![The Tigers’ Most Popular Songs Ranking [2026]](https://i.ytimg.com/vi_webp/JUO5oCae_FI/maxresdefault.webp)
The Tigers’ Most Popular Songs Ranking [2026]
Debuting in 1967, The Tigers were a Group Sounds band that enjoyed explosive popularity.Until their breakup in 1971, they produced many hit songs.Here, we’ll introduce a ranking of their most popular tracks.
The Tigers’ Most Popular Songs Ranking [2026]
Flower NecklaceZa Taigāsu1rank/position
Released in March 1968, this song was the Tigers’ seventh single.
It has a unique backstory: it was created based on a piece by a female student from Hokkaido, selected from about 130,000 submissions.
The lyrics depict a fairy-tale-like, dreamlike world, and the melody is romantic and graceful.
Katsumi Kahashi’s high-toned vocals further enhance the atmosphere.
Beginning with maidens weaving daisy chains in a blooming field and progressing through a transformation into a swan before introducing a flower necklace symbolizing love, the narrative-rich development draws you in.
Why not listen closely, letting it overlap with the sweet and bittersweet memories of youth?
Seaside BoundZa Taigāsu2rank/position
This is The Tigers’ second single, released in May 1967.
The song was a huge hit, selling over 400,000 copies and cementing their popularity.
It’s known for its buoyant, breezy melody that makes you want to move, said to incorporate the rhythm of Awa Odori.
Once you hear the “la-la-la” chorus, you’ll feel transported to a tropical beach.
The bright vocals convey a straightforward, bubbly desire to dance with someone you love in front of a blue ocean.
Some may remember it later being used as the theme song for the drama “Yattaze Baby!” Why not indulge in some sparkling summer memories?
Love only for youZa Taigāsu3rank/position
Are you familiar with the classic hit released by The Tigers, the reigning champions of Japan’s Group Sounds scene in the 1960s? Released in January 1968, this fourth single was created by a stellar team: lyrics by Jun Hashimoto and composition/arrangement by Koichi Sugiyama.
Infused with a pure and passionate message of love, the song remains one of The Tigers’ signature works, cherished by many to this day.
Its lyrics, carried by a sweet and wistful melody, express the mutual trust in love between two people, resonating deeply with listeners.
It’s also a great recommendation for younger generations, as it evokes the innocence of first love.
Please stay a woman with color (vibrance).Za Taigāsu4rank/position
Released in 1982 as The Tigers’ 17th single overall.
It served as the spring image song for KOSÉ Cosmetics, and The Tigers also appeared in the TV commercial.
The lyrics were written by Yū Aku, and this became The Tigers’ first song in 12 years to rank in the Oricon Top 10.
Mona Lisa’s SmileZa Taigāsu5rank/position
It’s a classic song by The Tigers from the peak of the Group Sounds era—an exquisitely heartfelt piece at a time when most hits were electric and upbeat.
“Mona Lisa’s Smile” is of course referring to that famous painting, but here it evokes quietly waiting on a gently rainy Sunday—not a downpour—for someone to come home, longing for a smile like the Mona Lisa’s.
To be loved that much would be happiness itself.
Pigeons of the RuinsZa Taigāsu6rank/position
Known by his nickname “Julie,” Kenji Sawada continues to be active as a musician and actor, and this is the seventh single by The Tigers, the group he fronted.
The lyrics, carried by the distinctive melancholy and airy feel of Group Sounds, poignantly depict the darker sides of human nature.
They convey both the folly of war—which can destroy in an instant what people have built—and a sense of hope that we can learn from our mistakes.
In acknowledging human frailty while believing in our strength, the song can be heard as a kind of prayer.
With its memorable message that anyone can start over as many times as it takes, it’s an anti-war song the whole world should know.
Mona Lisa’s SmileZa Taigāsu7rank/position
This was the third single by the Japanese Group Sounds band The Tigers, released in August 1967 (Showa 42).
At the time of the song’s release, today’s Oricon chart didn’t yet exist, but it reportedly reached No.
1 in the magazine Young Music (published by Shueisha).
Julie (Kenji Sawada)’s beautifully resonant, wistfully moving vocals over the gorgeous, bittersweet melody are truly striking.
Compared with modern songs, music from that era is notably short in length; this track also runs just under three minutes, yet it still presents a clear beginning, development, twist, and conclusion, and vividly conveys the song’s world and imagery.
Another classic from the Showa era! Please enjoy!
