Sharam Q, the band behind numerous million-selling hits like “Sly Woman” and “Single Bed.” Known for having Tsunku as a member, they also entertained households with their unique personalities on variety shows.
Here’s a ranking of their most popular songs selected from their many hits.
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Sharan Q Popular Song Rankings [2026] (1–10)
single bedSha ran Q1rank/position

The song “Single Bed,” renowned as one of the great ballads of the Heisei era, is also a signature work of Sharam Q and is still frequently sung at karaoke today.
Its range spans mid1 C# to mid2 G#, so it’s not extremely low, but because the more energetic phrases can be delivered with a rich lower–mid register, it’s a piece that lets men with lower voices showcase their appeal.
Using the hiccup vocal technique further enhances a masculine quality, so give it a try for reference.
Sly womanSha ran Q2rank/position

A track with a funky, glittery sound that really stands out! The lyrics depict dissatisfaction and complex emotions in a romantic relationship.
The protagonist deeply loves their partner yet senses insincerity, feeling anger and sadness.
The charm lies in the contrast between the light, poppy vibe and the emotional lyrics.
Released in May 1995, it peaked at No.
2 on the Oricon Weekly Chart.
It’s also included on the album “Shoubushi” (Gambler).
The song was used as the ending theme for Fuji TV’s “Imada Koji no Shibuya-kei Uralingo.” Highly recommended for those who’ve experienced heartbreak or are grappling with complicated love.
The Song of Koike, the Ramen LoverSha ran Q3rank/position

A humorous track that sings about a love for ramen as if it were a romantic ballad, this is an unconventional piece inspired by characters from Fujiko Fujio’s manga works.
Its clever lyrics portray blissful moments with beloved ramen as though they were secret rendezvous with a lover, sure to bring a smile to your face.
The silky, seemingly love-song-like melody line is deliciously transformed into a declaration of affection for ramen.
The song won the Grand Prix at the NHK Music Contest in 1991, and a remake produced by Dance☆Man was released in March 2000.
Paired with an anime-style music video, it perfectly captures Sharam Q’s signature playful spirit.
It’s a must-listen for anyone with a passion for food or a keen sense of humor in music.
Tokyo StorySha ran Q4rank/position

A Sha la Q number that vividly captures that bittersweet yet hope-filled moment of leaving your hometown for the big city.
Released as a single in January 1994, it’s also included on the classic album “Lost Time.” At the time, it was used as the ending theme for TV Tokyo’s “Asakusabashi Young Yōhinten,” among other placements, which rapidly boosted the band’s recognition.
In fact, it was produced on the brink of their contract being terminated if it didn’t sell—but it became a smash hit and a dramatic comeback that changed their fate! The anxieties of setting out on your journey and the complicated, hard-to-process feelings of being seen off are portrayed with striking realism over song-driven rock that anyone can relate to.
If you’re about to chase your dreams in a new place, let this track give you the courage to turn your unease into strength and take that first step!
Look at the sky.Sha ran Q5rank/position

The eighth single by the rock band Sharam Q, led by Tsunku♂.
Chosen as the image song for Nippon TV’s baseball broadcasts, ’95 Gekikūkan Pro Yakyū, it followed the previous massive hit and reached No.
3 on the Oricon weekly chart.
When you’re feeling troubled or stuck, looking up for a moment can reset your mind and help you move forward—the song delivers that positive message over a refreshing acoustic sound.
Released in August 1995, it’s a recommended track to lighten your heart when you hit a wall at work or in daily life.
excuseSha ran Q6rank/position

One of Sharam Q’s biggest hit singles and a signature song.
Its lyrics portray the miscommunication and lingering feelings in romance with both humor and poignancy, resonating strongly with young people at the time.
Singing Sharam Q at karaoke inevitably gets everyone hyped! Tsunku’s distinctive slightly nasal tone really sets the mood.
If you’re not used to a nasal delivery, it can throw off your pitch, so I recommend not overthinking it and projecting your voice firmly.
Especially in the chorus, singing out strongly adds contrast and makes the song sound cooler overall!
Until My Babe-kun falls asleepSha ran Q7rank/position

Sharan Q is a band that gained popularity for its original musicality, combining the essence of kayōkyoku with rock.
They’re well-regarded for their ballads, and among them, “My Babe Kimi ga Nemuru made” is especially recommended as an easy song to sing.
The vocal range is quite narrow, from mid1 C# to mid2 G#.
They frequently use a technique called ‘hiccup’ at the start of each phrase, so mastering this will quickly elevate the overall quality.
Give it a try for reference.
Taxi driverSha ran Q8rank/position

Sharan Q is a band that has produced numerous hit songs, led by tracks like “Single Bed.” While they’re often associated with classic, mainstream tunes, they actually have some quirky works too.
One of those is “Taxi Driver.” This song was created as the opening theme for the talk segment of the popular comedy show “Downtown no Gaki no Tsukai ya Arahende.” With lyrics written by Hitoshi Matsumoto, it features exceptionally unique lines.
Give it a try at karaoke!
The New “Ramen-Loving Mr. Koike” SongSha ran Q9rank/position

This is a revamped version of the original song “Ramen-Loving Koike-san,” rearranged by Dance☆Man.
The call-and-response parts are fun, and the bubbly sound is sure to lift your spirits.
Surprisingly, not many people know this song, so I highly recommend it.
(By the way, since I didn’t have the original audio, I’ve attached a karaoke track.)
18 monthsSha ran Q10rank/position

It’s Sharan Q’s debut single.
The song expresses the sadness of being left alone in the apartment where they had lived together for 18 months.
Although it didn’t perform well in terms of sales, it’s still a very good song to listen to now.
The music video, which has absolutely nothing to do with the song’s content, is also amusing.


