![T.M.Revolution Popular Song Rankings [2026]](https://i.ytimg.com/vi_webp/vBmU5v2EyxM/maxresdefault.webp)
Of course, he’s active as an artist, but Takanori Nishikawa of T.M.Revolution also makes a strong impression as a TV personality and radio host.
From T.M.Revolution’s many widely loved songs, we’ll introduce the most popular ones in a ranking format.
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T.M.Revolution Popular Song Rankings [2026] (1–10)
Revolutionary DualismMizuki Nana × T.M. Revolution1rank/position
A grand duet in which two opposing voices intertwine, guiding the listener toward new possibilities.
Its up-tempo rhythm and powerful vocals vividly express the will to break through the status quo and carve out the future.
Released in October 2013 as the second collaboration between Nana Mizuki and T.M.Revolution and used as the opening theme for the second season of the TV anime Valvrave the Liberator, the song reached No.
3 on the Oricon Weekly Chart.
With its energetic sound and lyrics that portray bonds of the heart, it’s a perfect track to energize karaoke sessions among friends.
WHITE BREATHT.M.Revolution2rank/position
T.M.Revolution’s sixth single, a love song set in the cold season.
Takanori Nishikawa’s powerful vocals convey the loneliness of winter and the longing for warmth.
It was chosen as the opening theme for NHK’s “POP JAM” and became a hit, reaching No.
1 on the Oricon chart.
The song is also included on the best album “B★E★S★T” and has been covered by many artists.
It’s a track you’ll want to listen to when you feel like spending a chilly day with your lover, or on a winter night alone.
INVOKET.M.Revolution3rank/position
Among the Gundam series, Mobile Suit Gundam SEED enjoys immense popularity.
As the show’s first opening theme, this song brilliantly captures its world.
The lyrics, depicting conflict and inner struggle, combined with a fast-paced digi-rock sound, still set hearts racing today.
Released in October 2002 as T.M.Revolution’s 17th single, it also drew major attention for Takanori Nishikawa’s appearance as a voice actor.
The track is included on the album “coordinate” and was recognized as a classic at the 2019 Heisei Anisong Awards.
For men in their 40s who watched the anime back then, the moment the intro plays, memories of that time are sure to come flooding back.
Belt out the exhilarating chorus and fire up the karaoke room!
ignited -Ignited-T.M.Revolution4rank/position
A powerful number that fuses electronic sounds with hard rock, depicting the resolve and inner conflict of a protagonist swept up by the fate of battle! The heavy sound woven by synthesizers and fierce guitar riffs captures the very tension of an interstellar war.
Released in November 2004, this song was selected as the first opening theme for the TV anime Mobile Suit Gundam SEED DESTINY, and it claimed the top spot on the Oricon Weekly Chart for the first time in about six years.
The lyrics, imbued with a strong will to uphold one’s beliefs on the battlefield and a pure desire to protect the ones you love, are sure to push you forward when you face major life decisions.
Preserved RosesT.M.Revolution × Mizuki Nana5rank/position
A high-energy rock number where overwhelming vocals collide.
It captures the fragility of trying to turn a fleeting dream into eternity and the protagonist’s resolve to reject an unwanted morning despite carrying loneliness.
The sound, with vocals intersecting as if competing, sets listeners’ hearts ablaze.
Released in May 2013, this track was used as the opening theme for the TV anime Valvrave the Liberator.
It was a hit, selling over 115,000 copies in its first week, and the collaboration between T.M.Revolution’s Takanori Nishikawa and Nana Mizuki drew major attention.
Riding an intense beat, this song is perfect for getting the crowd going at karaoke.
Why not belt out its intricate parts in tight sync with your partner?
Burnin’ X’masT.M.Revolution6rank/position
When it comes to energetic Christmas songs that light up winter nights, this is the one.
Released in 1998 as T.M.Revolution’s 10th single, it wasn’t tied to any media, yet still sold an impressive 492,000 copies, rivaling the previous release.
The lyrics boldly depict the feelings of a hapless man tossed around by love—so bold, in fact, that producer Daisuke Asakura reportedly called it “an outrageous act” for a Christmas song.
It’s the perfect track to hype up a party or year-end gathering.
Belt it out together like T.M.Revolution, and you’re guaranteed to get the crowd going!
HIGH PRESSURET.M.Revolution7rank/position
A song with a sparkling sound and an uplifting message.
Its powerful yet soaring vocals blend beautifully with electronic elements.
Recorded in July 1997, this track was featured in a Lotte “Sweetie Ice” commercial and reached No.
4 on the Oricon weekly singles chart.
It was also used as the opening theme for the Taiwan/China versions of the TBS anime B’T-X.
A perfect summer tune for those who want to enjoy the hot season to the fullest or are looking for a spark to start a new romance.
HOT LIMITT.M.Revolution8rank/position
T.M.Revolution’s “HOT LIMIT” is the eighth single, released in 1998, and it’s well-loved as a summer staple.
The energetic, digitally driven sound by Daisuke Asakura combined with Takanori Nishikawa’s powerful vocals emphasizes the heat and momentum of summer.
Including the provocative costume and distinctive world in the music video, it leaves the impression of being a signature song for T.M.Revolution.
Among the many commercials it’s been used in, the Mitsuya Cider ad was especially notable, where pairing it with Ichiro’s presence further highlighted the song’s intensity.
THUNDERBIRDT.M.Revolution9rank/position
In stark contrast to the powerful image showcased in HOT LIMIT, this is the first grand ballad T.M.Revolution presented to the world.
Its dramatic sound evokes heavy rain, while Takanori Nishikawa’s emotionally rich vocals resound, powerfully stirring the listener’s heart.
Released in October 1998, the song was used as the ending theme for the TV program Sekai Fushigi Hakken! (Discovery of the World’s Mysteries).
It later became a catalyst for him to work on the theme songs for Mobile Suit Gundam SEED, making it a significant track for fans.
BOARDINGT.M.Revolution10rank/position
It was used as the ending theme for the drama “Wakaresaseya.” This single was also the last work produced by Daisuke Asakura; from then on, TMR (Nishikawa) has self-produced his releases.
Including its tie-in and Asakura’s involvement, the song leaves a strong impression of parting and setting off on a new journey.