T.M.Revolution Popular Song Rankings [2026]
Of course, he’s active as an artist, but Takanori Nishikawa of T.M.Revolution also makes a strong impression as a TV personality and radio host.
From T.M.Revolution’s many widely loved songs, we’ll introduce the most popular ones in a ranking format.
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T.M.Revolution Popular Song Ranking [2026] (21–30)
LOVE SAVERT.M.Revolution21rank/position
A double A-side track included on T.M.Revolution’s 14th single “Madan ~Der Freischutz~,” released on September 6, 2000.
Also used as the theme song for “Super Soccer,” this tune is bursting with a sense of speed.
It charges forward from the very first verse, and the punch right before the chorus is especially cool! It’s guaranteed to get you hyped, so definitely give it a listen!
Out Of Orbit ～Triple ZERO～T.M.Revolution22rank/position
Released in February 2002, this is T.M.
Revolution’s 16th single.
It’s a powerful track that’s quintessentially T.M.
Revolution.
Opening with the lyrics “Let’s get on board and charge toward our racing destiny,” the song inspires courage in its listeners.
The backing sound brims with a sense of speed, making it a perfect track to boost your energy!
Phantom PainT.M.Revolution23rank/position
I won’t say where, but this is a very grand ballad that was used as the theme song for the commercial of Delicare M’s, a medicine applied to a delicate area.
It’s a track by T.M.Revolution, Takanori Nishikawa’s solo project, released in 2014 as his 27th single.
A version with different lyrics was used in the commercial.
So “Phantom Pain” itself is not a quirky jingle, but a thoroughly earnest and poignant piece.
Doing something like this is very much in line with Nishikawa’s sense of humor, isn’t it?
RAIMEIT.M.Revolution24rank/position
Released in August 2016, this song also served as the theme for Thunderbolt Fantasy: Sword Seekers and is an energetic, high-spirited track brimming with T.M.Revolution’s signature style.
It’s amazing how T.M.Revolution never seems to show his age, no matter how many years go by.
WILD RUSHT.M.Revolution25rank/position
This song was used as the commercial jingle for Shiseido’s T’ISSELA shampoo.
Many of you have probably heard it.
Released in 1999, it is T.M.Revolution’s 11th single.
It’s a bright, refreshing, and powerful track that’s quintessentially T.M.Revolution.
Also be sure to check out the music video, which brims with a wild vibe—just like the word “jungle” sung in the chorus!
Web of NightT.M.Revolution26rank/position
It’s the Japanese theme song for the film Spider-Man 2.
There are both Japanese and English versions, but it seems the English version is mainly performed at live shows.
The song has a grandeur and coolness that differ a bit from their usual style, matching the mood of the movie.
ZipsT.M.Revolution27rank/position
A powerful song that portrays an epic battle set in space with high-velocity electronic rock! Takanori Nishikawa’s passionate vocals brilliantly capture the protagonist’s wavering emotions and steely resolve amid the fight.
Released in February 2004, this track was used as an insert song in Mobile Suit Gundam SEED, and in the climax scenes its thunderous sound further heightened the story’s tension.
It’s a powerful anthem perfect for pivotal moments, driving you to shake off hesitation and push forward!
resonanceT.M.Revolution28rank/position
It’s the opening theme of Soul Eater, which was serialized in Monthly Shonen Gangan.
The anime’s major theme is “souls,” a word that also appears in the lyrics, and the song’s up-tempo yet slightly dark vibe matches the show very well.
Dictatorship -monopolize-T.M.Revolution29rank/position
This is the debut single of the solo project T.M.Revolution, launched with Takanori Nishikawa—who had made his major debut as the vocalist of the visual kei band Luis-Mary—under the production of music producer Daisuke Asakura.
The song was used as the opening theme for the variety show “Shukan Stamina Tengoku,” and despite being a debut track, it already exudes a fully formed presence with its powerful vocals and crystalline synth sound.
Moreover, the release date—May 13, 1996—fell on a “Butsumetsu” day and on the 13th, considered unlucky in the West, further underscoring its defiant stance.
A thrilling number that marked the beginning of Takanori Nishikawa’s journey as a solo artist.
Navel Lady – VenusT.M.Revolution30rank/position
T.M.Revolution’s second single, released in 1996.
The song served as the ending theme for the variety show “Q99.” It’s a refreshing, mid-tempo pop number with that signature Daisuke Asakura sound, perfect for summer.
Also, don’t miss Nishikawa’s sexy presence in the music video.