces Paspaley’s distinctive style, clearly expressing the concept of “Japanese-inspired + pop.”
skyrocket; fireworks shot upward (literally: “shoot-up fireworks”)pasupie17rank/position

An early Passepied track.
Included on their first nationally distributed release, this song features a striking, heavily tremoloed guitar phrase that’s distinctive and quirky, yet the chorus lands solidly in super-pop territory.
Rough around the edges in places, it’s a curveball that feels quintessentially them.
Tokinowapasupie18rank/position

This is the song that was used as the ending theme for the anime “RIN-NE” (Kyoukai no Rinne).
The chorus opens with the line “Meguriai megureba meguru, kururi kururi tonari awase,” which feels wonderfully soothing.
Built on synths and piano with guitar adding flavor—true to the core of Passepied’s sound—it’s a quintessential track of theirs and one I’d recommend to first-time listeners.
Democracy Secretpasupie19rank/position

Beyond the song’s development—from an odd-meter intro leading into a bafflingly mysterious guitar riff—the music video, in which a high school–age daughter and her absurdly ripped dad do nothing but keep brawling, showcases a truly one-of-a-kind sensibility.
In every sense, it’s an ambitious piece from their indie days.
Traumereipasupie20rank/position

Composed by Haneda Narita when he was 18—before the band Passepied had even formed—this song is included on their major-label debut, ONOMIMONO.
Coupled with a music video crafted in vocalist Ohgoda’s distinctive illustration and design style, it may be the track that most prominently showcases their unique character.


