Hiroko Taniyama Popular Song Rankings [2026]

Hide-and-seek at homeTaniyama Hiroko15rank/position

Hide-and-Seek at Home — Yuki Saito, Hiroko Taniyama (with lyrics)

It was originally a song provided to singer Yuki Saito, and this is the self-cover version.

It’s included on the 2011 album “Yumemiru Chikara.” It’s a charming, nursery rhyme–like piece about searching for something that’s gone missing.

While looking for the lost item, the older sister realizes she can’t see her younger sister.

She seems to be nowhere to be found… just when they’re about to give up, she suddenly appears.

It’s a humorous song that feels as if a child’s sensibility has been turned directly into music.

It might be fun to compare it with Yuki Saito’s version.

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Araki Jakkan

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Teru’s SongTaniyama Hiroko16rank/position

From 'Tales from Earthsea' — Therru's Song — Felice Conservatory

From ‘Tales from Earthsea.’ Aoi Teshima’s original version was used as an insert song.

It was her debut single and became a major hit.

Hiroko Taniyama, who also composed the piece, is a singer-songwriter.

She made her debut after bringing a song she had written to a record company.

The lyrics are based on Sakutaro Hagiwara’s poem ‘Kokoro’ (Heart), and they reflect the protagonist’s loneliness and sense of isolation.

It’s a song that perfectly matches the film’s worldview and can be considered synonymous with the movie itself.

Goddess of the Crescent MoonTaniyama Hiroko17rank/position

Goddess of the Crescent Moon

Saying that the moon is watching over you feels comforting, but in Hiroko Taniyama’s “Goddess of the Crescent Moon,” the crescent moon is actually targeting you… Terrifying.

As expected of a singer renowned as one of the best at performing scary songs.

This song is included in “Skysong Anthology,” which spans twenty of Taniyama’s albums.

I miss youTaniyama Hiroko18rank/position

I Miss You — Hiroko Taniyama

When we think of a stalker, we picture one-sided feelings, someone who charges ahead without considering the other person’s feelings, unable to see themselves—that’s the defining trait, right? That’s what makes it scary.

But with this song, Hiroko Taniyama’s “Aitakute,” I don’t feel that fear.

It’s a track where emotions that have piled up end up sounding one-sided.

It’s a song in which earnest feelings press in with overwhelming force, yet you can still sense a sliver of composure—a bit of ability to look at oneself objectively.

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utatane

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kingdomTaniyama Hiroko19rank/position

Kingdom by Hiroko Taniyama

A single song that sings of a world for just the two of them, graced by a beautiful, fantastical melody.

Fairy-tale-like lyrics and a gentle tempo draw the listener in.

Only two people live in the kingdom, and even the sun does not shine there.

Though it overflows with unfathomable sorrow, the boy is content—because he can be alone with his beloved princess in a space where no one can disturb them.

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en

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If we make it togetherSakushi: Taniyama Hiroko / Sakkyoku: Tanimoto Arata20rank/position

If we make it together

Known as a popular song from the TV program “Okaasan to Issho,” this piece captivates children with its very cute melody.

The story is about Shape-kun and Color-san meeting and creating something together, which sets the world in motion.

It conveys the importance of cooperation and the joy of making something as a group.

It’s great for recitals and concerts, but it’s also easy to sing during everyday childcare activities.

Once you learn it, you’ll find yourself humming it when everyone’s working together to make something!

Teru’s SongTeshima Aoi / Taniyama Hiroko21rank/position

From Ghibli’s Tales from Earthsea: “Therru’s Song” [Piano Beginner · Easy]

The theme song from the film Tales from Earthsea, which begins with Aoi Teshima’s a cappella part.

Many listeners were surely captivated by the sheer beauty of her opening voice.

Built on a simple, repeating melody, it’s easy to memorize and a great piece for beginners to tackle.

Once you can play the melodic line beautifully and smoothly, you could say the piece is practically complete! After you’ve firmly mastered the right hand, start adding the left-hand bass notes.

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yuri

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