Masaki Suda Popular Song Rankings: Check Out the Must-Listen Tracks

By the time the rain lets upSuda Masaki22rank/position

By the time the rain lets up

This bluesy rock sound is a perfect fit for the rainy season.

Released in August 2017 as the B-side to Masaki Suda’s single “Kokyuu” (“Breath”), this track was later included on his debut album PLAY.

It carries a very warm theme that looks forward while nostalgically reflecting on time spent with friends.

The image of the rain lifting overlaps beautifully with the inner shift toward standing up again.

June can be gloomy with all the rain, but why not sing it at karaoke while thinking of old friends?

Asakusa KidSuda Masaki × Kiritani Kenta23rank/position

Masaki Suda × Kenta Kiritani – Asakusa Kid

The 2017 film Hibana, starring Masaki Suda and Kenta Kiritani and based on a work by Naoki Matayoshi, featured this song Asakusa Kid as its theme.

The track is also well-known for being written, composed, and sung by Takeshi Kitano.

Tied to the film’s portrayal of the struggles of comedians, Kitano’s song was released in 1986, making it an easy choice to perform at karaoke with people from that generation.

It has almost no high notes, so it’s easy to sing even for those with lower voices.

It also sounds cool as a duet.

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You (A cappella)Masaki Sugata, Ayami Nakajo24rank/position

In Toyota’s Corolla Sport commercial, Masaki Suda and Ayami Nakajo enjoy a cheerful driving date while singing, making it a visually and aurally beautiful, wonderful ad.

The song they harmonize so beautifully on is MONGOL800’s famous track “Anata ni.” It’s one of MONGOL800’s signature numbers and such a crowd favorite that audiences sing along in unison at festivals.

The song, which became a runaway hit, is included on the album “MESSAGE,” renowned for its phenomenal indie sales.

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Opera Aida ‘Triumphal March’Matsuda Shota, Kiritani Kenta, Hamada Gaku, Arimura Kasumi, Nanao, Suda Masaki, Kawaei Rina25rank/position

Aida: Triumphal March

KDDI’s commercial, “Zenryoku Aida” (Full-Power Aida), supports Japan’s national soccer team.

When it comes to soccer, this is the song—hearing it instantly brings the sport to mind.

Its official title is the “Triumphal March,” the second piece in Act II of the opera Aida.

Even though the vocals are basically just “Oh,” it’s incredibly catchy and stirs your fighting spirit.

You might not know the opera, but this one track conjures up the soccer pitch in your mind.

It’s classical music, but it’s become inseparable from soccer.

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Gray and BlueYonezu Kenshi × Suda Masaki26rank/position

Kenshi Yonezu – Gray and Blue (+Masaki Suda)

A bittersweet yet beautiful song that vividly evokes memories of youth.

The unforgettable vocals woven by two artists, Kenshi Yonezu and Masaki Suda, stir nostalgia for days gone by and offer a chance to reflect on who we are now.

Released in October 2017, this track was included on the album BOOTLEG and resonated with many listeners.

For those in their twenties who feel they’re gradually losing the innocence of their adolescence, this song may hold special meaning.

It’s a moving piece that lets you look back on friendships and your student days.

7.1ozSuda Masaki27rank/position

[스다마사키]7.1oz

This song, which showcases Masaki Suda’s expressive vocals, is known as one of the tracks that shapes the worldview of the album “LOVE.” With lyrics that feel like snapshots of everyday life and a distinctive sense of rhythm, it was written and composed by the singer-songwriter Huwie Ishizaki.

The song itself is clearly divided between parts that are sung in a matter-of-fact way and parts that are delivered more emotionally.

Rather than focusing too much on precise pitch, it might be better to approach it by articulating the lyrics with feeling.

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Kubota Mami

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Sensation SeasonSuda Masaki28rank/position

Masaki Suda “Sensation Season”

This track is included on the EP “SENSATION CIRCLE,” released on January 14, 2026, and serves as the EP’s lead song.

Within the collection themed around the five senses, it expresses “touch,” with lyrics and composition by Mr.

Sugata and Mr.

Shuta Nishida.

Created with trusted live band members, it’s a song that blends a driving feel with a bittersweet atmosphere.

The overall vocal range spans C#3 to A#4, with an arrangement that builds toward the latter half; the final chorus, in particular, lifts to sustained higher notes.

When singing it, if you can really hit that last section solidly, it feels great to sing.

As the notes rise, projecting your voice boldly into the distance should help you deliver them cleanly.

Going all in is key.

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Kubota Mami

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