PASSEPIED Popular Songs Ranking [2026]

feverpasupie21rank/position

PASSEPIED "Fever" Music Video

Included on their first full-length album, “Enshutsuka Shutsuen” (The Director Appears).

This track became the band’s first-ever single.

Its light, up-tempo beat, glossy organ tones, and Ogoda’s loose, pliant vocals create a uniquely strange atmosphere and a sense of luxury—a new frontier for the band.

Their first live-action music video in the band’s career also drew attention.

The Seven-Colored Boypasupie22rank/position

Passepied – Seven-Colored Boy, Passepied – Nanairo no Shōnen (Music Video)

This is a track included on their second full album, Makunouchi ISM.

While Passepied is known for their dazzling use of synths, this song builds its sound around the piano.

It’s a bright tune, yet it carries a sense of calm and wistfulness—an excellent track.

Tokyo City Undergroundpasupie23rank/position

Passepied – Tokyo City Underground (Music Video)

Starting with a very laid-back beat and a sparse intro, the song’s structure gradually builds toward the chorus, inevitably lifting your excitement as you listen.

The music video, which blends live-action performance with hand-drawn animation, is overflowing with Paspalé’s signature style.

Plastic Girlpasupie24rank/position

PASSEPIED 'Plastic Girl' Music Video

With a slow tempo and languid sound, a wistful melody, and lyrics rich in storytelling that use miniature models as a motif to sing of scenes from days long gone, this early masterpiece by Passepied is sure to tug at the heartstrings.

The animated music video, structured as a story closely linked to the lyrics, brings out more than 100% of the song’s charm and is a must-see.

The Meteorologist’s Melancholypasupie25rank/position

Passepied “The Melancholy of the Weather Forecaster” – Passepied [Kishō Yohōshi no Yūutsu]

Among their songs, this one is relatively old, yet it could also be called a fairly ambitious piece.

There’s hardly any guitar; instead, it features a nursery rhyme-like sound centered on piano and percussion.

The song doesn’t really have a conventional, hook-like chorus, giving it an elusive, peculiar charm.

Tracks like this—outliers in style—are often included one or two per album, especially on their older releases.

Brain Warpasupie26rank/position

Passepied – “Brain War” Music Video

Among Passepied’s songs, this one ranks among the most up-tempo and intense.

Unusual for them, it’s a rock-leaning track where the guitar stands out more than the keyboards, yet even within its brief three-minute runtime it features a great many key changes—technically intricate in true Passepied fashion.

The music video is done in a picture-story-show style, which is unique as well.

△pasupie27rank/position

Sankakkei

It’s a song that showcases Passepied’s uniquely cute vocals, starting with the lyric “What is base × height ÷ 2?” The title is unusual and memorable as well.

The bouncy rhythm feels great, and it’s really satisfying to hum along—give it a try.

The keyboard solo that comes in partway through is also charming and stylish.

An autumn daypasupie28rank/position

Passepied – Autumn Day

This track blends a Japanese-style melody with mechanical synth sounds to create a mysterious atmosphere.

It’s also interesting how it subtly evokes an autumn landscape.

I think it would be fun to sing it with a laid-back vibe, like Passepied.

The sunset is the sea of life.pasupie29rank/position

PassePied – Sunset Is the Sea of Life

A track included on Passepied’s first nationally distributed album, “Watashi Kaika Shitawa.” It’s a song where lyrics that feel as though Impressionist classical music—reflecting keyboardist Haneda Narita’s background—have been set to words blend seamlessly with a composition reminiscent of New Wave.

cherry blossom frontpasupie30rank/position

Cherry Blossom Front – Passepied

Opening the landmark first mini-album, this track is distinguished by its dramatic development and an elusive, hard-to-grasp melody.

I’ve heard that “Impressionism + pop rock” was Passepied’s original concept, and this song truly embodies that idea.

Above all, Narita Haneda—the band’s keyboardist and principal songwriter—demonstrated nothing short of remarkable skill by so perfectly establishing the concept on their very first release.