T.M.Revolution Karaoke Hit Song Rankings [2026]
T.M.Revolution is Takanori Nishikawa’s solo project, which organizes the Inazuma Rock Fes held annually in Shiga Prefecture.
They’re also known for songs from Gundam SEED, and their fan base spans a wide range of ages.
So this time, we’re announcing the ranking of T.M.’s most popular karaoke songs.
Yo! Say!
- T.M.Revolution Popular Song Rankings [2026]
- Hit and popular songs by T.M.Revolution
- [For People in Their 40s] Karaoke Songs That Are Easy to Sing: 2026 Ranking
- UVERworld Karaoke Popular Song Rankings [2026]
- Popular Gundam Song Rankings [2026]
- [For People in Their 50s] Ranking of Easy-to-Sing Karaoke Songs [2026]
- Karaoke Ranking of Popular Hikaru Utada Songs [2026]
- Takanori Nishikawa’s Most Popular Songs Ranked: Exquisite Tracks You’ll Love More with Every Listen
- T.M.Revolution Christmas Songs and Popular Tracks Ranking [2026]
- Recommended songs by Takanori Nishikawa. Carefully selected masterpieces that will captivate you once you listen.
- X Japan Karaoke Popular Song Rankings [2026]
- Anime Songs Karaoke Popularity Rankings [2026]
- TRF Karaoke Popular Song Rankings [2026]
T.M.Revolution Karaoke Popular Song Ranking [2026] (1–10)
Blue Thunderbolt ~JOG edit~T.M.Revolution8rank/position

The seventh single by T.M.Revolution, released on February 25, 1998.
The composition was handled by Daisuke Asakura! With edgy guitars and vocals that crackle with lightning-like energy, “love is a heart with ulterior motives underneath!” It’s a memorable track that captures the turmoil of a tantalizing romance, with lyrics that feel a bit like riddles.
So then, is “love a heart with sincerity right in the middle?”
Preserved RosesT.M.Revolution × Mizuki Nana9rank/position

This is a duet song by T.M.Revolution, the solo project of Takanori Nishikawa, and Nana Mizuki, who enjoys overwhelming support as a voice actress and singer.
Released as a single in May 2013, it became a major topic as the opening theme for the anime Valvrave the Liberator.
The lyrics, which deeply reflect the anime’s worldview—such as eternal life and collapse—are distinctive.
The structure, in which both artists’ powerful high notes intersect to build a single world, feels like a vocal battle.
If two confident vocalists take on this song, the energy level at karaoke is sure to hit its peak.
HEART OF SWORD ~Before Dawn~T.M.Revolution10rank/position

This is a gem of a song, known as the ending theme of the anime Rurouni Kenshin, that powerfully sings of loneliness and hope.
Set in the stillness before dawn, its strong will to believe in one’s own path and move forward is expressed through a forceful melody.
Its striking, tempestuous sound and emotionally rich vocals resonate together, piercing deeply into the listener’s heart.
Released as T.M.Revolution’s third single in November 1996, it was used twice as an ending theme during the anime’s broadcast run.
It has been included on numerous acclaimed records, such as the albums “restoration LEVEL→3” and “B★E★S★T.” When you feel lost in life or are facing an important decision, listening to this song is sure to give you the courage to take a new step forward.
T.M.Revolution Karaoke Popular Songs Ranking [2026] (11–20)
Phantom PainT.M.Revolution11rank/position

This is a love song by T.M.Revolution, whose unique sensibility in interpreting Japanese pop music and bright personality are widely recognized.
The sound suits listeners in their thirties and makes you want to sing it at karaoke.
THUNDERBIRDT.M.Revolution12rank/position

Released in 1998 as T.M.Revolution’s ninth single.
It was his first ballad single and was used as the ending theme for the TBS program “Hitachi Sekai Fushigi Hakken!” (Discovery of the World’s Mysteries).
It reached No.
3 on the Oricon Weekly Singles Chart.
Despite being a ballad, it’s a song where the powerful, passionate vocals convey deep emotion.
ignited -Ignited-T.M.Revolution13rank/position

Takanori Nishikawa’s vocals have a solid core and are known for their sustained long tones.
This time, let’s focus on T.M.Revolution’s “ignited.” The overall range of the song is G#3 to B4, which is surprisingly not too wide, so I think it’s easy for the average male singer to handle.
However, the parts that require strong projection are where Nishikawa really shines, so if you make a conscious effort to articulate every phrase clearly, your chest voice will come through more distinctly.
The long tones come at the ends of the chorus lines, so make sure to take a solid breath leading into them and keep it going all the way to the end.


